Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one. This permits larger, but not necessarily longer, strings to fit within the case of the piano. [1] The invention of cross-stringing in the 1820s is variously credited to Alpheus Babcock [2] [3] and Jean-Henri Pape. [4] The first use of the patent in grand pianos in the United States was by Henry Steinway Jr. in 1859. [5] [6] In the late 19th century, cross-stringing gradually took the place of straight-stringing, in which all the strings are perpendicular to the keyboard and do not overlap.
The advantages of cross-stringing is that the case of the piano can be smaller, the bass strings can be longer and the placement of the bass strings is in the center of the piano case, where they receive more resonance than when placed at the side. [7] [8] [9]
Cross-stringing used to criticized by some as producing a "murky" sound due to the sustain pedal being used improperly, but that was addressed by learning how to use the sustain pedal properly. According to the pianist Gwendolyn Mok, "If you look inside your own piano, you will notice that the strings are all crossing each other. With the straight strung piano you get distinct registral differences--almost like listening to a choir where you have the bass, tenor, alto, and soprano voices. It is very clear and there is no blending or homogenizing of the sound." [10]
Some Challen pianos made in the 1920s are "double overstrung", where the strings are at 3 different heights and cross over in 2 different locations.
The double bass, also known as the upright bass, the acoustic bass, or simply the bass, is the largest and lowest-pitched chordophone in the modern symphony orchestra. Similar in structure to the cello, it has four or five strings.
The guitar is a stringed musical instrument that is usually fretted and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier.
The piano is a keyboard instrument that produces sound when its keys are depressed, through engagement of an action whose hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament.
In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
The charango is a small Andean stringed instrument of the lute family, from the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization. The instrument is widespread throughout the Andean regions of Bolivia, Peru, Ecuador, northern Chile and northwestern Argentina, where it is a popular musical instrument that exists in many variant forms.
A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments, especially the trumpet and trombone, and are occasionally used on woodwinds. Their effect is mostly intended for artistic use, but they can also allow players to practice discreetly. Muting can also be done by hand, as in the case of palm muting a guitar or grasping a triangle to dampen its sound.
The palm mute is a technique for guitar and bass guitar known for its muted sound. It is performed by placing the side of the picking hand across the guitar's strings, very close to the bridge, while picking. The name is a misnomer as the muting is not performed using the player's palm.
The Chapman Stick is an electric musical instrument devised by Emmett Chapman in the early 1970s. A member of the guitar family, the Chapman Stick usually has ten or twelve individually tuned strings and is used to play bass lines, melody lines, chords, or textures. Designed as a fully polyphonic chordal instrument, it can also cover several of these musical parts simultaneously.
Piano acoustics is the set of physical properties of the piano that affect its sound. It is an area of study within musical acoustics.
In music, a pedal point is a sustained tone, typically in the bass, during which at least one foreign harmony is sounded in the other parts. A pedal point sometimes functions as a "non-chord tone", placing it in the categories alongside suspensions, retardations, and passing tones. However, the pedal point is unique among non-chord tones, "in that it begins on a consonance, sustains through another chord as a dissonance until the harmony", not the non-chord tone, "resolves back to a consonance".
In music, strings are long flexible structures on string instruments that produce sound through vibration. Strings are held under tension so that they can vibrate freely, but with control. This is to make the string vibrate at the desired pitch, with looser strings producing lower pitches, and tighter strings producing higher pitches. However, a vibrating string produces very little sound in of itself. Therefore, most string instruments have a sounding board to amplify the sound.
Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device.
The modern form of the piano, which emerged in the late 19th century, is a very different instrument from the pianos for which earlier classical piano literature was originally composed. The modern piano has a heavy metal frame, thick strings made of top-grade steel, and a sturdy action with a substantial touch weight. These changes have created a piano with a powerful tone that carries well in large halls, and which produces notes with a very long sustain time. The contrast with earlier instruments, particularly those of the 18th century is very noticeable. These changes have given rise to interpretive questions and controversies about performing earlier literature on modern pianos, particularly since recent decades have seen the revival of historical instruments for concert use.
The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.
Sébastien Érard was a French instrument maker of German origin who specialised in the production of pianos and harps, developing the capacities of both instruments and pioneering the modern piano.
The pedal harp is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves.
Piano pedals are foot-operated levers at the base of a piano that change the instrument's sound in various ways. Modern pianos usually have three pedals, from left to right, the soft pedal, the sostenuto pedal, and the sustaining pedal. Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano.
Americus Backers, sometimes described as the father of the English grand pianoforte style, brought the hammer striking action for keyboard instruments from his master Gottfried Silbermann's workshop in Freiburg to England in the mid-18th century. Unlike the eleven other ex-apprentices of Silbermann who followed him to England and built square pianos with his action, Backers developed Silbermann's action into a reliable, powerful and responsive form that he built into a grand harpsichord case and added two tonal effects – una corda and damper lift – activated by pedals built into the dedicated trestle stand, again his original innovation. This new instrument altered the landscape of English music, causing composers and musicians to consign the plucked string harpsichord and its music to history. It is upon Americus's design that the modern grand pianoforte we know today is based.
Damping is a technique in music for altering the sound of a musical instrument by reducing oscillations or vibrations. Damping methods are used for a number of instruments.
Music technology is the study or the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, playback or record songs or pieces; or to analyze or edit music.