Dance Underwater | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 30 June 2017 | |||
Genre | Alternative rock | |||
Length | 40:55 | |||
Label | Westworld | |||
Producer | Peter Walsh | |||
Gene Loves Jezebel chronology | ||||
| ||||
Singles from Dance Underwater | ||||
|
Dance Underwater is a 2017 studio album by the Welsh gothic rock band Jay Aston's Gene Loves Jezebel. It was released on 30 June 2017 on CD and digital download, and on 29 September it was available on vinyl. [1] It is Jay Aston's first studio album under the Gene Loves Jezebel name since The Thornfield Sessions in 2003. [2]
The Welsh are a Celtic nation and ethnic group native to, or otherwise associated with, Wales, Welsh culture, Welsh history and the Welsh language. Wales is a country that is part of the United Kingdom, and the majority of people living in Wales are British citizens.
Gothic rock is a style of rock music that emerged from post-punk in the late 1970s. The first post-punk bands which shifted towards dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.
Gene Loves Jezebel (GLJ) are a British rock band formed in the early 1980s by identical twin brothers Jay Aston and Michael. Gene Loves Jezebel's best-known songs include "Heartache", "Desire " (1986), "The Motion of Love" (1987), "Jealous" (1990) and "Break The Chain" (1993), as well as their broody dark alternative club hits "Bruises" (1983), "Influenza (Relapse)" (1984), and "The Cow" (1985). "Desire" (1985) was GLJ's most successful single in the UK.
After the splitting of the original Gene Loves Jezebel, Jay Aston came close to walking away from music. His version of the band had only released the semi-acoustic The Thornfield Sessions in 2003, while his brother's, Michael, version had released three albums between 1999 and 2003. [2]
Michael Aston, born August 22, 1957, is the founder and current leader of the U.S. version of Gene Loves Jezebel.
In 2010, Aston received a call asking if he wanted to sing on a Rolling Stones tribute album – this sparked the musician's interest once again. Soon, Aston was performing solo shows and even released an album with bassist Pete Rizzo, but it would take until 2017 for the two to work on another Gene Loves Jezebel album. [2] For Dance Underwater they enlisted Peter Walsh as producer, who also worked on Gene Loves Jezebel's House of Dolls and Heavenly Bodies albums, and one of their most popular songs, "Desire" from 1986. [3]
The album was funded through PledgeMusic, and by the end of the fundraiser, they managed to reach over 25% of the original goal. [4] On 27 April, the first single, "Summertime", was released [5] , and two months later, on 30 June, the album was released on CD and digital formats; vinyl would come on 29 September. [1]
PledgeMusic is an online direct-to-fan music platform, launched in August 2009, that was started to facilitate musicians reaching out to their fanbase to pre-sell, market, and distribute music projects including recordings, music videos, and concerts. Broadly speaking it bears some similarities to such platforms as ArtistShare, Kickstarter, Indiegogo, Patreon, RocketHub and Sellaband.
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
New Noise | |
The Rockpit | Favourable [7] |
Cryptic Rock | |
Classic Rock |
Dance Underwater received mixed reviews. New Noise Magazine felt "Charmed Life (Never Give In)" was too autotuned, but found the rest of the album to have the same "mix of goth, rock, and pop" the band is known for from the 1980s. The reviewer felt there was no desire to reinvent the music. [10]
Meanwhile, Mark Rockpit from The Rockpit found the album to be a "great return to form [by] evoking the moods and beats of thirty years ago." He found the songs to contain "velvety rhythms", "orther-worldly vibes", and "beautiful honesty". Rockpit finished his review by stating that "I Don't Wanna Dance Underwater" is the best song on the best album he's heard all year. He applauded the band for continuing to make music with the same depth and richness as they did thirty years prior. [11]
Alfie Vera Mella from Cryptic Rock also found the album worthy of high praise, giving it five stars for its "sentimental ballads" and "funky grooves" [12] , a contrast to Dom Lawson of Classic Rock who found it all to be too "polished and polite". [13]
No. | Title | Length |
---|---|---|
1. | "Charmed Life (Never Give In)" | 4:26 |
2. | "Summertime" | 3:29 |
3. | "How Do You Say Goodbye (To Someone You Love)" | 5:00 |
4. | "Izitme" | 4:32 |
5. | "Ain't It Enough" | 3:21 |
6. | "Cry 4 U" | 3:16 |
7. | "Flying" | 5:11 |
8. | "World Gone Crazy" | 4:09 |
9. | "Chase the Sun" | 2:58 |
10. | "I Don't Wanna Dance Underwater" | 4:33 |
Total length: | 40:55 |
Band members
Production
The Blow Monkeys are a British new wave/sophisti-pop band that formed in 1981. The first single, "Live Today Love Tomorrow" was released in 1982. They subsequently enjoyed a successful career with several hit singles and albums across the 1980s before splitting up at the beginning of the 1990s. Their first hit song was "Digging Your Scene", which hit No. 12 on the UK Singles Chart and No. 14 on the Billboard Hot 100 chart in August 1986. They had four albums and eleven singles in the UK charts from 1986 and 1990.
