Dan Froot is an American performance artist, writer, dancer, composer and saxophonist. [1]
In 1991, Froot received a Bessie Award for his music theater work, Seventeen Kilos of Garlic. [2] [3] [4] In 2001, he received a City of Los Angeles Individual Artist Fellowship (a.k.a. C.O.L.A.) for the creation of his gangster-vaudeville, Shlammer. Froot's music concerts, theater pieces, and performance events have been presented by leading art centers across the U.S., and in Europe, Africa and South America. He has composed numerous scores for dance and theater companies, has taught performance workshops around the country, has created an ongoing series of collaborative interdisciplinary duets with choreographer David Dorfman, [5] and has danced, acted and played music nationally and internationally with Victoria Marks, Ralph Lemon, Yoshiko Chuma & The School of Hard Knocks, Mabou Mines, David Cale, Ping Chong & Co., and Jeff Weiss. From 1992 to 1996, he was the director of the Bennington College July Program, an intensive academic and cultural enrichment experience for teens at Bennington College, and was a member of the program's drama faculty from 1984 to 1992. Froot teaches at UCLA's Department of World Arts and Cultures/Dance.
From 2008 to 2012, Froot and puppet artist Dan Hurlin collaborated on a series of short puppet plays under the collective title of Who's Hungry. [6]
Froot's work has received major support from MAP Fund, Doris Duke Charitable Trust, The Jim Henson Foundation, Los Angeles County Arts Commission, UCLA Center for Community Partnerships, University of California Institute for Research in the Arts, The National Endowment for the Arts, The City of Los Angeles Department of Cultural Affairs, The City of West Hollywood, AEPOCH Foundation, Jerome Foundation, Meet The Composer, National Foundation for Jewish Culture, The Durfee Foundation, The Pennsylvania Council on the Arts, The New York State Council on the Arts, The Vermont Community Arts Foundation, The New England Foundation for the Arts, The Mary Flagler Cary Charitable Trust, and Reader's Digest.
Ralph Minor Lee was an American puppeteer and theatre artist. His work was centered on the design and use of masks in theatre and performance. The majority of his productions took place outside of traditional performance venues, included parades, pageants, celebrations, and outdoor theatrical performances. Masks and large puppets were central to his productions, which aimed to make artistic experiences accessible to all members of the community. He staged his productions in familiar, public locations, charging no admission fee whenever possible and creating vivid images that could immediately resonate with the audience.
Robert Een is an American composer, cellist, and vocalist.
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Lenny Seidman is a tabla player, a composer, a co-director of the Spoken Hand Percussion Orchestra, and a World Music/Jazz curator at the Painted Bride Art Center in Philadelphia.
David Gordon was an American dancer, choreographer, writer, and theatrical director prominent in the world of postmodern dance and performance. Based in New York City, Gordon's work has been seen in major performance venues across the United States, Europe, South America and Japan, and has appeared on television on PBS's Great Performances and Alive TV, and the BBC and Channel 4 in Great Britain.
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Cristian Amigo is an American composer, improviser, guitarist, sound designer, and ethnomusicologist. His compositional and performing output includes blues and soul, music for the theater, chamber and orchestral music, opera, avant-jazz and rock music, and art/pop song. He has also recorded solo albums on the innova, Deep Ecology and BA labels. Amigo earned a Ph.D. in ethnomusicology from UCLA where he focused on the music of Chile, Peru, and Argentina, as well as anthropological theory, critical studies, and intercultural aesthetics. While in graduate school, he was second guitarist to the Peruvian Afro-Criollo guitarist Carlos Hayre, with whom he played in concerts and festivals including the World Festival of Sacred Music. He is currently composer-in-residence at INTAR Theater in New York City and Music/Design/Production Faculty @ CalArts School of Theater Department of Experience Design and Production in Valencia, California.
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Dan Hurlin is an American puppeteer and performance artist.
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Ishmael Houston-Jones is a choreographer, author, performer, teacher, curator, and arts advocate known for his improvisational dance and language work. His work has been performed in New York City, across the United States, in Europe, Canada, Australia and Latin America. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance Bessie Award for their work Cowboys, Dreams and Ladders performed at The Kitchen and he shared another Bessie Award in 2011 with writer Dennis Cooper and composer Chris Cochrane for the 2010 revival of their 1985 collaboration, THEM. THEM was performed at Performance Space 122, the American Realness Festival, Springdance in Utrecht, Tanz im August in Berlin, REDCAT in Los Angeles, Centre Pompidou in Paris, and at TAP, Theatre and Auditorium of Poitiers, France. The 1985 premier performance of THEM at PS122 was part of New York's first AIDS benefit.
Marilyn Ziering is a retired American business executive and philanthropist in Los Angeles, California. She served as Senior Vice President of the Diagnostic Products Corporation for three decades. A trustee of the Los Angeles Opera, she has endowed programs at Syracuse University, Shalem College and the American Jewish University. She has also supported the American Friends of the Israeli Philharmonic, the Sheba Medical Center and Shalem College in Israel.
Anurupa Roy is an Indian puppeteer, puppet designer and director of puppet theater. Roy views puppetry as not "manipulating dolls with strings" but an amalgam of plastic and performing arts where sculptures, masks, figures, materials, found objects and narratives come together with music, movement, physicality and theater to create the theater where humans and puppets are co actors. She started at her group Katkatha in 1998 which was registered as the Katkatha Puppet Arts Trust 2006. She has directed over 15 shows for children and adults ranging from the Ramayana and Mahabharata to Shakespearean comedy to the Humayun-nama. The puppets used by the group range from three inches to forty feet in size. The shows have toured across Europe, Japan and South Asia. A major aspect of her work is using puppets for psychosocial interventions in conflict areas like Kashmir, Sri Lanka and Manipur to Juvenile Remand homes. She has worked with youth and women across the country using puppets to raise awareness about HIV/AIDS and gender issues. She is a recipient of the Ustad Bismillah Khan Yuva Puraskar ine Puppetry (2006). She has been a visiting faculty at the University of California Los Angeles an Artists in Residence at Pro Helvetia Swiss Arts Council.
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