A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
Morris dancing is a form of English folk dance. It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers, usually wearing bell pads on their shins. Implements such as sticks, swords and handkerchiefs may also be wielded by the dancers. In a small number of dances for one or two people, steps are near and across a pair of clay tobacco pipes laid one across the other on the floor. They clap their sticks, swords, or handkerchiefs together to match with the dance.
Celtic music is primarily associated with the folk traditions of Ireland, Scotland, Brittany and Wales, as well as the popular styles derived from folk culture. In addition, a number of other areas of the world are known for the use of Celtic musical styles and techniques, including Newfoundland, and much of the folk music of Canada's Maritimes, especially on Cape Breton Island and Prince Edward Island.
Rise Up Like the Sun is a British folk rock album released in 1978 by The Albion Band. The album is in part a collaboration between John Tams on vocals and melodeon and Ashley Hutchings on electric bass. This is not the first album on which the two worked together but it remains the most fulfilling for listeners. To build the sound Hutchings brought in two of his former compatriots from Fairport Convention, Dave Mattacks on drums and tambourine and Simon Nicol on vocals and electric and acoustic guitars. In addition another ex-member of Fairport, Richard Thompson, contributed songs and backing vocals. Having assembled the principal contributors and an ambiance that encouraged their friends to drop in, Hutchings gave Tams the freedom to act as the project's musical director. They were joined by Philip Pickett on shawms, bagpipes, curtals and trumpet, Pete Bullock on synthesiser, piano, clarinet, sax, and organ, Michael Gregory on percussion, Ric Sanders on violin and violectra and Graeme Taylor on electric and acoustic guitars. Kate McGarrigle, Julie Covington, Linda Thompson, Pat Donaldson, Martin Carthy, Andy Fairweather-Low and Dave Bristow make guest appearances.
Christopher Julian Leslie is a British folk rock musician. He joined Fairport Convention in 1997.
Over the Next Hill is the twenty-third studio album by the band Fairport Convention, released in 2004.
Crossing Bridges is a live 2004 album by Mark O'Connor, Carol Cook, and Natalie Haas. It was recorded at May 22 - May 24 performances in Spivey Hall, Clayton College, and State University, Morrow, Georgia. It contains pieces written by O'Connor's for the earlier Appalachia Waltz and Appalachian Journey albums, as well as two new ones, "Olympic Reel (Medley)" and "Blackberry Mull". "Olympic Reel" was written for the 1996 Summer Olympics, and segues into a medley of the other fiddle tunes and styles of the trio member's cultures, Scottish, Irish, and Texan folk music. "Blackberry Mull" was based on an old folk song called "Blackberry Blossom". The songs arranged for violin, viola, and cello.
“On Fire” is the second CD released by Cape Breton's Celtic quartet, The Cottars. It was recorded at Lakewind Sound Studios in Cape Breton, Nova Scotia, and distributed by Warner Music. It was also released in Japan in 2004 by JVC Victor and followed by an extensive Japan tour. All the traditional songs and tunes were adapted and arranged by Allister MacGillivray and The Cottars and are published by Cabot Trail Music, SOCAN.
Gravity is a 1980 solo album by English guitarist, composer and improviser Fred Frith from Henry Cow and Art Bears. It was Frith's second solo album and his first since the demise of Henry Cow in 1978. It was originally released in the United States on LP record on The Residents's Ralph record label and was the first of three solo albums Frith made for the label.
Grandson of Morris On is a thematic album produced by Ashley Hutchings and others.
The Merry Sisters of Fate is an album by Irish Celtic band Lúnasa that was released in 2001 on Green Linnet Records. It is the band's third major release, and first with pipe player Cillian Vallely. The record is characterised as particularly rhythm-heavy and showcasing the band experimenting more with rhythm and sound than on previous records, and features numerous instruments atypical to Celtic music, such as lap steel guitar, piano, harmonium and clarinet, played by a number of guest musicians. Rhythm, melody and strings vary as the foreground of the music, which largely consists of Irish tunes.
Bothy Culture is the second studio album by the Scottish Celtic fusion artist Martyn Bennett, released in January 1998 on the Rykodisc label. After winning critical acclaim for his debut album Martyn Bennett (1996), Bothy Culture builds upon that album's mixing of Scottish Celtic music with farther, international folk music styles and contemporary electronic music. The album celebrates and draws upon the music of Bennett's native Gaeldom as well as the music of Islam and Scandinavia, with Bennett finding and emotionally connecting to the similarities between the geographically dispersed styles. It mixes the styles with contemporary electronic music such as breakbeat and drum and bass.
The Etchingham Steam Band were a folk group formed by Ashley Hutchings and Shirley Collins in England in 1974 after the Albion Country Band had disbanded in late 1973. They were named after village Etchingham in Sussex where Hutchings and Shirley Collins, his then wife, were living. The band's name was a reference to their acoustic nature, formed during a time of power cuts in the mid-1970s that caused problems for any band using electrical instruments or amplification.
Son of Morris On is a British folk rock album released in 1976 under the joint names of Ashley Hutchings, Simon Nicol, John Tams, Phil Pickett, Michael Gregory, Dave Mattacks, Shirley Collins, Martin Carthy, John Watcham, John Rodd, The Albion Morris Men, Ian Cutler, and the Adderbury Village Morris Men.
The Wood and the Wire is the twenty-first studio album released in 1999 by folk rock band Fairport Convention.
Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French folk music tradition but has distinct features found only in the Western hemisphere.
Métis fiddle is the style that the Métis of Canada and Métis in the northern United States have developed to play the violin, solo and in folk ensembles. It is marked by the percussive use of the bow and percussive accompaniment. The Metis people are a poly-ethnic post-contact Indigenous peoples. Fiddles were "introduced in this area by Scottish and French-Canadian fur traders in the early 1800s", where the Metis community adopted the instrument into their culture.
Never Been Better is the fourth studio album by English recording artist Olly Murs. It was released through Epic Records on 21 November 2014 in Ireland and 24 November in the United Kingdom.
"Consideration" is a song recorded by Barbadian singer Rihanna from her eighth studio album Anti (2016). It was co-written by featured artist SZA, with Rihanna and the song's producer, Tyran Donaldson. "Consideration" is a dub-inspired hip-hop and R&B song, with a "stuttering, distorted beat", "pounding percussion", "a crunchy groove", and a "throbbing bass line" in its instrumentation. Lyrically, the song is a declaration of independence, and a desire to seek peace of mind.
50:50@50 is the twenty-eighth studio album by British folk rock band Fairport Convention, released in January 2017 to mark the band's 50th anniversary. Half of the album was recorded in the studio, and the other half is a selection of songs recorded from live performances.
