Cynthia Makris (born 1956) is an American soprano opera singer as well as a voice and empowerment coach.
Makris was born in Sterling, Colorado, USA, and has a Bachelor of Arts degree in History and Music Performance from Adams State College. [1] Cynthia also has a degree in Interior Design from Palm Beach State College.
Cynthia Makris brings 30 years of experience singing major operatic roles in the leading opera houses of the world to her voice coaching. Her vast repertoire ranges from bel canto to dramatic, from Bellini, Donizetti, and Mozart to Verdi, Richard Strauss, and Wagner. Her career brought her to the stages of the world, including La Scala, Covent Garden, and the Teatro Colon in Buenos Aires. She has lived and worked in nearly every country in Europe, as well as Japan, Singapore, Australia, Brazil, Chile, Mexico, and Argentina. Makris has been praised not only for the beauty of her voice but also for the integrity, honesty, and depth of her portrayals of figures as diverse as Puccini’s fragile title heroine, Madama Butterfly, to Verdi’s Lady Macbeth or Strauss’ Salome, which she has performed over three hundred times on five continents.
Cynthia is multilingual and has sung in many languages. This, along with her knowledge of musical styles, makes her an ideal coach for the serious classical student. She also specializes in preparing young people for auditions and building the foundation for their vocal technique. Her students have been accepted into the prestigious Bak Middle School for the Arts and the Dreyfoos High School for the Arts, as well as receiving college scholarships to pursue degrees in vocal music.
Cynthia has been coaching singers since 2007. She has a B.A. in Music Performance and is a certified life coach and master practitioner of NLP. She is a very demanding teacher and expects her students to have a high demand of themselves. Understanding that the voice is a very intimate part of a person’s makeup, she is also very compassionate and positive and always on the side of the student, empowering at all times. Ms. Makris teaches a natural and healthy approach to developing the voice, using the body’s own resonance chambers. It is especially important for children, whose voices are still developing, to learn a natural style of singing which will support the still maturing voice and not put unnecessary strain on the vocal chords. Classical Italian techniques uncover the natural beauty of each voice. The goal is an instrument which is integrated in all registers, which is capable of a wide variety of expression and has both power and beauty throughout.
Makris has sung major soprano roles at La Scala and the Royal Opera House, the Finnish National Opera and many other opera houses. She has performed in Europe, South America, and Asia. Her repertoire ranges from coloratura to dramatic roles including the title role in Salome by Richard Strauss. [1] For Opera Queensland she sang Abigaille in Verdi's Nabucco in 2007 and Turandot in 2008.
Her first professional role was as Tosca with the Denver Lyric Opera Company.
Makris won the Metropolitan Opera Regional award for young singers as well the San Francisco Opera Regional award two consecutive years during her graduate studies in vocal performance at the University of Colorado at Boulder.
She received an award in 1982 from the German state of North Rhine-Westphalia for her performance of the three heroines in The Tales of Hoffmann . [2]
She was Artist of the Year of the Savonlinna Opera Festival in 2006, an award for her contribution to the festival since 1993, when she sang Lady Macbeth in Ralf Långbacka 's televised production of Verdi's opera. [3] [4]
Cynthia is married to Finnish tenor, Raimo Sirkiä and has a son, Pete Makris, who lives in Colorado. She lives in Florida, USA, and in Helsinki, Finland.
Composer | Opera | Role | Opera Company / Partial List |
---|---|---|---|
Beethoven | Fidelio | Leonore | Finnish National Opera |
Bellini | Norma | Norma | Finnish National Opera Opera of Philadelphia Badisches Staatstheater |
Berg | Lulu | Lulu | Staatsoper Hannover |
Berg | Wozzeck | Marie | Teatro Municipal de Santiago Badisches Staatstheater |
Brand | Maschinist Hopkins | Nell | Theater Bielefeld ORF Concert & Recording, Wien |
Donizetti | Anna Bolena | Anna | Finnish National Opera Badisches Staatstheater |
Donizetti | Lucia di Lammermoor | Lucia | Theater Bielefeld Opernhaus Dortmund |
