Cryin' Holy Unto the Lord | ||||
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Studio album by | ||||
Released | October 13, 1998 | |||
Studio |
| |||
Genre | Gospel | |||
Length | 28:05 | |||
Label | MCA Records | |||
Producer | Steve Buchanan | |||
Bill Monroe chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Cryin' Holy Unto the Lord is a 1991 album and the last studio album by Bill Monroe & the Blue Grass Boys, released by MCA Records, now Universal Music Group. This album was produced by President of Opry Entertainment, Steve Buchanan. [2]
Michael McCall of AllMusic writes, "An all-gospel album propped up with some stellar guests, it includes Ricky Skaggs, Ralph Stanley, the Osborne Brothers, Jim & Jesse McReynolds, and Mac Wiseman." [1]
Stewart Evans writes in his review, "Ultimately, this album is not one of Monroe's all-time greats, but it's quite a nice work, all the more impressive considering the length of Monroe's career." [3]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Cryin' Holy Unto The Lord" | Irene Amburgey | 2:54 |
2. | "Harbor Of Love" | Carter Stanley | 3:27 |
3. | "Shine Hallelujah Shine" | Bill Monroe | 2:28 |
4. | "Just Over In The Glory Land" | Traditional | 2:59 |
5. | "Just a Little Talk with Jesus" | Cleavant Derricks | 2:25 |
6. | "You're Drifting Away" | Bill Monroe | 2:37 |
7. | "He'll Take You In" |
| 3:01 |
8. | "This World Is Not My Home" | J. R. Baster, Jr. | 2:35 |
9. | "Baptize Me In The Cumberland River" | Bill Monroe | 2:34 |
10. | "Are You Lost In Sin?" | 3:05 | |
Total length: | 28:05 |
Track information and credits verified from the album's liner notes. [4] Album credits can also be found at Discogs [5] and AllMusic [6]
William Smith Monroe was an American mandolinist, singer, and songwriter, and created the bluegrass music genre. Because of this, he is often called the "Father of Bluegrass".
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time music, though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes, as well as incorporating blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
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