Cybotron (Australian band)

Last updated

Cybotron
Cyboyron01.JPG
Left to right: Steve Maxwell Von Braund and Geoff Green, 1978
Background information
Origin Melbourne, Victoria, Australia
Genres Electronic, progressive rock
Years active1975 (1975)–1981 (1981)
LabelsClear Light of Jupiter, Champagne, Cleopatra
Past members
  • Steve Maxwell Von Braund
  • Geoff Green
  • Gil Matthews
  • Henry Vyhnal
  • Jim Keays
  • Colin Butcher
  • Mark Jones

Cybotron were an Australian electronic, experimental music band formed in 1975 by Steve Maxwell Von Braund on synthesiser, electronic percussion, and alto saxophone; and Geoff Green on keyboard, organ, and synthesiser. The group issued three studio albums, Cybotron (1976), Colossus (1978) and Implosion (1980) and disbanded by 1981. Australian musicologist, Ian McFarlane, noted that they were "a bona fide experimental outfit, and the band's eponymous debut album featured a mix of heavy synthesiser kinetics, organ drones and pulsating electronic beats".

Contents

History

Cybotron were formed in 1975 in Melbourne as an electronic, experimental music band by Steve Maxwell Von Braund on synthesiser, electronic percussion, and alto saxophone; and Geoff Green on keyboard, organ, and synthesiser. [1] [2] In 1975 Braund had issued his debut solo album, Monster Planet, with contributions from Green, Gil Matthews on drums (ex-Billy Thorpe and the Aztecs), Henry Vyhnal on electric violin and Jim Keays on lead vocals (ex-The Masters Apprentices). Australian musicologist, Ian McFarlane, described Cybotron as "a bona fide experimental outfit". [1]

Cybotron released a self-titled album in 1976 on the Clear Light of Jupiter label which contained mainly synthesisers and saxophone. It was recorded at Armstrong Studios with Braund and Green producing, they used the same personnel as for Braund's solo album. [3] McFarlane noted that Cybotron "featured a mix of heavy synthesiser kinetics, organ drones and pulsating electronic beats". [1] The group were influenced by Ash Ra Tempel, Hawkwind and Tangerine Dream. [1] [4] They created minimalist, repetitive electronica similar to Kraftwerk's Autobahn (November 1974). [4] Cybotron were pioneers of Australian electronic music with their version of Kraut rock while the local music scene was dominated by pub rock. [1] [4]

Clear Light of Jupiter was owned by Jeremy Fiebiger (also owner of a record store, Pipe Imports) and two business partners, Daniel and Charlie O'Halloran. Fiebiger also managed Cybotron. [5] Australian music journalist, Andrew Feyne, described the group as "Absolutely brilliant, keyboard dominated, late progressive band with a massive symphonic sound". [5] A live album, Saturday Night Live, was issued in 1977 from an on-air radio broadcast on 3ZZ in Melbourne. [4] It was followed in 1978 by their second studio album, Colossus, with Colin Butcher joining to provide drums, percussion, and synthesiser. [1] McFarlane felt it had a "more progressive edge backed by a massive symphonic sound". [1] Allmusic's Richard Foss noted they had "hit a peak with Colossus, which benefited from the presence of drummer and synth player Colin Butcher. This album sold better in Europe and the U.S.A. as an import than it did in Australia, and for a few milliseconds it looked like the band might break internationally". [2]

By 1980 Braund and Green had split, with Braund recording Cybotron's third studio album, Implosion, which was issued on Cleopatra Records that year and included Mark Jones on bass guitar, guitar, and keyboards; and Matthews returning on drums and keyboards. [1] [6] McFarlane described it as having "followed the symphonic route, but with a pop tinge to a couple of tracks". [1] "Eureka", from Implosion, was played on United States college radio stations. [2] By 1981 Cybotron had disbanded. [1] [6]

From September 2002 Mark Woods remastered their albums for CD. Also that year Green announced that Cybotron was in the process of recording new material. [4] As of January 2009, this material was not released. [6] In January 2006 Cybotron's Implosion was re-released by Aztec Music in an expanded CD version with five of its bonus tracks from an incomplete and unreleased fourth studio album, Abbey Moor, planned for 1981. [7]

In August 2020, Braund released Return to Monster Planet. In December 2022, Green released Exodus to Genesis.

