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A sustain pedal or sustaining pedal (also called damper pedal, loud pedal, or open pedal [1] ) is the most commonly used pedal in a modern piano. It is typically the rightmost of two or three pedals. When pressed, the sustain pedal "sustains" all the damped strings on the piano by moving all the dampers away from the strings and allowing them to vibrate freely. All notes played will continue to sound until the vibration naturally ceases, or until the pedal is released.
This lets the pianist sustain notes that would otherwise be out of reach, for instance in accompanying chords, and accomplish legato passages (smoothly connected notes) that would have no possible fingering otherwise. Pressing the sustain pedal also causes all the strings to vibrate sympathetically with whichever notes are being played, which greatly enriches the piano's tone.
A device similar to the sustain pedal in effect was invented by the piano pioneer Gottfried Silbermann; it was operated by the player's hands rather than a pedal. A later builder, Johann Andreas Stein, may have been the first to allow the player to lift the dampers while still playing; his device was controlled by a knee lever.
Until the onset of the Romantic era in music, the sustain pedal was considered a special effect, used only in particular circumstances. Only with the Romantics did a fairly constant use of the pedal come to be regarded as an essential element of piano sound.
Appropriate use of the pedal is often left to the musician's discretion, but composers and music editors also use pedal marks to notate it. A common symbol for this is a horizontal line below the grand staff, which lifts up and down with the pedal. An alternative (and older) notation is the use of indicating where the sustain pedal should be depressed, and an asterisk showing where it should be lifted. Occasionally there is a general direction at the start of a movement instructing that the sustain pedal be applied continuously throughout. This may be marked with senza sordini ("without dampers"), or similar wording.
In General MIDI, the sustain pedal information is controlled by Control Change number 64 (CC 64). [2]
The sostenuto pedal is a similar device that sustains only notes that are depressed at the time the pedal is depressed. It is usually the middle of three pedals; but in some upright pianos the middle pedal instead lowers a veil of felt between the hammers and the strings to function as a mute.
For mechanical pianos, and simulated on some digital piano pedals, it is possible to press down the sustain pedal only partially such that the dampers just touch the strings very slightly. This technique for the advanced pianist is called half pedaling and allows a fine variation of the sound. It can be observed that with half pedaling the damping is more effective for the higher tones. An example for a musical piece that is played with half pedaling by some pianists is Beethoven's Moonlight Sonata. Most recent digital pianos also support this effect.
The piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist.
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a vibraphonist,vibraharpist, or vibist.
A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments, especially the trumpet and trombone, and are occasionally used on woodwinds. Their effect is mostly intended for artistic use, but they can also allow players to practice discreetly. Muting can also be done by hand, as in the case of palm muting a guitar or grasping a triangle to dampen its sound.
General MIDI is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI).
A digital piano is a type of electronic keyboard instrument designed to serve primarily as an alternative to the traditional acoustic piano, both in how it feels to play and in the sound it produces. Digital pianos use either synthesized emulation or recorded samples of an acoustic piano, which are played through one or more internal loudspeakers. They also incorporate weighted keys, which recreate the feel of an acoustic piano. Some digital pianos are designed to also look like an upright or grand piano. Others may be very simple, without a stand.
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.
Piano construction is by now a rather conservative area; most of the technological advances were made by about 1900, and indeed it is possible that some contemporary piano buyers might actually be suspicious of pianos that are made differently from the older kind. Yet piano manufacturers, especially the smaller ones, are still experimenting with ways to build better pianos.
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features.
Bass pedals are an electronic musical instrument with a foot-operated pedal keyboard with a range of one or more octaves. The earliest bass pedals from the 1970s consisted of a pedalboard and analog synthesizer tone generation circuitry packaged together as a unit. The bass pedals are plugged into a bass amplifier or PA system so that their sound can be heard. Since the 1990s, bass pedals are usually MIDI controllers, which have to be connected to a MIDI-compatible computer, electronic synthesizer keyboard, or synth module to produce musical tones. Some 2010s-era bass pedals have both an onboard synth module and a MIDI output.
Keyboard expression is the ability of a keyboard musical instrument to change tone or other qualities of the sound in response to velocity, pressure or other variations in how the performer depresses the keys of the musical keyboard. Expression types include:
The soft pedal or una corda pedal, is one pedal on a piano, generally placed leftmost among the pedals. On a grand piano this pedal shifts the whole action slightly to the right, so that the hammers, which normally strike all three of the strings for a note, strike only two of them. This softens the note and also modifies its tone quality. Tone quality is also affected by forcing the remaining two strings being struck to make contact with a part of the hammer felt which is not often hit ; this results in a duller sound, as opposed to the bright sound which is usually produced.
The piano action mechanism of a piano or other musical keyboard is the mechanical assembly which translates the depression of the keys into rapid motion of a hammer, which creates sound by striking the strings. Action can refer to that of a piano or other musical keyboards, including the electronic or digital stage piano and synthesizer, on which some models have "weighted keys", which simulate the touch and feel of an acoustic piano. The design of the key action mechanism determines the "weight" of the keys, i.e., the force required to sound a note; that is, the feeling of the heaviness of the touch of the keys. "A professional pianist is likely to care most about the piano's action, because that is what controls its responsiveness and relative lightness--or heaviness--of touch. Roughly speaking, a piano's action is light when its keys fall easily under the fingers, and heavy when a noticeable downward thrust is required. The action, in short, is what makes a piano playable or not to an individual musician."
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities.
Piano pedals are foot-operated levers at the base of a piano that change the instrument's sound in various ways. Modern pianos usually have three pedals, from left to right, the soft pedal, the sostenuto pedal, and the sustaining pedal. Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano.
The Yamaha CP300 is a full-size digital stage piano with stereo speakers.
Disklavier is a brand of reproducing pianos manufactured by Yamaha Corporation. The first Disklavier was introduced in the United States in 1987.
Damping is a technique in music for altering the sound of a musical instrument by reducing oscillations or vibrations. Damping methods are used for a number of instruments.
Piano extended techniques are those in which unorthodox or unconventional techniques are used to create the sound.
The Yamaha DX21 is a digital controlled bi-timbral programmable digital FM synthesizer with a four operator synth voice generator which was released in 1985. It uses sine wave-based frequency modulation (FM) synthesis. It has two FM tone generators and a 32-voice random-access memory (RAM), 32 user voices and 128 read-only memory (ROM) factory preset sounds. As a programmable synth, it enables users to create their own unique synthesized tones and sound effects by using the algorithms and oscillators. The instrument weighs 8 kg (17.6 lbs). On its release, it sold for $795.
The Ensoniq SDP-1 is a non-programmable velocity-sensitive weighted-action digital-sample-based keyboard/controller that was available in the late 1980's.