The critique of ideology is a concept used in critical theory, literary studies, and cultural studies. It focuses on analyzing the ideology found in cultural texts, whether those texts be works of popular culture or high culture, philosophy or TV advertisements. These ideologies can be expressed implicitly or explicitly. The focus is on analyzing and demonstrating the underlying ideological assumptions of the texts and then criticizing the attitude of these works. An important part of ideology critique has to do with “looking suspiciously at works of art and debunking them as tools of oppression”. [1]
The critique of ideology has a particular understanding of "ideology," distinct from political perspective or opinions. This specialized meaning comes from the term's root in the works of Karl Marx and Friedrich Engels. For the critique of ideology, ideology is a form of false consciousness . Ideology is a lie about the real state of affairs in the world. In Raymond Williams's words, it is about "ideology as illusion, false consciousness, unreality, upside-down reality". [2]
German philosopher Markus Gabriel defines ideology as "any attempt to objectify the human mind [...] to eradicate the historical dimensions of it, to turn something which is historically contingent, produced by humans, into some kind of natural necessity." [3] In the work of Marx and Engels, ideology was the false belief that capitalist society was a product of human nature, when in reality it had been imposed, often violently, in particular circumstances, in particular places, at particular historical periods.
The term "critique" is also employed in a special manner. Rather than a synonym for criticism, "critique" comes from Immanuel Kant's usage of the term, which meant an investigation into the structures under which we live, think, and act. A critic of ideology, in this sense, is not merely one who expresses disagreement or disapproval, but who is able to bring to light the belief's true conditions of possible existence. Because conditions are constantly changing, showing a belief's existence to be built on mere conditions implicitly shows that they are not eternal, natural, or organic, but are instead historical, contingent, and therefore changeable. Frankfurt School philosopher Max Horkheimer termed a theory critical if it aims "to liberate human beings from the circumstances that enslave them." [4]
There is no universally agreed upon definition or model of ideology. The classical and orthodox Marxist definition of ideology is false belief, emergent from the oppressive society which educates its citizens to be obedient workers. The failures of the 1918 revolutions, the rise of Stalinism and fascism, and the explosion of another world war saw a new focus on the importance of ideology among Marxists. Rather than a mere lie of the political-economic establishment, ideology was recognized to be a force in its own right. Wilhelm Reich and later the Frankfurt School complemented Marx's theory of society with Freud's theory of the subject, departing from orthodox Marxism and the Leninist traditions, and setting the foundations of what later came to be called "critical theory."
Reich saw the rise of fascism as an expression of a long-repressed sexuality. Frankfurt School philosopher Theodor Adorno wrote in his essay "The Culture Industry: Enlightenment as Mass Deception" how the mass entertainment blunts the possibilities for liberatory action by creating and satisfying false needs.
Interested parties like to explain the culture industry in technological terms. Its millions of participants, they argue, demand reproduction processes which inevitably lead to the use of standard products to meet the same needs at countless locations. The technical antithesis between few production centers and widely dispersed reception necessitates organization and planning by those in control. The standardized forms, it is claimed, were originally derived from the needs of the consumers: that is why they are accepted with so little resistance. In reality, a cycle of manipulation and retroactive need is unifying the system ever more tightly. [5]
Adorno identifies supply and demand reasoning as ideological. It is not merely a false belief: it is a false worldview or philosophy which enables the maintenance of the contingent, historical status quo while appearing to be objective and scientific. A major theme of the Frankfurt School is that those modes of thinking which, at first, are liberatory, may become ideological as time goes on. [5]
Max Horkheimer was a German philosopher and sociologist who was famous for his work in critical theory as a member of the Frankfurt School of social research. Horkheimer addressed authoritarianism, militarism, economic disruption, environmental crisis, and the poverty of mass culture using the philosophy of history as a framework. This became the foundation of critical theory. His most important works include Eclipse of Reason (1947), Between Philosophy and Social Science (1930–1938) and, in collaboration with Theodor Adorno, Dialectic of Enlightenment (1947). Through the Frankfurt School, Horkheimer planned, supported and made other significant works possible.
Theodor W. Adorno was a German philosopher, musicologist, and social theorist.
Dialectic, also known as the dialectical method, refers originally to dialogue between people holding different points of view about a subject but wishing to arrive at the truth through reasoned argumentation. Dialectic resembles debate, but the concept excludes subjective elements such as emotional appeal and rhetoric. It has its origins in ancient philosophy and continued to be developed in the Middle Ages.
The sociology of knowledge is the study of the relationship between human thought, the social context within which it arises, and the effects that prevailing ideas have on societies. It is not a specialized area of sociology. Instead, it deals with broad fundamental questions about the extent and limits of social influences on individuals' lives and the social-cultural basis of our knowledge about the world. The sociology of knowledge has a subclass and a complement. Its subclass is sociology of scientific knowledge. Its complement is the sociology of ignorance.
An ideology is a set of beliefs or philosophies attributed to a person or group of persons, especially those held for reasons that are not purely epistemic, in which "practical elements are as prominent as theoretical ones". Formerly applied primarily to economic, political, or religious theories and policies, in a tradition going back to Karl Marx and Friedrich Engels, more recent use treats the term as mainly condemnatory.
