Dana A. Williams is a scholar of African American literature and university administrator. She is professor and chair of the English department at Howard University. In 2021, she became Dean of Graduate Studies at Howard. She is the former president of the College Language Association and of the Association of Departments of English.
Williams has a B.A. in English from Grambling State University (Louisiana), received in 1993, an M.A. (1995) from Howard University, and Ph.D. in African American literature from Howard (1998). [1]
While a graduate student, Williams published Contemporary African American Female Playwrights: An Annotated Bibliography in 1999, [2] [3] reviewed in Feminist Collections as "a service to theatrical producers and play enthusiasts alike" by locating more than sixty African American female writers with works published between 1959 and 1997—a group given minimal space in anthologies and other compilations. [4] [5] In Modern Drama , Kathy A. Perkins noted that the work's focus on African American women playwrights was the first contribution of its kind and said, "Not since the publication of Bernard Peterson's Contemporary Black American Playwrights and Their Plays (1988) has there been such a valuable resource in this field." [5]
After completing her PhD, Williams was a Ford Foundation postdoctoral fellowship at Northwestern University in 1999. [1] She taught at Louisiana State University for four years, then returned to teach at Howard in 2003. [1] In 2005, she published In the Light of Likeness—Transformed: The Literary Art of Leon Forrest, [6] a study of African American fiction writer Leon Forrest, focusing on his use of black cultural traditions as well as his place in the Afro-modernist literary school. [7] In 2008, she had a faculty fellowship at the John Hope Franklin Humanities Institute at Duke University. [8] Williams went on to become professor and chair of the English department at Howard University. [1]
Williams has been president of the College Language Association (the oldest and largest organization of professors of color who teach English and world languages) and of the Association of Departments of English, representing English, humanities and writing programs at colleges and universities in the US and Canada. [8] She has also served on the National Council on the Humanities, nominated by President Barack Obama in 2016. [9] She is on the advisory board of the Hurston-Wright Foundation, the Center for Black Literature, and the American Council of Learned Societies, and is president of the Toni Morrison Society. [10] [8]
In 2019, she was named interim dean of the graduate school at Howard. [9] The position was made permanent in 2021. [8]
Joanna Russ was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny. She is best known for The Female Man, a novel combining utopian fiction and satire, and the story "When It Changed".
This article contains information about the literary events and publications of 1930.
This article contains information about the literary events and publications of 1864.
In these times of ours, though concerning the exact year there is no need to be precise...
Susan Howe is an American poet, scholar, essayist, and critic, who has been closely associated with the Language poets, among other poetry movements. Her work is often classified as Postmodern because it expands traditional notions of genre. Many of Howe's books are layered with historical, mythical, and other references, often presented in an unorthodox format. Her work contains lyrical echoes of sound, and yet is not pinned down by a consistent metrical pattern or a conventional poetic rhyme scheme.
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Leon Richard Forrest was an African-American novelist who taught at Northwestern University from 1973 until his death. His four major novels used mythology, history, and humor to explore "Forest County," a fictional world that resembled the south side of Chicago where Forrest grew up. After his death, the Washington Post called Forrest "one of the best-kept secrets of contemporary African-American fiction -- and an acquired taste."
Nationality words link to articles with information on the nation's poetry or literature.
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Pearl Cleage is an African-American playwright, essayist, novelist, poet and political activist. She is currently the Playwright in Residence at the Alliance Theatre and at the Just Us Theater Company. Cleage is a political activist. She tackles issues at the crux of racism and sexism, and is known for her feminist views, particularly regarding her identity as an African-American woman. Her works are highly anthologized and have been the subject of many scholarly analyses. Many of her works across several genres have earned both popular and critical acclaim. Her novel What Looks Like Crazy on an Ordinary Day (1997) was a 1998 Oprah's Book Club selection.
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Chain is an American solo performance play by Pearl Cleage. It tells the story of a 16-year-old Rosa, an African American teenager addicted to crack whose been chained to a radiator in her family home as an intervention attempt. Chain debuted in 1992 at the Women's Project in New York, starring Karen Malina White.
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Sheila Agnes Egoff was a Canadian librarian, literary critic, and historian who was Canada's first professor of children's literature. A recipient of the Order of Canada, she was known for her studies of children's fiction including The Republic of Childhood (1967), Thursday's Child (1981) and Worlds Within (1988). The Sheila A. Egoff Children's Literature Prize is named after her.