Daddy-Long-Legs is a 1914 play by the American writer Jean Webster. Webster adapted it from her own 1912 epistolary novel Daddy-Long-Legs .
Daddy-Long-Legs is a 1914 play by the American writer Jean Webster. Webster adapted it from her own 1912 epistolary novel Daddy-Long-Legs .
Daddy-Long-Legs debuted on Broadway at the Gaiety Theatre on September 28, 1914. [1] The work had already been touring for four months prior to its Broadway run with Webster traveling with the production. [2] The play was the first major success for actress Ruth Chatterton, and her portrayal of the character of Judy in this work brought her both critical acclaim and fame. [3] Other performers in the original production included Charles Waldron as Jervis Pendleton, Cora Witherspoon as Sallie McBride, Harry Dodd as Cyrus Wycoff, Mabel Burt as Miss Pritchard, Gilda Leary Julia Pendleton, Robert Waters as Abner Parsons, Maud Erwin as Mamie, and Edward Howard as John Codman. [1]
Well received in its initial production, Daddy-Long-Legs was revived on Broadway in 1918 at Henry Miller's Theater with Ruth Chatterton and Charles Waldron once again starring in the play. [4] The revival cast also included the actress Lucia Moore as Miss Pritchard. [4]
The play has toured the United States on multiple occasions. [2]
Ruth Chatterton was an American stage, film, and television actress, aviator and novelist. She was at her most popular in the early to mid-1930s, and in the same era gained prominence as an aviator, one of the few female pilots in the United States at the time. In the late 1930s, Chatterton retired from film acting but continued her career on the stage. She had several TV roles beginning in the late 1940s and became a successful novelist in the 1950s.
Annie is a musical with music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan. It is based on the 1924 comic strip Little Orphan Annie by Harold Gray. The original Broadway production opened in 1977 and ran for nearly six years, setting a record for the Alvin Theatre. It spawned numerous productions in many countries, as well as national tours, and won seven Tony Awards, including for Best Musical. The musical's songs "Tomorrow" and "It's the Hard Knock Life" are among its most popular musical numbers.
Blithe Spirit is a comic play by Noël Coward, described by the author as "an improbable farce in three acts". The play concerns the socialite and novelist Charles Condomine, who invites the eccentric medium and clairvoyant Madame Arcati to his house to conduct a séance, hoping to gather material for his next book. The scheme backfires when he is haunted by the ghost of his wilful and temperamental first wife, Elvira, after the séance. Elvira makes continual attempts to disrupt Charles's marriage to his second wife, Ruth, who cannot see or hear the ghost.
Daddy Long Legs (1955) is a musical comedy film set in France, New York City, and the fictional college town of Walston, Massachusetts. The film was directed by Jean Negulesco, and stars Fred Astaire, Leslie Caron, Terry Moore, Fred Clark, and Thelma Ritter, with music and lyrics by Johnny Mercer. The screenplay was written by Phoebe Ephron and Henry Ephron, loosely based on the 1912 novel Daddy-Long-Legs by Jean Webster.
Daddy-Long-Legs is a 1912 epistolary novel by the American writer Jean Webster. It follows the protagonist, Jerusha "Judy" Abbott, as she leaves an orphanage and is sent to college by a benefactor whom she has never seen. The novel was initially serialized in the April–September 1912 issues of the Ladies' Home Journal, and first published in book form by The Century Company in October 1912.
Jean Webster was the pen name of Alice Jane Chandler Webster, an American author whose books include Daddy-Long-Legs and Dear Enemy. Her best-known books feature lively and likeable young female protagonists who come of age intellectually, morally, and socially, but with enough humor, snappy dialogue, and gently biting social commentary to make her books palatable and enjoyable to contemporary readers.
Joan Marsh was an American child actress in silent films between 1915 and 1921. Later, during the sound era, she resumed her acting career and performed in a variety of films during the 1930s and 1940s.