The Frankfurt School is a school of thought in sociology and critical philosophy. It is associated with the Institute for Social Research founded at Goethe University Frankfurt in 1923. Formed during the Weimar Republic during the European interwar period, the first generation of the Frankfurt School was composed of intellectuals, academics, and political dissidents dissatisfied with the contemporary socio-economic systems of the 1930s; namely, capitalism, fascism, and communism.
The term culture industry was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment as Mass Deception", of the book Dialectic of Enlightenment (1947), wherein they proposed that popular culture is akin to a factory producing standardized cultural goods—films, radio programmes, magazines, etc.—that are used to manipulate mass society into passivity. Consumption of the easy pleasures of popular culture, made available by the mass communications media, renders people docile and content, no matter how difficult their economic circumstances. The inherent danger of the culture industry is the cultivation of false psychological needs that can only be met and satisfied by the products of capitalism; thus Adorno and Horkheimer perceived mass-produced culture as especially dangerous compared to the more technically and intellectually difficult high arts. In contrast, true psychological needs are freedom, creativity, and genuine happiness, which refer to an earlier demarcation of human needs, established by Herbert Marcuse.
Dialectic of Enlightenment is a work of philosophy and social criticism written by Frankfurt School philosophers Max Horkheimer and Theodor W. Adorno. The text, published in 1947, is a revised version of what the authors originally had circulated among friends and colleagues in 1944 under the title of Philosophical Fragments.
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth. Marxists believe that economic and social conditions, and especially the class relations that derive from them, affect every aspect of an individual's life, from religious beliefs to legal systems to cultural frameworks. From one classic Marxist point of view, the role of art is not only to represent such conditions truthfully, but also to seek to improve them ; however, this is a contentious interpretation of the limited but significant writing by Marx and Engels on art and especially on aesthetics. For instance, Nikolay Chernyshevsky, who greatly influenced the art of the early Soviet Union, followed the secular humanism of Ludwig Feuerbach more than he followed Marx.
Helmut Reichelt is a German Marxian critic of political economy, sociologist and philosopher. Reichelt is one of the main authors of the “Neue Marx-Lektüre” and considered to be one of the most important theorists in the field of Marx's theory of value.
Immanent critique is a method of analyzing culture that identifies contradictions in society's rules and systems. Most importantly, it juxtaposes the ideals articulated by society against the inadequate realization of those ideals in society's institutions.
In Marxist philosophy, a character mask is a prescribed social role which conceals the contradictions of a social relation or order.
Culture Industry Reconsidered, was written in 1963 by Theodor W. Adorno, a German philosopher who belonged to the Frankfurt School of social theory. The term "cultural industry" first appeared in Dialectic of Enlightenment (1947), written by Adorno and Max Horkheimer.
In Marxist philosophy, reification is the process by which human social relations are perceived as inherent attributes of the people involved in them, or attributes of some product of the relation, such as a traded commodity.
In Marxist theory, society consists of two parts: the base and superstructure. The base refers to the mode of production which includes the forces and relations of production into which people enter to produce the necessities and amenities of life. The superstructure refers to society's other relationships and ideas not directly relating to production including its culture, institutions, roles, rituals, religion, media, and state. The relation of the two parts is not strictly unidirectional. The superstructure can affect the base. However, the influence of the base is predominant.
Classical Marxism is the body of economic, philosophical, and sociological theories expounded by Karl Marx and Friedrich Engels in their works, as contrasted with orthodox Marxism, Marxism–Leninism, and autonomist Marxism which emerged after their deaths. The core concepts of classical Marxism include alienation, base and superstructure, class consciousness, class struggle, exploitation, historical materialism, ideology, revolution; and the forces, means, modes, and relations of production. Marx's political praxis, including his attempt to organize a professional revolutionary body in the First International, often served as an area of debate for subsequent theorists.
A critical theory is any approach to humanities and social philosophy that focuses on society and culture to attempt to reveal, critique, and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions rather than from individuals. Some hold it to be an ideology, others argue that ideology is the principal obstacle to human liberation. Critical theory finds applications in various fields of study, including psychoanalysis, film theory, literary theory, cultural studies, history, communication theory, philosophy, and feminist theory.
Marxist philosophy or Marxist theory are works in philosophy that are strongly influenced by Karl Marx's materialist approach to theory, or works written by Marxists. Marxist philosophy may be broadly divided into Western Marxism, which drew from various sources, and the official philosophy in the Soviet Union, which enforced a rigid reading of what Marx called dialectical materialism, in particular during the 1930s. Marxist philosophy is not a strictly defined sub-field of philosophy, because the diverse influence of Marxist theory has extended into fields as varied as aesthetics, ethics, ontology, epistemology, social philosophy, political philosophy, the philosophy of science, and the philosophy of history. The key characteristics of Marxism in philosophy are its materialism and its commitment to political practice as the end goal of all thought. The theory is also about the struggles of the proletariat and their reprimand of the bourgeoisie.
In Marxist theory, false consciousness is a term describing the ways in which material, ideological, and institutional processes are said to mislead members of the proletariat and other class actors within capitalist societies, concealing the exploitation and inequality intrinsic to the social relations between classes. According to Marxists, false consciousness legitimizes the existence of different social classes.
History and Class Consciousness: Studies in Marxist Dialectics is a 1923 book by the Hungarian philosopher György Lukács, in which the author re-emphasizes the philosopher Georg Wilhelm Friedrich Hegel's influence on the philosopher Karl Marx, analyzes the concept of "class consciousness," and attempts a philosophical justification of Bolshevism.