Giordano | Andrea Chénier | Maddalena | Aalto Theater Essen |
Korngold | Die tote Stadt | Marie/Marietta | Deutsche Oper am Rhein Teatro Colón Buenos Aires Royal Swedish Opera Teatro Bellini Catania Opera Antwerpen |
Krenek | Jonny spielt auf | Anita | Teatro Colón Buenos Aires |
Leoncavallo | La Bohème | Mimi | Theater Bielefeld |
Moore | The Ballad of Baby Doe | Baby Doe | Theater Bielefeld |
Mozart | Don Giovanni | Donna Anna | Theater Bielefeld Opernhaus Dortmund |
Donna Elvira | University of Colorado | ||
Mozart | Die Entführung aus dem Serail | Constanze | Theater Freiburg Saarländisches Staatstheater |
Mozart | Le Nozze di Figaro | La Contessa | Niederlandse Reisopera |
Mozart | Die Zauberflöte | Pamina | Theater Freiburg |
Offenbach | Les contes d’Hoffman | Olympia Antonia Giulietta | Theater Bielefeld Niederlandse Reisopera Opernhaus Dortmund |
Puccini | La fanciulla del West | Minnie | Finnish National Opera Teatro Regio Torino Grange Park Opera |
Puccini | Madama Butterfly | Cio-Cio San | Opéra de Rouen Utah Opera |
Puccini | Manon Lescaut | Manon | Theater Bielefeld Staatsoper Berlin |
Puccini | Tosca | Tosca | Denver Lyric Opera Badisches Staatstheater Finnish National Opera Opéra-Comique Paris Deutsche Oper Berlin |
Puccini | Turandot | Turandot | Savonlinna Opera Festival Teatro Argentino de la Plata Teatro Colón Buenos Aires Auditorio National Mexico City Esplanade Singapore Queensland Opera Welsh National Opera |
Schreker | Irrelohe | Eva | Theater Bielefeld |
Smetana | The Bartered Bride | Marie | Theater Bielefeld |
Spohr | Faust | Kunigunde | Theater Bielefeld |
Johann Strauss | Die Fledermaus | Rosalinde | Opernhaus Dortmund Staatsoper Berlin |
Johann Strauss | Der Zigeunerbaron | Saffi | Theater Freiburg |
Richard Strauss | Arabella | Arabella | Opernhaus Dortmund New National Theatre Tokyo |
Richard Strauss | Ariadne auf Naxos | Najade | Theater Freiburg |
Richard Strauss | Die Frau ohne Schatten | Die Kaiserin | Theater Bielefeld Finnish National Opera |
Richard Strauss | Der Friedenstag | Maria | Concert Version Germany |
Richard Strauss | Elektra | Elektra | Tiroler Festspiele Erl Theater Freiburg |
Richard Strauss | Salome | Salome | Opernhaus Dormund Australian Opera New National Theatre Tokyo Opera of Philadelphia Finnish National Opera Opéra national du Rhin Teatro municipal Rio de Janeiro Staatsoper Berlin Bayerische Staatsoper Teatro Nacional de São Carlos Royal Swedish Opera Scottish Opera |
Verdi | Aida | Aida | Estonian National Opera |
Verdi | Un ballo in maschera | Amelia | Opernhaus Dortmund Opéra de Rouen Semperoper Dresden |
Verdi | Falstaff | Alice Ford | University of Colorado |
Verdi | La forza del destino | Leonora | Badisches Staatstheater Savonlinna Opera Festival |
Verdi | Luisa Miller | Luisa | Theater Bielefeld |
Verdi | Macbeth | Lady Macbeth | Savonlinna Opera Festival Teatro Colón Buenos Aires Theater Bonn Teatro alla Scala Milano |
Verdi | Nabucco | Abigaille | Estonian National Opera Royal Opera Covent Garden Queensland Opera |
Verdi | Otello | Desdemona | Opernhaus Dortmund |
Verdi | La traviata | Violetta | Oper Graz Theater Freiburg Deutsche Oper am Rhein Badisches Staatstheater Staatstheater am Gärtnerplatz Theater Bielefeld Opera Corpus Christi Staatsoper Berlin |
Verdi | Il trovatore | Leonora | Opernhaus Dortmund Finnish National Opera Teatro Municipal de São Paulo Teatro Colón Buenos Aires Opera Leipzig Royal Danish Opera |
Wagner | Der fliegende Holländer | Senta | Theater Bonn Tampere Opera Musikfestival Wels |
Wagner | Die Meistersinger von Nürnberg | Eva | Opernhaus Dortmund |
Wagner | Das Rheingold | Freia | Theater Freiburg |
Wagner | Tannhäuser | Venus, Elisabeth Venus | Savonlinna Opera Festival Teatro Real Madrid |
Weber | Der Freischütz | Agathe | Theater Bielefeld |
Weill | Aufstieg und Fall der Stadt Mahagonny | Jenny | Theater Bielefeld Operahaus Dortmund |
Zandonai | Francesca da Rimini | Francesca | Teatro Colón Buenos Aires |
A mezzo-soprano (Italian:[ˌmɛddzosoˈpraːno], lit. 'half soprano'), or mezzo ( MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic.
Christa Ludwig was a German mezzo-soprano and sometime dramatic soprano, distinguished for her performances of opera, lieder, oratorio, and other major religious works like masses, passions, and solos in symphonic literature. Her performing career spanned almost half a century, from the late 1940s until the early 1990s.
