La clemenza di Tito, K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after the bulk of Die Zauberflöte, the last opera that Mozart worked on, was already written. The work premiered on 6 September 1791 at the Estates Theatre in Prague.
Il mondo della luna, Hob. 28/7, is an opera buffa by Joseph Haydn with a libretto written by Carlo Goldoni in 1750, first performed at Eszterháza, Hungary, on 3 August 1777. Goldoni's libretto had previously been set by six other composers, first by the composer Baldassare Galuppi and performed in Venice in the carnival of 1750. It was then adapted for Haydn's version of the opera, which would be performed during the wedding celebrations of Count Nikolaus Esterházy, the younger son of Haydn's patron, Prince Nikolaus Esterházy, and the Countess Maria Anna Wissenwolf. It is sometimes performed as a singspiel under its German title Die Welt auf dem Monde.
Giulio Sabino is a dramma per musica in three acts by Giuseppe Sarti. The libretto was by Pietro Giovannini.
Medonte, re di Epiro is an opera seria in three acts by Giuseppe Sarti. The libretto was by Giovanni de Gamerra for Felice Alessandri's opera Medonte, re d'Epiro (1774) and was later set by several other composers.
Calliroe is an opera by Antonio Sacchini, set to a libretto by Mattia Verazi. It was first performed in Ludwigsburg on 11 February 1770 and the ballets were set by French choreographer Louis Dauvigny.
Dardanus is an opera by Antonio Sacchini. It takes the form of a tragédie lyrique in four acts. It was first performed at Versailles on 18 September 1784, and subsequently at the Paris Opera on 30 November of the same year. The French-language libretto was adapted by Nicolas-François Guillard from that by Charles-Antoine Leclerc de La Bruère, which had already been set to music by Jean-Philippe Rameau in his earlier opera of the same name.
Tigrane, o vero L'egual impegno d'amore e di fede is an opera seria in three acts by the Italian composer Alessandro Scarlatti with a libretto by Domenico Lalli. It was first performed at the Teatro San Bartolomeo, Naples, on 16 February 1715. It is regarded as one of Scarlatti's finest operas. As well as the serious main plot, there are also comic scenes involving the servants Dorilla and Orcone.
Temistocle (Themistocles) is an opera seria in three acts by the German composer Johann Christian Bach. The Italian text is an extensive revision of the libretto by Metastasio first set by Antonio Caldara in 1736, by Mattia Verazi, court poet and private secretary to the Elector Palatine Carl Theodor. The opera was the first of two which J. C. Bach set for the Elector Palatine. Some of the music was reused from earlier works, including part of the overture from Carattaco.
Gennaro Astarita was an Italian composer, mainly of operas. The place of his birth is unknown, although he was active in Naples for many years. He began his operatic career in 1765, collaborating with Niccolò Piccinni in the writing of the opera L'orfana insidiata. He became the maestro di cappella in Naples in 1770.
Ifigenia in Tauride is an opera in three acts by Niccolò Jommelli set to a libretto by the Mannheim court poet Mattia Verazi. It premiered on 30 May 1771 at the Teatro di San Carlo in Naples to celebrate the name day of Ferdinand I of the Two Sicilies. The story is based on Iphigenia in Tauris by Euripides.
Semiramide riconosciuta is an Italian opera with serious action, or dramma per musica, by Nicola Porpora, set to a libretto by Metastasio with some textual changes, possibly by Domenico Lalli. The opera was written for some of the finest contemporary singers, and includes a technically demanding series of da capo arias.
Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894.
Salvator Rosa is an opera seria in four acts composed by Antônio Carlos Gomes to a libretto in Italian by Antonio Ghislanzoni. It premiered at the Teatro Carlo Felice in Genoa on 21 March 1874. The plot is based on Eugène de Mirecourt's 1851 adventure novel, Masaniello, in turn loosely based on the lives of the Italian painter and poet, Salvator Rosa and Masaniello, a Neapolitan fisherman, who became leader of the 1647 revolt against the Spanish Habsburg rule in Naples.
Renaud is an opera by Antonio Sacchini, first performed on 28 February 1783 by the Académie Royale de Musique at the Théâtre de la Porte Saint-Martin in Paris. It takes the form of a tragédie lyrique in three acts. The French libretto, by Jean-Joseph Lebœuf, is based on Cantos XVII and XX of Torquato Tasso's epic poem Gerusalemme liberata and, more directly, on the five-act tragedy by Simon-Joseph Pellegrin, Renaud, ou La suite d'Armide, which had been set to music by Henri Desmarets in 1722 and was intended as a sequel to Lully's famous opera Armide. According to Théodore Lajarte, Lebœuf was helped by Nicolas-Étienne Framery, the regular translator of Sacchini's libretti.
Siroe, or Siroe re di Persia, is an opera seria in three acts by Johann Adolph Hasse. The libretto was by Metastasio. As with many of the latter's libretti, Siroe was also set by Hasse's contemporaries, for example Vinci, Vivaldi and Handel.
Zemira is an opera seria in three acts by Francesco Bianchi. The libretto was by Gaetano Sertor.
Castore e Polluce is an opera seria by Francesco Bianchi. The libretto was one translated by Carlo Innocenzo Frugoni, from Pierre-Joseph Bernard's French text for Rameau's Castor et Pollux.
Nitocri is an opera in two acts composed by Saverio Mercadante to libretto by Apostolo Zeno adapted by Lodovico Piossasco Feys. The libretto is a fictionalised account of the Egyptian queen Nitocris. The opera premiered at the Teatro Regio in Turin on 26 December 1824.
Giovanni Ambrogio Migliavacca was an Italian poet and librettist. A student and protégé of Metastasio, he was primarily active in the court theaters of Dresden and Vienna. His most successful work was the libretto for the opera Solimano, first set by Johann Adolph Hasse in 1753 and subsequently set by 18 other composers in the course of the next 50 years.
Mattia Verazi was an Italian librettist primarily active at the court of Charles Theodore in Mannheim. He became known as the leader of a group of librettists who challenged the conventions of opera seria in the mid-18th century and was a long-time collaborator of composer Niccolò Jommelli. He also produced the libretti for Salieri's Europa riconosciuta, Sacchini's Calliroe, and J. C. Bach's Temistocle
