William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others.
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Benny Carter, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Earl Hines, Bunny Berigan, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw, Jimmie Lunceford, and Django Reinhardt.
Louis Andrew Donaldson Jr. was an American jazz alto saxophonist. He was best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was heavily influenced by Charlie Parker, as were many during the bebop era.
Roscoe Mitchell is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Lester Bowie was an American jazz trumpet player and composer. He was a member of the Association for the Advancement of Creative Musicians and co-founded the Art Ensemble of Chicago.
Erskine Ramsay Hawkins was an American trumpeter and big band leader from Birmingham, Alabama, dubbed "The 20th Century Gabriel". He is best remembered for composing the jazz standard "Tuxedo Junction" (1939) with saxophonist and arranger Bill Johnson. The song became a hit during World War II, rising to No. 7 nationally and to No. 1 nationally. Vocalists who were featured with Erskine's orchestra include Ida James, Delores Brown, and Della Reese. Hawkins was named after Alabama industrialist Erskine Ramsay.
Clean Pastures is a 1937 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. The short was released on May 22, 1937.
The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921." The Chitlin Circuit sustained black musicians and dancers during the era of racial segregation in the United States from the 1930s through the 1960s.
British jazz is a form of music derived from American jazz. It reached Britain through recordings and performers who visited the country while it was a relatively new genre, soon after the end of World War I. Jazz began to be played by British musicians from the 1930s and on a widespread basis in the 1940s, often within dance bands. From the late 1940s, British "modern jazz", highly influenced by American bebop, began to emerge and was led by figures such as Sir John Dankworth, Tony Crombie and Ronnie Scott, while Ken Colyer, George Webb and Humphrey Lyttelton played Dixieland-style Trad jazz. From the 1960s British jazz began to develop more individual characteristics and absorb a variety of influences, including British blues, as well as European and World music influences. A number of British jazz musicians have gained international reputations, although the music has remained a minority interest there.
Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who promoted the bebop style in America.
Helen Margaret Oakley Dance, née Oakley was a Canadian-American jazz journalist, record producer, and music historian. She is perhaps best known for record production and for her biography of T-Bone Walker. She was married to critic Stanley Dance for over 50 years.
Nathaniel Lester Lanin was an American jazz and pop music bandleader. He was famous for long, smoothly arranged medleys, at a consistent rhythm and tempo, which were designed for continuous dancing. Lanin's career began in the late 1920s and his popularity increased through the advent of the LP era. His music remained very popular among fans of the ballroom dance world. Starting with Epic Records in the middle of the 1950s, he recorded a string of albums for several labels, many of which hit the US Billboard 200.
John Wesley Vivian Payne was a British bandleader who established his reputation during the British dance band era of the 1930s.
The musical short can be traced back to the earliest days of sound films.
Johnny Hamp's Kentucky Serenaders was a US jazz and dance band, active from the late 1910s through the 1920s. The group was known simply as The Serenaders until Johnny Hamp became the band leader. Johnny Hamp was born in Lancaster, Pennsylvania and should not be confused with British television producer Johnnie Hamp. According to some sources, he became the leader by chance when the band was performing at the Hershey Ballroom in Hershey, Pennsylvania. The band leader at the time had an argument with the players and walked out. Hamp, who never played a musical instrument in spite of being a jazz fan and had no experience as a conductor, volunteered to lead them for the rest of the evening and they accepted. After the performance, the band asked him to stay on as leader. The "Kentucky" in the name appears to be related to the band's use of "My Old Kentucky Home" as a theme song, rather than any connection to the U.S. state of Kentucky.
A Music Victoria study finds Melbourne hosts 62,000 live concerts annually, making it one of the live music capitals of the world. Victoria is host to more than three times the live performance national average, making it the live music capital of the country. Melbourne is host to more music venues per capita than Austin, Texas.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
Tim Thornton is a double bassist based in London, UK, and a regular performer on the British jazz scene. He is the leader of the Tim Thornton Quartet.
Frank Holder was a Guyanese jazz singer and percussionist. He was a member of bands led by Jiver Hutchinson, Johnny Dankworth and Joe Harriott.
The Club Imperial was a nightclub at 6306-28 West Florissant Ave in St. Louis, Missouri. During the club's heyday in the 1950s through the 1960s, acts such as Ike & Tina Turner, Chuck Berry, and Bob Kuban and the In-Men performed at the Club Imperial.
