| Daily Bread | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 2005 | |||
| Genre | Blues | |||
| Label | Rounder [1] | |||
| Producer | Scott Billington, Steve Reynolds | |||
| Corey Harris chronology | ||||
| ||||
Daily Bread is an album by the American blues musician Corey Harris, released in 2005. [2] [3]
| Daily Bread | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | 2005 | |||
| Genre | Blues | |||
| Label | Rounder [1] | |||
| Producer | Scott Billington, Steve Reynolds | |||
| Corey Harris chronology | ||||
| ||||
Daily Bread is an album by the American blues musician Corey Harris, released in 2005. [2] [3]
The album was produced by Scott Billington and Steve Reynolds. [4] Olu Dara played trumpet on "Mami Wata" and "The Peach". [5] The album was recorded in a week, with Harris choosing to do only a few takes of each song. [6]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [7] |
| Philadelphia Daily News | B+ [8] |
| The Province | B [1] |
| The Tampa Tribune | A [9] |
The Chicago Tribune thought that Harris's "strategy is to jam blues effortlessly as possible with Jamaican reggae, African dance music and Chicago soul, and mostly it works—his gently grooving version of the late Little Milton's signature 'A Nickel and a Nail' is the album's peak." [10] The Philadelphia Daily News deemed the album "a rootsy yet contemporary global folk fete festooned with sinewy African high life, Jamaican reggae, New Orleans blues and jazz flavors." [8]
The Chicago Sun-Times considered it to be one of the 10 best blues album of 2005, writing that "the ethnomusicolical bluesman sometimes comes off as a know-it-all, but this well-crafted disc remembers that making music is supposed to be fun, not a classroom exercise." [11] The Tampa Tribune concluded that "from the title track forward, Harris embarks on a global journey of African-influenced roots music." [9]
AllMusic wrote that "perhaps the most amazing thing about this album is how ultimately American it sounds ... in spite of its Caribbean and African lilt, a testament to how well Harris pulls all these different international strands together without losing sight of where his musical journey began." [7]
Reggae is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
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Olu Dara Jones is an American cornetist, guitarist, and singer. He is the father of rapper Nas.
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Fish Ain't Bitin' is the second album by the American musician Corey Harris, released in 1997 through Alligator Records. Harris supported the album with a North American tour that included shows opening for B.B. King. Fish Ain't Bitin' won a W. C. Handy Award for the best acoustic blues album of 1997.
Greens from the Garden is an album by the American musician Corey Harris, released in 1999. The album title was inspired by a Buddy Guy comment about Harris's country blues. Harris considered the album to be roots music. "Wild West", about gun violence, was released as a single. Harris supported the album with North American and Australian tours.