Related Research Articles
A drum set – also called a drum kit, trap set or simply drums – is a collection of drums, cymbals and other percussion instruments, which are set up on stands to be played by a single player, with drumsticks held in both hands and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums and idiophones – most significantly cymbals, but can also include the woodblock and cowbell. In the 2020s, some kits also include electronic instruments. Also, both hybrid and entirely electronic kits are used.
Multimedia is a form of communication that combines different content forms such as text, audio, images, animations, or video into a single presentation, in contrast to traditional mass media, such as printed material or audio recordings. Popular examples of multimedia include video podcasts, audio slideshows and Animated videos.
A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A drum machine often has pre-programmed beats and patterns for popular genres and styles, such as pop music, rock music, and dance music. Most modern drum machines made in the 2010s and 2020s also allow users to program their own rhythms and beats. Drum machines may create sounds using analog synthesis or play prerecorded samples.
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
Ableton Live is a digital audio workstation developed by Ableton for macOS and Windows. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available in three editions: Intro, Standard, and Suite.
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance.
An electronic drum is a modern electronic musical instrument, primarily designed to serve as an alternative to an acoustic drum kit or other percussion instruments. An electronic drum consists of an electronic or digital sound module which produces the synthesized or sampled percussion sounds and one or more electric sensors or sensor-equipped pads to trigger the sounds. Like regular drums, the sensors or pads are struck by drum sticks or by the hands and they are played in a similar manner to an acoustic drum kit.
Monotimbral is usually used in reference to electronic synthesizers which can produce a single timbre at a given pitch when pressing one key or multiple keys.
STEIM is a center for research and development of new musical instruments in the electronic performing arts, located in Amsterdam, Netherlands. Electronic music in STEIM's context is always strongly related to the physical and direct actions of a musician. In this tradition, STEIM supports artists in residence such as composers and performers, but also multimedia and video artists to develop setups which allow for improvisation and performance with individually designed technology.
A Zendrum is a hand-crafted MIDI controller that is used as a percussion instrument. The Zendrum was influenced by the "Drumitar," invented by Future Man. There are several Zendrum models that are well-suited for live performances: the Z1, ZX, EXP, ZAP series, LT and the Mallet Pro series and Melodic Finger. The Zendrum ZX and Z1 can be worn like a guitar and consists of a triangular hardwood body with 24 touch-sensitive round MIDI triggers. The EXP has 29 triggers and additional controls. The Zendrum LT can also be worn with a guitar strap, and has 25 MIDI triggers in a symmetrical layout, which provides an ambidextrous playing surface. The ZAP series is designed more for table top use or on a drum stand, with the ZAP1 having 19 triggers, and the ZAP2 having 25 triggers. The triggers are played by tapping or slapping with the fingers or hands. As a controller, the Zendrum does not make any sound by itself. It uses an electronic interface called MIDI to control synthesizers, samplers, drum machines, sound modules, computers or other electronic drum devices that generates the musical and percussive sounds. The Mallet Pro Series is laid out and played like a traditional mallet instrument, like a marimba. The Mallet Pro series has naturally resonating solid walnut bars as triggers.
Jonathan Anthony Rose is an Australian violinist, composer, and multimedia artist. Rose's work is centered in the experimental music known as free improvisation, where he has created large environmental multimedia works, built experimental musical instruments, and improvised violin concertos with accompanying orchestra. He has been described by Tony Mitchell as "undoubtedly the most exploratory, imaginative and iconoclastic violin player who has lived in Australia."
The Synesthesia Mandala Drum is a patented electronic drum pad developed by Vince DeFranco and drummer Danny Carey from Tool. It has 128 strike position detection rings from its center to its edge, along with 127 levels of velocity sensitivity. In its current iteration, mk2.9, both values are transmitted via USB MIDI to a computer, where they can be interpreted by any MIDI software. The Mandala also includes its own "Virtual Brain" software. The current USB/software system replaces a hardware brain that the version 1.0 Mandala system had employed. The pad can be struck with drum sticks or fingers and hands.
Jamstix is a VST instrument produced by Rayzoon Technologies.
Matthias Dahms is a German virtuoso vibraphone and marimba soloist, percussionist and composer. He has been a percussion soloist ever since 1990, giving concerts and drum courses and mallet-instrument classes in Europe as well as overseas.
DrumCore is software by Sonoma Wire Works that lets songwriters and composers create drum tracks using audio loops and/or MIDI beats, fills and variations by world-class drummers across a multitude of styles. It also includes a virtual drum instrument loaded with the drummer's drumkit sounds. It has won Best Drum Software awards from the magazines Electronic Musician and Remix. DrumCore has been used by TV composers for creating music for the Survivor series as well as the drums for a recent Debbie Harry album.
CyberArts International was a series of conferences dealing with emerging technologies that took place during years 1990, 1991, and 1992 in Los Angeles and Pasadena, California. The gatherings brought together artists and developers in all types of new media, including software engineers, electronic musicians, and graphic artists to explore what was a new field at the time, digital media collaborations.
David Nathaniel Kerzner is an American musician, songwriter, producer, and sound designer as well as founder of the sound sampling development company Sonic Reality Inc. Along with Simon Collins, Kerzner is the co-founder of the band Sound of Contact. He is also the co-founder of the band Mantra Vega. His debut solo album, New World, was released in December 2014.
Sonic Reality Incorporated is an American sound development and music software company founded in 1996 by keyboardist and music producer Dave Kerzner. The company is headquartered in Miami, Florida.
The Gradual Progression is a studio album by American drummer Greg Fox, released on September 8, 2017 by the label RVNG Intl. It depicts his first use of Sensory Percussion, a set of sensors created by drummer Tlacael Esparza where drum hits send MIDI data to virtual instruments. Fox used Sensory Percussion as a way to become flexible with his drumming skills and combine his interests in electronic music with drumming. The album was recorded in Brooklyn in six days and also features instrumental performances from Curtis Santiago, Michael Beharie, Maria Kim Grand, and Justin Frye. The LP garnered favorable reviews from music journalists upon its release.
The implementation of sound technology by International Drum Corps is a phenomenon in the twenty-first century marching arts. Since 2004, many corps have used electronics to amplify, alter, and add to the sound of their ensembles.
References
- ↑ ""Tina Blaine aka BEAN"". Archived from the original on 2016-03-04. Retrieved 2015-08-16.
- 1 2 3 4 5 Timothy D. Taylor, Global Pop: World Music, World Markets, Routledge, 2014, ISBN 1135254087, pp. 112-119
- 1 2 "Electronic music that’s just D’Cuckoo" Archived 2015-09-23 at the Wayback Machine , by Denise Caruso, San Francisco Examiner, January 6, 1991
- 1 2 "Tina Blaine Inspires Dance and Drumming at Rhythmix", by Lee Hildebrand, Alameda Magazine
- 1 2 Loretta L. Lange, "VIRTUAL REALITY EVANGELIST: Interview with Linda Jacobson" Archived 2011-01-10 at the Wayback Machine , Switch: The New Media Journal, vol. 1, No. 2
- ↑ "Playin' D'Cuckoo MidiBall at San Francisco's Fashion Center ", Wired, Issue 1.01, March/April 1993
- ↑ Umoja at AllMusic
