Dar es Salaam is the largest city and financial hub of Tanzania. It is also the capital of the Dar es Salaam Region. With a population of over five million people, Dar es Salaam is the largest city in East Africa by Population and the sixth-largest in Africa. Located on the Swahili coast, Dar es Salaam is an important economic center and one of the fastest-growing cities in the world.
As it is in other countries, the music in Tanzania is constantly undergoing changes, and varies by location, people, settings and occasion. The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava being added in 2001. Singeli has since the mid-2000s been an unofficial music of uswahilini, unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020.
Bongo Flava is a nickname for Tanzanian music. The genre developed in the 1990s, mainly as a derivative of American hip hop and traditional Tanzanian styles such as taarab and dansi. Lyrics are usually in Swahili or English.
Tanzanian Hip-hop, which is sometimes referred to Bongo Flava by many outside of Tanzania's hip hop community, encompasses a large variety of different sounds, but it is particularly known for heavy synth riffs and an incorporation of Tanzanian pop.
Following Tanganyika's independence (1961) and unification with Zanzibar (1964), leading to the formation of the state of Tanzania, President Julius Nyerere emphasised a need to construct a national identity for the citizens of the new country. To achieve this, Nyerere provided what has been regarded by some commentators as one of the most successful cases of ethnic repression and identity transformation in Africa.
Mwanza Region is one of Tanzania's 31 administrative regions, covering a total land area of 25,233 km2 (9,743 sq mi). The region is comparable in size to the combined land area of the nation state of North Macedonia. Mwanza Region is bordered to the north through Lake Victoria by the Kagera Region and Mara Region, to the east by Simiyu Region, to the south by the Shinyanga Region and to the west by Geita Region. The regional capital is the city of Mwanza. According to the 2022 national census, the region had a population of 3,699,872 and national census of 2012 had 2,772,509. Mwanza Region is the second region with high population in Tanzania after Dar es Salaam Region.
Imani Sanga is Professor of Music in the Department of Creative Arts, formerly called Department of Fine and Performing Arts, in the College of Humanities at the University of Dar es Salaam, Tanzania. He teaches courses in Ethnomusicology, Philosophy of Music, Composition and Choral Music. And he conducts the university choir.
Muziki wa dansi, or simply dansi, is a Tanzanian music genre, derivative of Congolese soukous and Congolese rumba. It is sometimes called Swahili jazz because most dansi lyrics are in Swahili, and "jazz" is an umbrella term used in Central and Eastern Africa to refer to soukous, highlife, and other dance music and big band genres. Muziki wa dansi can also be referred to as Tanzanian rumba, as "african rumba" is another name for soukous.
The Cuban Marimba Band was an influential Tanzanian big band from the city of Morogoro. It was founded in 1948 by Salum Abdullah, who had previously formed the Morogoro Jazz Band. For about twenty years, Cuban Marimba was one of the most popular muziki wa dansi bands in Tanzania.
The Dar es Salaam Jazz Band was a Tanzanian big band from Dar es Salaam that was one of the prominent muziki wa dansi bands between the 1960s and 1970s. It was led by Michael Enoch, who would later play in many other major dansi bands. Although Enoch did originally play guitar in the band's first years, he would later be known mostly as a saxophone and trumpet player.
International Orchestra Safari Sound was a popular muziki wa dansi Tanzanian band from 1985 to 1992.
Morogoro Jazz Band, also known as K.Z. Morogoro Jazz Band, was a seminal muziki wa dansi band from Morogoro, Tanzania. The band originally played live at the clubs and bars of Morogoro and became very popular in the 1960s and 1970s, receiving considerable airplay from Tanzanian radio stations. The leader of the band was guitarist Mbaraka Mwinshehe, who dropped out of school to join the band in 1965. Coincidentally, the band was formed the same year Mwinsheshe was born, in 1944. The original lineup of the band featured Makala Kindamile, Joseph Thomas, Seif Ally, Daudi Ally and Shaabana Mwambe. Salim Abdullah, who would later found Cuban Marimba Band, was also an early member of the band.
Orchestra Maquis Original is a Tanzanian muziki wa dansi band, originally from DR Congo. Founded in 1970 and still active, it is one of the most long-lived dansi bands.
Msondo Ngoma is a Tanzanian muziki wa dansi band. Having been established in 1964, it is the oldest active dansi band in Tanzania.
Vijana Jazz Orchestra is a Tanzanian muziki wa dansi band that reached its peak of popularity in the 1980s. As with many other dansi bands of the times, it was sponsored by a government institution, namely the Umoja wa Vijana, i.e., the youth wing of Tanzania's ruling party Tanganyika African National Union (TANU).
Orchestra Safari Sound (OSS) was a major Tanzanian muziki wa dansi band in the 1970s. Along with Orchestra Maquis Original, OSS contributed to the evolution of dansi, introducing a slower-paced and more melodic style that further differentiated dansi from its ancestor genre, the Congolese soukous. The band was led by Ndala Kasheba, one of the most popular musicians in Tanzanian pop music.
Tabora Sound Band, formerly known as Tabora Jazz, is a seminal Tanzanian muziki wa dansi band based in Tabora, Tanzania and led by guitarist Shem Ibrahim Karenga. In the 1970s, their song Dada Asha was a major hit in Tanzania and East Africa. They disbanded in the late 1970s but efforts were made to revive the band. So, by early 1980s, it was active again but disbanded in mid 1980s following damage of the instruments by an electric shock. It was later reformed by Shem Karenga as Tabora Jazz Stars. Kassimu Kaluwona, the rythim guitarist of the former band also joined. The band was based in Dar es Salaam.They mainly played classic songs of the former band, Tabora Jazz Band.
Songs for the Poor Man is the first studio album and second album overall by Tanzanian soukous musician Remmy Ongala and his band Orchestre Super Matimila, released in 1989 on Real World Records. The album follows Ongala's acclaimed appearances at the WOMAD Tour and WOMAD'S release of Naillia Mwana, a compilation of early music by Ongala, two events which gave Ongala international recognition. Songs for the Poor Man was recorded at the WOMAD-affiliated Real World Studios in Wiltshire over three days in May 1989 with production, engineering and mixing help from David Bottrill.
Ngoma(also ng'oma or ing'oma) is a Bantu term with many connotations that encompasses music, dance, and instruments. In Tanzania ngoma also refers to events, both significant life-changing events such as the first menstruation or the birth or passing of a loved one, as well as momentary events such as celebrations, rituals, or competitions. Ngoma was the primary form of culture throughout the Great Lakes and Southern Africa. Today it is most notable in Tanzania, where it is deemed an official music genre by the National Arts Council (BASATA - Baraza la Sanaa la Taifa). In Tanzania, it is experienced throughout the country and performed, taught, and studied in many schools and universities. The most notable school for ngoma is the Bagamoyo Arts and Cultural Institute, which produces the most prominent chairmen (directors/conductors) and dancers.
Singeli or sometimes called Sengeli is a Tanzanian music genre that originated with the Zaramo in the Mtogole neighborhood of the Tandale ward in Kinondoni District of Dar es Salaam Region around the mid-2000s. The genre has since the late 2010s spread throughout Tanzania, and since 2020 the surrounding Great Lakes. Singeli is a ngoma music and dance where an MC performs over fast tempo taarab music, often at between 200 and 300 beats per minute (BPM), while women dance. Male and female MCs are near equally common, however styles between MC gender typically differ significantly. Male MCs usually perform in fast-paced rap, while female MCs usually perform kwaya.
