Crash Crew | |
---|---|
Background information | |
Origin | New York City, New York, United States |
Genres | Hip hop |
Years active | 1977–present |
Labels | Sugar Hill |
Members | G. Man La Shubee Barry B-Stro Ek Mike C. Reggie Reg |
Past members | DJ Daryll C (deceased) |
Crash Crew is an American early hip-hop group who recorded for Mike and Dave Records in 1980 and then signed to Sugar Hill Records. [1] The group, based in Harlem, Lincoln Projects New York City, consisted of members DJ Daryll C. (who died in 1999 due to diabetes), G. Man, La Shubee, Barry B-Stro, Michael EK Shahid (Ek Mike C), and Reggie Reg. Later in their career, they were briefly managed by Jimmy Spice, who also briefly managed Jesse D (Force MDs).
The Crash Crew were some of the first Emcees to sing on records and during live performances. The group has performed with some of the biggest names in Hip Hop. According to JayQuan.com, the six grew up in the surroundings of Lincoln projects (in Harlem, New York), and in 1977 the group was created.
In 1980, they recorded their first single under the moniker "Disco Dave and the Force of the 5 MC's". [2] The single, "High Powered Rap", was released on Mike & Dave Records. That same year, the group signed to Sugar Hill Records and released several singles including "We Wanna Rock", "Breaking Bells (Take Me to the Mardi Gras)", and "On the Radio". [3] 1982's "Breaking Bells (Take Me to the Mardi Gras)" was created around the sampled drum break from Bob James's instrumental cover of Paul Simon's "Take Me to the Mardi Gras". [1]
LL Cool J's "Rock The Bells" radio station, dedicated a section of its website to the Crash Crew for their historic hip hop accomplishments.
Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
"Rapper's Delight" is a 1979 hip hop track that serves as the debut single of American hip-hop trio the Sugarhill Gang, produced by Sylvia Robinson. Although it was shortly preceded by the Fatback Band's "King Tim III ", "Rapper's Delight" is credited for introducing hip hop music to a wide audience, reaching the top 40 in the United States, as well as the top three in the United Kingdom and number one in Canada. It was a prototype for various types of rap music. The track interpolates Chic's "Good Times", resulting in Chic's Nile Rodgers and Bernard Edwards threatening to sue Sugar Hill Records for copyright infringement; a settlement was reached that gave the two songwriting credits. It also interpolates Love De-Luxe's "Here Comes That Sound Again". The track was recorded in a single take. There are five mixes of the song.
Duane Hughes, better known by his stage name Spyder D, is an American old-school rapper and producer from New York City.
The 2 Live Crew Is What We Are is the debut studio album by hip-hop group the 2 Live Crew. It was released in 1986 on Luke Records to a great deal of controversy and promptly was certified gold by the RIAA. It includes the hits "We Want Some Pussy", "Throw the 'D'", and "Cuttin' It Up". In Florida, it was deemed obscene, and one store clerk was charged with felony "corruption of a minor" for selling it to a 14-year-old girl. The clerk was later acquitted.
Pinoy hip hop or Filipino hip-hop is a style of hip hop music performed by musicians of Filipino descent, especially Filipino-Americans.
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement.
The Cold Crush Brothers are an American hip hop group that formed in 1978 in the Bronx, New York City. They were especially known for their memorable routines which included harmonies, melodies and stage-stomping performances. The Cold Crush Brothers still perform in the United States as of 2023. "A snapshot from hip-hop's 50th summer: A live mixtape"..
Robert McElhiney James is an American jazz keyboardist, arranger, and record producer. He founded the band Fourplay and wrote "Angela", the theme song for the TV show Taxi. According to VICE, music from his first seven albums has often been sampled and believed to have contributed to the formation of hip hop. Among his most well known recordings are "Nautilus", "Westchester Lady", "Tappan Zee", and his version of "Take Me to the Mardi Gras".