Daddy-Long-Legs is a 1919 American silent comedy-drama film directed by Marshall Neilan, and based on Jean Webster's 1912 novel Daddy-Long-Legs. The film stars Mary Pickford.
John Newport Caird is an English stage director and writer of plays, musicals and operas. He is an honorary associate director of the Royal Shakespeare Company, was for many years a regular director with the Royal National Theatre of Great Britain and is the principal guest director of the Royal Dramatic Theatre, Stockholm (Dramaten).
Megan McGinnis is an American Broadway actress, who performed in the role of Éponine, in the revival of Les Misérables. She created the role of Jerusha Abbott in the Off-Broadway production of Daddy Long Legs. She also played Belle in Beauty and the Beast on Broadway.
Dear Enemy is the 1915 sequel to Jean Webster's 1912 novel Daddy-Long-Legs. It was among the top 10 best sellers in the U.S. in 1916. The story is presented in a series of letters written by Sallie McBride, Judy Abbott's classmate and best friend in Daddy-Long-Legs. Among the recipients of the letters are Judy; Jervis Pendleton, Judy's husband and the president of the orphanage where Sallie is filling in until a new superintendent can be installed; Gordon Hallock, a wealthy Congressman and Sallie's later fiancé; and the orphanage's doctor, embittered Scotsman Robin 'Sandy' MacRae. Webster employs the epistolary structure to good effect; Sallie's choices of what to recount to each of her correspondents reveal a lot about her relationships with them.
My Daddy Long Legs is a Japanese animated television series based on the novel Daddy-Long-Legs by Jean Webster.
The Embassy Five Theatre was a Broadway theatre at 1547 Broadway in Times Square, Manhattan, New York City from 1909 until 1982, when it was torn down. It was originally known as the Gaiety Theatre, becoming the Victoria Theatre in 1943; the theater was known as the Embassy Five Theatre for the last two years of its existence.
Daddy Long Legs (1931) is an American pre-Code film directed by Alfred Santell and starring Janet Gaynor and Warner Baxter. The story involves an orphan who is taken under the wing of a wealthy benefactor.
Charles Waldron was an American stage and film actor, sometimes credited as Charles Waldron Sr., Chas. Waldron Sr., Charles D. Waldron or Mr. Waldron.
Renee Kelly was an English stage and film actress.
Miriam Battista was an American actress known principally for her early career as a child star in silent films. After gaining notice in Broadway theatre at the age of four, she was cast in films the same year. Her most famous appearance was in the 1920 film Humoresque in which she played a little girl on crutches. As an adult, Battista acted in Italian-language films in the 1930s, and she appeared in Broadway productions. She wrote, sang, composed music, and co-hosted a television talk show with her second husband.
Daddy Long Legs is a stage musical with a book by John Caird, and music and lyrics by Paul Gordon. It is based on the 1912 novel of the same name by Jean Webster. Set in turn-of-the-century New England, the musical tells the story of orphan Jerusha Abbott of the John Grier Home and her mysterious benefactor who agrees to send her to college, who she dubs "Daddy Long Legs" after seeing his elongated shadow. Under the conditions of her benefactor, Jerusha sends him a letter once a month, describing her new-found experiences with life outside the orphanage.
Love from Judy is a musical with music by Hugh Martin, lyrics by Martin and Jack Gray, and a book by Eric Maschwitz and Jean Webster. It is based on Webster's novel and play Daddy-Long-Legs. The original production opened in Coventry in 1951 and then moved to the Saville Theatre on the West End and opened on September 25, 1952. The production was also televised in 1953.
Lucia Moore was an American stage and silent film actress. She appeared in plays on Broadway from 1900 through 1932; often in works written by women playwrights, such as Rachel Crothers, Anita Loos, Clare Kummer, Jean Webster, and Rida Johnson Young. She also appeared in original plays by Maxwell Anderson, Barry Conners, George Scarborough, and Edgar Selwyn.
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