Members

Discography

Albums

Singles

Related Research Articles

Whirlywirld were an Australian post-punk band led by Ollie Olsen in the late 1970s and early 1980s, and the first of his musical collaborations with drummer John Murphy. They played in Melbourne and Sydney and were supporters of the Melbourne little band scene.

Ollie Olsen is an Australian multi-instrumentalist, composer and sound designer. He has performed, recorded and produced rock, electronic and experimental music since the mid-1970s. His post punk groups included Whirlywirld (1978–80), Orchestra of Skin and Bone (1984–86) and No (1987–89). Olsen joined with Michael Hutchence to form a short-term band, Max Q, which issued an album in 1989. He co-founded the alternative electronic music record label Psy-Harmonics with Andrew Till in 1993. In 2014 he formed Taipan Tiger Girls.

Essendon Airport is an Australian electronic music, post-punk group formed in 1978 which explored experimental minimalist and funk music. Founding mainstays were the duo of David Chesworth on electric piano and drum machine and Robert Goodge on guitar. They were joined in late 1980 by Ian Cox on saxophone and Paul Fletcher on drums.

The Makers of the Dead Travel Fast, sometimes seen as The Dead Travel Fast, was an Australian experimental music band formed in 1980. They issued two albums, The Vessels (1981) and Zoom Is Less than Man (1983), before disbanding in 1983.

→ ↑ → was an Australian music, art and performance group, best known for their experimental music. They formed in Melbourne in 1977 and were led by Philip Brophy. The group performed music, produced artwork, films, videos, live theatre, multi-media, and wrote literature.

Ol' 55 are an Australian band specialising in retro, 1950s-era Rock 'n' Roll. They formed as Fanis in 1972 in Sutherland, Sydney. Drummer Geoff Plummer was working with Glenn A. Baker at the NSW Department of Media and invited Baker to hear his part-time band, including Patrick "Meatballs" Drummond, Rockpile Jones and Jimmy Manzie. In 1975, Baker took on their management, renamed them as Ol' 55 for the Tom Waits song, and recruited front man Frankie J. Holden and, later in the year, saxophonist Wilbur Wilde.

Tarney/Spencer Band were a rock band formed in London in 1975 with Trevor Spencer on drums and Alan Tarney on lead guitar, bass guitar and lead vocals. Both had been in Australian bands, including James Taylor Move, prior to relocating to the United Kingdom, where they formed the duo. The group issued three albums, Tarney and Spencer (1976), Three's a Crowd (1978) and Run for Your Life (1979). Their single, "No Time to Lose" (1979), received airplay in the United States on album-oriented rock radio stations. It charted on the Billboard Hot 100 in both 1979 and again in 1981 upon re-issue. By the end of 1979, Tarney/Spencer Band had broken up and both founders undertook careers as songwriters, session musicians and record producers.

Louis Rohan Tillett was an Australian rock music singer-songwriter, keyboardist and saxophonist. Tillett was the front man in Australian bands The Wet Taxis, Paris Green and The Aspersion Caste. He also worked as a backing musician with Catfish, Laughing Clowns, New Christs and Tex Perkins. As a solo artist, he issued seven albums, Ego Tripping at the Gates of Hell (1987), A Cast of Aspersions (1990), Letters to a Dream (1992), Cry Against the Faith (1998), Learning to Die (2001), The Hanged Man (2005) and Soliloquy (2006). He often worked with Charlie Owen, releasing two albums, The Ugly Truth (1994) and Midnight Rain. The latter album won the Rolling Stone Critics Award for Best Album of 1996.