Bounce music is a style of New Orleans hip hop music that is said to have originated as early as the late 1980s in the city's housing projects. Popular bounce artists have included DJ Jubilee, Partners-N-Crime, Magnolia Shorty and Big Freedia.
Asian hip hop is a heterogeneous musical genre that covers all hip hop music as recorded and produced by artists of Asian origin.
Frederick Crute, known professionally as Kool DJ Red Alert, is an Antiguan-American disc jockey who rose to fame on WRKS 98.7 Kiss FM in New York City and is recognized as one of the founding fathers of hip hop music and culture. His weekly radio show airs on WBLS 107.5 FM from Monday to Saturday at 6pm EST.
"Planet Rock" is a song by the American hip hop artists Afrika Bambaataa and the Soul Sonic Force. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. The recording came together after DJ and producer Baker met with Bambaataa and the two bonded over the idea of creating a song about their mutual appreciation for the band Kraftwerk. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation" and decided to compose a more electronic based version of the hip hop song, as opposed to the more disco-oriented work popular at the time. Along with musician John Robie, the group recorded the single at Intergalactic Studios in New York. Robie duplicated the sound on the record and had Bambaataa's rappers in the Soul Sonic Force rap over it. To create the raps, the lyricist of the group, Emcee G.L.O.B.E., had to develop a style he called "mc popping", which involved rapping off time, an unusual style at the time.
Move Somethin' is the second studio album by the Miami-based hip hop group 2 Live Crew. It was released on August 17, 1988, via Luke Records and was produced by Luke Skyywalker and Mr. Mixx. It was certified Gold by Recording Industry Association of America. The album improved on the charts from the previous album, making in to number 68 on the Billboard 200 and number 20 on the Top R&B/Hip Hop Albums chart. It contains the singles "Move Somethin'" and "Do Wah Diddy Diddy".
Electro Beatbox is an early Electro/Old school hip hop compilation album released by Decadance Recordings in 2002.
Clive Campbell, better known by his stage name DJ Kool Herc, is a Jamaican American DJ who is credited with being one of the founders of hip hop music in the Bronx, New York City, in 1973. Nicknamed the Father of Hip-Hop, Campbell began playing hard funk records of the sort typified by James Brown. Campbell began to isolate the instrumental portion of the record which emphasized the drum beat—the "break"—and switch from one break to another. Using the same two-turntable set-up of disco DJs, he used two copies of the same record to elongate the break. This breakbeat DJing, using funky drum solos, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers helped lead to the syncopated, rhythmically spoken accompaniment now known as rapping.
Paul Winley Records Inc. was a doo-wop record label founded in 1956 that, in 1979, became one of the earliest hip hop labels. It was situated on 125th Street, Harlem, New York City. Winley released doo-wop by The Paragons and The Jesters, and hip hop records by Paul Winley's daughters, Tanya and Paulette, produced by Winley's wife, Ann. The label can lay claim to a number of firsts: one of the earliest rock and roll compilations, one of the earliest breaks compilations, an early solo female rap artist and an early instance of social commentary in rap. Winley was also the first label to record one of hip hop's most important figures, Afrika Bambaataa.
Lance Taylor, also known as Afrika Bambaataa, is an American DJ, rapper, and record producer from South Bronx, New York City. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.
Sharon Green, also known as MC Sha-Rock, is considered the "first female rapper" or emcee. Born in Wilmington, North Carolina, she grew up in the South Bronx, New York City during the earliest years of hip hop culture and rap music. Within the hip-hop community she has been referred to as the "Mother of the Mic". As a member of the Funky 4 + 1, one of the first hip-hop crews to appear on national television, her style influenced notable rappers like MC Lyte and DMC of Run-DMC.
The Sugar Hill Records Story is a 1997 compilation album compiling singles released by the Sugar Hill Records label. It was released by Rhino Records who had purchased the North American rights to the labels catalogue in 1995. On its release, it received positive reviews from Vibe, Spin and AllMusic.