Half Life Half Death, or "The Halves," was an obscure Filipino alternative rock band that existed from 1988 to 2003.
James Stevenson is an English punk/alternative rock guitarist, at one time a member of the Alarm, Gene Loves Jezebel, Gen X, the Cult, Holy Holy, The International Swingers and Chelsea.
"Dancing with Tears in My Eyes" is the second single from Lament, Ultravox's seventh studio album, released in 1984.
The Aston Shuffle are Australian electronic music producers and DJs Vance Musgrove and Mikah Freeman. In addition to their DJ gigs and recording career, they host a weekly radio show on the ABC's Triple J on Friday nights called Friday Night Shuffle.
Robert M. Corich is a remastering engineer and record producer, who started his career as an IBM mainframe operator, engineer and consultant where he wrote courses and books on the IBM mainframes and operating systems, often lecturing in these topics all over the world.
Head Down is the third studio album by the blues rock band Rival Sons. The album was released on September 17, 2012 in the UK and was released in the rest of Europe on September 14, 2012. It is the last Rival Sons album recorded by the original line-up, prior to bass player Robin Everhart's departure in August 2013.
The Rockpit is an Australian-based music interview and review website specializing in hard rock, heavy metal and blues. It is notable in that unlike many similar sites it concentrates on interviewing both emerging and 'classic' artists, often in depth, giving it more of a journalistic feel than many sites out there.
Into the Wild Life is the third studio album by American rock band Halestorm. It was scheduled for release on April 3, 2015 via Atlantic Records but due to unforeseen circumstances, it was pushed back by a week worldwide. The album peaked at #5 on the Billboard 200 chart, making it their highest charting release to date in the US.
Under the Red Cloud is the twelfth studio album by Finnish heavy metal band Amorphis, released worldwide on 4 September 2015 through Nuclear Blast. The album was produced by Jens Bogren, who was described as "just the right person" by keyboardist Santeri Kallio. This would be the band's last album with longtime bassist Niklas Etelävuori who left in 2017.
One Sided War is the seventh studio album from the Christian musician and Stryper frontman Michael Sweet, who helmed the production on the album. The album released on August 26, 2016 by Rat Pak Records. This album charted at No. 77 on the Billboard 200 and it was awarded a five star rating by CCM Magazine.
Into the Great Unknown is the fifth studio album by Swedish melodic hard rock band H.E.A.T. Released worldwide on September 22, 2017 by the label Gain and produced by Tobias Lindell, it was recorded after a multi-year hiatus for the group. The album has received praise from publications such as Louder and MelodicRock.com among others.
The Knowledge is the fifteenth studio album, and the fourteenth album of original material, by British rock band Squeeze, released on 13 October 2017. It is the first Squeeze album to feature Yolanda Charles on bass after the departure of bassist Lucy Shaw.
Burning Cities is the fifth studio album by Scottish punk rock and new wave band Skids, released on 12 January 2018. Produced by Killing Joke bassist Youth, this is the band's first studio album in 36 years, since the release of Joy in November 1981. It is their first album to feature Big Country father-and-son guitarists, Bruce and Jamie Watson, the second with drummer Mike Baillie, and third with founding bassist Wiliam Simpson. Tracks 5, 7, 9 and 11 are co-written by Martin Metcalfe. The album reached number 28 in the charts.
Strange Attractor is the 7th studio album by Alphaville, and it was released in 2017. It placed on No. 39 in the German Album charts in April 2017.
Science Fiction is the debut solo studio album by English singer Tom Bailey, best known as the lead singer of pop band Thompson Twins. It was released on 13 July 2018. In addition to the standard release, a limited edition double CD hardback mediabook version of the album was released, featuring a bonus disc with seven alternative versions and remixes along with a companion book.
Finding Beauty in Chaos is the debut album by alternative rock supergroup Beauty in Chaos. The album was released on September 28, 2018. The project was created by Michael Ciravolo of Human Drama and Gene Loves Jezebel, who writes on every track excluding cover track 4. Most of the album is composed of industrial and gothic bands, with various other genres also being featured on the album. Most of the album was recorded and mixed in Ciravolo's own SAINTinLA Studio which is based in Sun Valley, Los Angeles by producer Michael Rozon.
Transform is a 2019 studio album by the English musician Howard Jones. It is the first proper studio album from Jones in a decade, and was released on 10 May 2019 on CD and vinyl formats.