Stylus were an Australian blue-eyed soul group formed in 1975. They were the only Australian act to be released by Motown Records in the USA. Stylus toured supporting George Benson, Average White Band, Ike & Tina Turner, and Little River Band. According to rock music historian, Ian McFarlane, Stylus "scored a number of hit singles and became very popular on the Australian pub and concert circuit". The group disbanded in 1979 and subsequently had various reunions. In 1998-99 Japan's Toshiba-EMI re-issued three Stylus albums on CDs. Their reunions have resulted in a live album, Still Alive (2003); and a new studio album, Across Time (2010).

<span class="mw-page-title-main">Jackie Orszaczky</span> Musical artist

Miklós József "Jackie" Orszáczky was a Hungarian-Australian musician, arranger, vocalist and record producer. His musical styles included jazz, blues, R&B, funk and progressive rock; he mainly played bass guitar – from the early 1990s he used a modified piccolo bass – but also various other instruments. In 2006 Orszaczky was awarded the Knight's Cross of the Order of Merit by the Hungarian government. Also that year Orszaczky was diagnosed with Hodgkin's lymphoma and died on 3 February 2008, aged 59.

<span class="mw-page-title-main">Sebastian Hardie</span> Australian progressive rock band

Sebastian Hardie were Australia's first symphonic rock band. They formed in Sydney in 1967 as Sebastian Hardie Blues Band but dropped the 'Blues Band' reference when they became pop-oriented. By 1973 they developed a more progressive rock style, and later performed as Windchase, but disbanded in 1977. An early member of Sebastian Hardie was Jon English, who starred as Judas Iscariot in the Australian version of the stage musical Jesus Christ Superstar in 1972, he subsequently had a solo career as a singer, actor and playwright. A later member, Mario Millo became a multi-award winner for his television and movie music.

Levi Smith's Clefs, originally The Clefs, were an Australian R&B, pop rock group, which formed in Adelaide in 1963. Lead vocalist, Barrie "The Bear" McAskill, joined in 1965. In 1967 he took over and renamed the group after founding keyboardist, Winston "Tweed" Harris, left. They released a sole studio album, Empty Monkey, in March 1970 and underwent numerous line-up changes until they disbanded in 1972. After their time in the band various members formed the groups: Tully, Fraternity and Southern Contemporary Rock Assembly (SCRA). Winston Harris (1941–2004) died of throat cancer, aged 63. A drummer from 1970 to 1971, Russell Dunlop (1945–2009), died after a seizure, aged 63. Richard Lockwood, flautist and saxophonist in 1968, died in 2012 of bowel cancer.

Mario Daniel Millo is an Australian musician and composer from Sydney, he was a member of symphonic rock group Sebastian Hardie from 1973 to their disbandment in 1977. Their debut album, Four Moments (1975) peaked at No. 13 on the Australian Kent Music Report Albums Chart. He has had a solo career and composed film and television soundtracks and scores. In 1978, he worked with Jon English on the soundtrack for the television series, Against the Wind and its related single, "Six Ribbons". Both album and single peaked in the Top 10 on the relevant Kent Music Report charts. The series had international release, known as Mot alla vindar/Mot alle vindar/Mod vinden (1980) in Scandinavian countries where the album and single reached No. 1 in Norway and No. 4 in Sweden. Millo's compositions have won Australian film industry awards for, The Lighthorsemen (1987) and television awards for, Brides of Christ (1991) and Changi (2001). Brides of Christ won an Australian Record Industry Association (ARIA) Music Award in 1992 for 'Best Original Soundtrack Album' - Millo was nominated for the same award in 1997 for G.P. and in 2002 for Changi.

The Monitors were an Australian pop band of the early 1980s. They were primarily a studio group which involved a collaboration between Terry McCarthy on vocals and keyboards, and Mark Moffatt on guitar, bass guitar and keyboards. They used various guest vocalists. Their debut single, "Singin' in the '80s", was released in 1980 and reached No. 16 on the Kent Music Report singles chart.