Grace Melzia Bumbry was an American opera singer, considered one of the leading mezzo-sopranos of her generation, who also ventured to soprano roles. She belonged to a pioneering generation of African-American classical singers, led by Marian Anderson. She was recognized internationally when Wieland Wagner cast her for the 1961 Bayreuth Festival as Venus in Tannhäuser, the first black singer to appear at the festival.
Karita Marjatta Mattila is a Finnish operatic soprano.
Phyllis Curtin was an American soprano and academic teacher who had an active career in operas and concerts from the early 1950s through the 1980s. She is known for her creation of roles in operas by Carlisle Floyd, such as the title role in Susannah and Catherine Earnshaw in Wuthering Heights. She was a dedicated song recitalist, who retired from singing in 1984. She was named Boston University's Dean Emerita, College of Fine Arts in 1991.
Leopoldine Rysanek was an Austrian dramatic soprano.
Nell Rankin was an American operatic mezzo-soprano. Though a successful opera singer internationally, she spent most of her career at the Metropolitan Opera, where she worked from 1951 to 1976. She was particularly admired for her portrayals of Amneris in Verdi's Aida and the title role in Bizet's Carmen. Opera News said, "Her full, generous tone and bold phrasing, especially in the Italian repertory, were unique among American mezzos of her generation.
Anja Silja Regina Langwagen is a German soprano singer.
Martina Arroyo is an American operatic soprano who had a major international opera career from the 1960s through the 1980s. She was part of the first generation of black opera singers to achieve wide success.
Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.
Dame Gwyneth Jones is a Welsh dramatic soprano, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.
Eliane Coelho is a Brazilian soprano singer. She was a soprano in the Frankfurt Opera and performed dozens of roles at the Vienna Staatsoper.
Sylvie Valayre is a French operatic soprano known for her versatile interpretations of lyric, spinto, and dramatic coloratura soprano parts. She sings grueling roles like Abigaille, Lady Macbeth or Turandot as well as lighter pieces like Giordano's Maddalena, Cio-Cio San, or Verdi's Desdemona at major opera houses around the world.
Gail Varina Gilmore is an American Gospel and (mezzo-soprano) opera singer. She is particularly known for her interpretation of Kundry in Richard Wagner's opera Parsifal.
Nomeda Kazlaus is one of the most outstanding Lithuanian operatic sopranos of the contemporary generation of singers, an international opera diva who has appeared in leading roles in many European opera houses including the Gran Teatre del Liceu in Barcelona, the Mariinsky Theatre in Saint Petersburg, the Bolshoi Theatre in Moscow, the Teatro Malibran in Venice etc. Nomeda Kazlaus is also TV host, producer, vocal professor, jury chair and member of many international competitions, laureate of four international singing competitions, winner of the Lithuanian Ministry of Culture Young Artist 2007 award.
Felicia Weathers is an American soprano in opera and concert.
Nadja Michael is a German opera singer with an active international career singing leading soprano roles. Her mother's great-aunt was the soprano Erna Sack.
Sigutė Stonytė is a Lithuanian soprano and professor at the Lithuanian Academy of Music and Theatre.
Gloria Lane Krachmalnick was an American operatic mezzo-soprano who had an active international performance career from 1949 to 1976. In her early career she distinguished herself by creating roles in the world premieres of two operas by Gian Carlo Menotti, the Secretary of the Consulate in The Consul (1950) and Desideria in The Saint of Bleecker Street (1954); both roles which she performed in successful runs on Broadway and on international tours. For her performance in The Consul she was awarded a Clarence Derwent Award and two Donaldson Awards.
Tichina Vaughn is an American operatic dramatic mezzo-soprano active internationally in opera, concert halls and recitals. Starting at the Lindemann Young Artist Development Program at the Metropolitan Opera, her American career expanded into Europe, as member of the permanent ensembles of the Semperoper in Dresden and the Stuttgart Opera, where she was awarded the title of Kammersängerin in 2006. She has been a regular at the Arena di Verona and other major theaters worldwide, singing a wide repertoire span, with a "voluminous and dark mezzo" voice the dramatic Verdi roles such as Amneris in Aida, Eboli in Don Carlo, Azucena in Il trovatore and Ulrica in Un ballo in maschera, Wagner's Ortrud Lohengrin, Venus Tannhäuser, Fricka Die Walküre, Waltraute in Götterdämmerung and Strauss, Herodias in Salome and Klytemnestra in Elektra. According to Opernglas, Vaughn has a natural "great intensity" on stage, with an ample "voice, which flows richly, even in the low registers." The Neue Zürcher Zeitung describes her voice as an "enchanting satisfyingly rich mezzosoprano". Bernard Holland of The New York Times called hers "A voice of quality", which had "the presence and personality that might well fit the Met... a mezzo-soprano whose strong upper register gave hints of a dramatic soprano to come".