Cross motif

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In music, the cross motif is a motif.

A motif (Crux fidelis) was used by Franz Liszt to represent the Christian cross ('tonisches Symbol des Kreuzes' or tonic symbol of the cross) and taken from Gregorian melodies. [1]

Franz Liszt Hungarian romantic composer and virtuoso pianist

Franz Liszt was a Hungarian composer, virtuoso pianist, conductor, music teacher, arranger and organist of the Romantic era. He was also a writer, a philanthropist, a Hungarian nationalist and a Franciscan tertiary.

The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus, is the best-known symbol of Christianity. It is related to the crucifix and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English.

Tonic (music) tonal center of a diatonic scale

In music, the tonic is the first scale degree of a diatonic scale and the tonal center or final resolution tone that is commonly used in the final cadence in tonal classical music, popular music and traditional music. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. More generally, the tonic is the pitch upon which all other pitches of a piece are hierarchically referenced. Scales are named after their tonics, thus the tonic of the scale of C is the note C.

In very much conventionally tonal music, harmonic analysis will reveal a broad prevalence of the primary harmonies: tonic, dominant, and subdominant, and especially the first two of these.

See also

Sources

  1. Merrick, Paul (2008). Revolution and Religion in the Music of Liszt, p.284. ISBN   0-521-08351-6.

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