Philip John Manning is an Australian blues singer-songwriter and guitarist. Manning has been a member of various groups including Chain and has had a solo career. As a member of Chain, Manning co-wrote their January 1971 single "Black and Blue" which became number one on the Melbourne charts and also Judgement, which reached number two in Sydney. The related album, Toward the Blues followed in September and peaked in the top 10 albums chart.

Andrew Peter Duffield is an Australian musician, producer and teacher. He has been a member, on keyboards, synthesisers or electronics, for various groups, including Whirlywirld, Models and Absent Friends. Duffield has also been a backing musician for other artists both on tours and for studio sessions.

Leo de Castro was a New Zealand funk and soul singer-guitarist. From 1969 to 1995 he worked in Australia in a variety of bands before returning to Auckland. He contributed to Rocco (1976), as a member of Johnny Rocco Band; Voodoo Soul – Live at The Basement, by Leo de Castro and Friends; a live album, Long White Clouds (2007), which had been recorded in January 1988 using two separate backing bands, The Dancehall Racketeers and Roger Janes Band.

<span class="mw-page-title-main">Mark Kennedy (musician)</span> Australian musician

Mark Kennedy is an Australian musician who has been the drummer for several artists including Spectrum (1969–70), Doug Parkinson in Focus (1971), Leo de Castro (1971–73), Ayers Rock (1973–76), Marcia Hines (1976–83), Men at Work (1985), Renée Geyer and Jimmy Barnes (2005).

<i>Dreams of a Love</i> 1977 studio album by the Ferrets

Dreams of a Love is the debut studio album by Australian pop-rock band, the Ferrets. Released in October 1977, it peaked at number 20 on the Australian Kent Music Report albums chart. Its production was started by Ian "Molly" Meldrum under the pseudonym, Willie Everfinish – after almost a year the group, assisted by audio engineers Tony Cohen and Ian MacKenzie, finalised the work.

Lindsay Bourke, who also performed as Lindsay Blue, is an Australian classical and ambient musician, visual artist and poet. He issued two albums in the 1970s, Wilderness Awakening (1971) and Love All Life (1975). In the late 1990s he released, Millenium Symphony. In 1966, as a visual artist, he had his debut solo exhibition at a gallery and subsequently delivered Sydney's first sound and light mixed media show at the Cell Block Theatre.

References

General
  • McFarlane, Ian (1999). "Whammo Homepage". Encyclopedia of Australian Rock and Pop . St Leonards, NSW: Allen & Unwin. ISBN   1-86508-072-1. Archived from the original on 5 April 2004. Retrieved 10 April 2012. Note: Archived [on-line] copy has limited functionality.
Specific
  1. 1 2 3 4 5 6 7 8 9 10 McFarlane, 'Cybotron' entry. Archived from the original on 12 July 2004. Retrieved 26 August 2013.
  2. 1 2 3 Foss, Richard. "Cybotron – Music Biography". Allmusic (Rovi Corporation). Retrieved 26 August 2013.
  3. Cybotron (Media notes). Clear Light Of Jupiter. 1976. CLOJ 782.
  4. 1 2 3 4 5 Culnane, Paul; Kimball, Duncan (2002). "Cybotron". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Retrieved 26 August 2013.
  5. 1 2 Spencer, Chris (1990). Who's Who of Australia Rock. The Five Mile Press. p. 182. ISBN   0-86788-213-1.
  6. 1 2 3 Cooper, Chris (3 January 2009). "Cybotron". Prog Archives: Your Ultimate Prog Rock Resource. Retrieved 26 August 2013.
  7. "Cybotron Implosion". Aztec Music. Archived from the original on 1 December 2008. Retrieved 26 August 2013.
  8. "Implosion". rateyourmusic.com. Retrieved 3 August 2018.