Dan Forshaw | |
---|---|
Background information | |
Born | Blackpool, Lancashire, England | 19 May 1981
Genres | Jazz, blues, avant garde |
Occupation | Musician |
Instrument | Saxophone |
Years active | 1997–present |
Labels | 4shaw Music, ReHab |
Dan Forshaw (born 19 May 1981) is an English jazz musician and music educator who started his career aged sixteen. He plays the tenor, soprano and alto saxophone and has also recorded on bass clarinet and the Electronic Wind Instrument or EWI. He is a passionate advocate for improving and facilitating music education for both adults and children, and is a figure in the digital revolution sweeping through music education. [1]
Forshaw was born in Blackpool, Lancashire, into a musical family. He grew up in nearby Fleetwood and began playing piano at an early age. He attended Stanah Primary School, in Thornton, where he first started playing the clarinet aged seven. He progressed onto the saxophone aged ten, [2] before attending St. Aidan's C of E High School in Preesall near Poulton-le-Fylde, [3] and then onto the Blackpool Sixth Form College, where he starred in their big band. He later studied music and politics at Lancaster University. [3]
Forshaw's first professional gig was with 'The Amazing Blues Brothers Soul Revue' with whom he appeared across the UK and Europe. Dan then became director of Big Party, an event management and promotion company, before leaving in 2002 when he was appointed Director of Jazz studies at the Beecham Music School, Rossall School in Fleetwood. [4]
In 2005 Dan traveled to New York City, where he studied with saxophonist, composer and bandleader, Branford Marsalis, saxophonist Eric Alexander and post-bop jazz saxophonist, Ravi Coltrane. Upon returning from New York, Dan moved from Blackpool to London. During his time in London he studied at the London School of Theology (LST). Whilst at LST he was also the music co-ordinator at Beechen Grove Baptist Church in Watford and a private music tutor in Harefield.[ citation needed ]
In January 2008 the Dan Forshaw Quartet performed their Jazz: Loving the Supreme project, which was the culmination of Dan's studies at London School of Theology. The work was based on the seminal John Coltrane album A Love Supreme and was performed in the chapel at the LST. [2] [4] [5]
In February 2008, Dan was appointed as Artistic director, and Artist in residence at Urban Soul, May Street Church, Belfast in Northern Ireland. [4] Whilst living in Northern Ireland Dan also toured with Pop artist Yazz and was active on the small, but vibrant Irish Jazz Scene. [6] Forshaw continued to perform at many jazz festivals across the UK, including the Southport International Jazz festival from 2002 - 2012. [7]
In 2011 Forshaw returned to England, where he joined the King / Cave project, an experimental liturgical group fusing jazz, progressive rock and Anglican liturgy. The group have performed all over the UK and beyond, notable performances being at St. Paul's Cathedral, London, [8] Hereford Cathedral and Greenbelt Festival. Dan also created his own Jazz Vespers project which traces the history of jazz and blue music using readings, poetry and song to tell the story of lament and redemption, this was most notably given at Ely Cathedral in October 2013 [9] and Methodist Central Hall, Westminster as part of Black History Month in October 2014. [10] In 2016 Dan released 'Jazz Vespers' which features some of the best UK Jazz talent alongside Dan. [11]
In 2015 Dan was part of the critically acclaimed 'Passion - a contemporary journey to the cross' which fused Dance, Poetry and Music which toured six UK cathedrals and appeared at the Edinburgh Fringe Festival. [12]
Forshaw now lives in Cambridgeshire where he has founded a Music Education programme called 'Cambridge Saxophone.com,' which enables students from all over the world, (including one student in Antarctica) to study with Dan via Skype and videos. Forshaw also teaches saxophone for Cambridge University and maintains an active performing schedule across the UK and Europe. [13] [3]
As leader
As a sideman
John William Coltrane was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Albert Ayler was an American avant-garde jazz saxophonist, singer and composer.
Henry Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Archie Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
Pharoah Sanders was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released more than thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world".
Elvin Ray Jones was an American jazz drummer of the post-bop era. Most famously a member of John Coltrane's quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones "one of the most influential drummers in the history of jazz". He was also ranked at Number 23 on Rolling Stone magazine's "100 Greatest Drummers of All Time".
Courtney Pine,, is a British jazz musician, who was the principal founder in the 1980s of the black British band the Jazz Warriors. Although known primarily for his saxophone playing, Pine is a multi-instrumentalist, also playing the flute, clarinet, bass clarinet and keyboards. On his 2011 album, Europa, he plays almost exclusively bass clarinet.
Philip Wells Woods was an American jazz alto saxophonist, clarinetist, bandleader, and composer.
Ravi Coltrane is an American jazz saxophonist. Co-owner of the record label RKM Music, he has produced pianist Luis Perdomo, guitarist David Gilmore, and trumpeter Ralph Alessi.
Marion Brown was an American jazz alto saxophonist, composer, writer, visual artist, and ethnomusicologist. He was a member of the avant-garde jazz scene in New York City during the 1960s, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane's landmark 1965 album Ascension. AllMusic reviewer Scott Yanow described him as "one of the brightest and most lyrical voices of the 1960s avant-garde."
Christian Forshaw is an English saxophone player and composer.
Ascension is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. AllMusic called it "the single recording that placed John Coltrane firmly into the avant-garde".
The John Coltrane Quartet Plays is an album by the jazz musician John Coltrane, recorded in February and May 1965, shortly after the release of A Love Supreme.
Live in Seattle is a live double album by jazz saxophonist John Coltrane, recorded in 1965 and released posthumously in 1971 on the Impulse! label. The album consists of a set played by Coltrane's quartet at The Penthouse on September 30, 1965. Along with the later-released A Love Supreme: Live in Seattle, recorded two days later at the same club, they are the only officially released live recordings of Coltrane's six-piece lineup from late 1965. The original double LP issue was expanded to 2 CDs for the reissue.
Jean Toussaint is an American jazz tenor and soprano saxophonist.
Simon Richard Spillett is a British jazz tenor saxophonist. He has won the BBC Jazz Awards Rising Star (2007), Jazz Journal's Critics' Choice album of the Year (2009), the British Jazz Awards Top Tenor Saxophonist (2011), and Services to British Jazz award (2016).
Offering: Live at Temple University is a live album by John Coltrane recorded in 1966 and released posthumously by Resonance Records on September 23, 2014, Coltrane's 88th birthday. The album won the Grammy Award for Best Album Notes and was well received by critics. Proceeds from the album benefit the John Coltrane Home.
Nick Roth is an Irish / British saxophonist, composer, producer and educator.
A Love Supreme: Live in Seattle is a live album by American saxophonist John Coltrane, released on October 22, 2021, through Impulse! Records. It was recorded on October 2, 1965, at the Seattle jazz club The Penthouse, by saxophonist Joe Brazil. The tapes were found five years after Brazil's death in October 2008 by the saxophonist Steve Griggs. It is one of only two recorded live performances of Coltrane's 1965 album A Love Supreme, the other being a July 1965 recording from the Jazz à Juan jazz festival in Juan-les-Pins, Antibes, France, which was released in 2002 as part of the deluxe edition of A Love Supreme.
Spiritual jazz is a sub-genre of jazz that originated in the United States during the 1960s. The genre is hard to characterize musically but draws from free, avant-garde and modal jazz and thematically focuses on transcendence and spirituality. John Coltrane's 1965 album A Love Supreme is considered landmark in the genre.