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Cuca Records was an American independent record label, of Sauk City, Wisconsin, United States, founded by James Kirchstein in 1959 and actively producing LP and 45 rpm recordings until the early 1970s. [1] During this period, Cuca recorded and released primarily polka and ethnic music on LP but also issued other musical styles, including pop, rhythm and blues, folk, and traditional jazz. Most musicians recorded by Cuca were from Wisconsin or adjacent states. Consequently, Cuca's recorded documents represent a focused view of Wisconsin musical performance during these years.
The Cuca studios recorded performers for commercial release on other popular record labels, as well. Its recording of "Mule Skinner Blues" by The Fendermen (Cuca 1003, rereleased as a 45 rpm on the Soma label) rose to number five on the Billboard charts in 1960 and sold over a million copies, and its recording of Birdlegs and Pauline's tune, "Spring" (Cuca 1125, re-released on the Vee-Jay label) rose to number 18 on the rhythm and blues chart. Other musicians recorded by Cuca include bluesman Earl Hooker, the pop group Corporation, country musician Pee Wee King, and jazz musician Doc DeHaven. Cuca, which adopted the slogan "World's Largest Line of Old Time Music," is known for the host of polka and ethnic musicians it recorded including Alvin Styczynski, Verne Meisner, Syl Liebl, the Goose Island Ramblers, John Check, Jerry Goetsch, Roger Bright, and the Edelweiss Stars.
Citation Records was founded as a division of Cuca. It signed Paul Stefen and the Royal Lancers, who achieved local success with many of their singles, including their cover of The Crickets' "I Fought the Law".
The Cuca Records Collection forms part of the Wisconsin Music Archives, a non-circulating special collection in the Mills Music Library at the University of Wisconsin–Madison.
RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America.
Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
Eugene Earl Bostic was an American alto saxophonist. Bostic's recording career was diverse, his musical output encompassing jazz, swing, jump blues and the post-war American rhythm and blues style, which he pioneered. He had a number of popular hits such as "Flamingo", "Harlem Nocturne", "Temptation", "Sleep", "Special Delivery Stomp", and "Where or When", which all showed off his characteristic growl on the horn. He was a major influence on John Coltrane.
Black & White Records was an American record company and label founded by Les Schreiber in 1943. It specialized in jazz and blues. When the label was sold to Paul and Lillian Reiner, it moved from New York City to Los Angeles. The catalog included music by Art Hodes, Cliff Jackson, Lil Armstrong, Barney Bigard, Wilbert Baranco, Erroll Garner, Jack McVea, and Willie "The Lion" Smith.
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.
Albert George Hibbler was an American baritone vocalist, who sang with Duke Ellington's orchestra before having several pop hits as a solo artist. Some of Hibbler's singing is classified as rhythm and blues, but he is best seen as a bridge between R&B and traditional pop music. According to one authority, "Hibbler cannot be regarded as a jazz singer but as an exceptionally good interpreter of twentieth-century popular songs who happened to work with some of the best jazz musicians of the time."
Modern Sounds in Country and Western Music is a studio album by American singer and pianist Ray Charles. It was recorded in February 1962 at Capitol Studios in New York City and United Western Recorders in Hollywood, and released in April of that year by ABC-Paramount Records.
Maurice White was an American musician, best known as the founder, leader, main songwriter and chief producer of the band Earth, Wind & Fire, also serving as the band's co-lead singer with Philip Bailey.
David Cortez Clowney, known by the stage name Dave "Baby" Cortez, is an American pop and R&B organist and pianist, best known for his 1959 hit, "The Happy Organ". He is the second earliest surviving singer to have a solo #1 hit on the Billboard Hot 100 next to Frankie Avalon.
"Lovesick Blues" is a Tin Pan Alley song, composed by Cliff Friend, with lyrics by Irving Mills. It first appeared in the 1922 musical "Oh, Ernest", and was recorded that year by Elsie Clark and Jack Shea. Emmett Miller recorded it in 1925 and 1928, followed by country music singer Rex Griffin in 1939. The recordings by Griffin and Miller inspired Hank Williams to perform the song during his first appearances on the Louisiana Hayride radio show in 1948. Receiving an enthusiastic reception from the audience, Williams decided to record his own version despite initial push back from his producer Fred Rose and his band.
Apollo Records was a record company and label founded in New York City by Hy Siegel and Ted Gottlieb in 1944. A year later it was sold to Ike and Bess Berman. Apollo was known for blues, doo-wop, gospel, jazz, and rock and roll.
Warren Storm was an American drummer and vocalist, known as a pioneer of the musical genre swamp pop; a combination of rhythm and blues, country and western, and Cajun music and black Creole music.
Soma Records was an American record label, based in Minneapolis, Minnesota, and owned by wholesale record distributor Amos Heilicher. The Soma name was "Amos" spelled backwards. Heilicher, along with his brother Danny, was also in the jukebox and wholesale record distribution businesses, and owned the Musicland chain of retail music stores.
Clarence Carson Parks II was an American songwriter, music publisher, musician and singer, best known for writing the hit song "Somethin' Stupid". His younger brother is the composer Van Dyke Parks.
This article includes an overview of the major events and trends in popular music in the 1950s.
Dana Records was an American record label for Polish and polka music. Founded by Walter Dana in New York 1945, it was a significant player in the United States' recorded music market for a few years mid-century, its most successful year being 1952.
This article contains information about albums and singles released by of American musician and bandleader Ike Turner.
American blues musician Robert Johnson (1911–1938) recorded 29 songs during his brief career. A total of 59 performances, including alternate takes, were recorded over a period of five days at two makeshift recording studios in Texas. Producers selected 25, which Vocalion Records issued on 12 two-sided 78 rpm record singles between 1937 and 1939. These went out-of-print, but were the only source of Johnson's work until his recordings were eventually issued on albums beginning in 1959. In addition to those on the original singles, another 17 recordings have been released.