Daniel Chandler

Last updated

ISBN 978-0-903878-44-9
  • Chandler, Daniel (1995b) "Notes on the Gaze"
  • Chandler, Daniel (1995c) "Technological or Media Determinism"
  • Chandler, Daniel (1997a) "An Introduction to Genre Theory"
  • Chandler, Daniel (2002/2007) Semiotics: The Basics, Routledge, London, UK, 1st edn 2002. ISBN   0-415-36375-6; 2nd edn 2007 ISBN   978-0-415-36375-4
  • Chandler, Daniel and Munday, Rod (2011) A Dictionary of Media and Communication. Oxford: Oxford University Press
  • Related Research Articles

    Semiotics is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter.

    Media ecology theory is the study of media, technology, and communication and how they affect human environments. The theoretical concepts were proposed by Marshall McLuhan in 1964, while the term media ecology was first formally introduced by Neil Postman in 1968.

    New media are communication technologies that enable or enhance interaction between users as well as interaction between users and content. In the middle of the 1990s, the phrase "new media" became widely used as part of a sales pitch for the influx of interactive CD-ROMs for entertainment and education. The new media technologies, sometimes known as Web 2.0, include a wide range of web-related communication tools such as blogs, wikis, online social networking, virtual worlds, and other social media platforms.

    Theories of technological change and innovation attempt to explain the factors that shape technological innovation as well as the impact of technology on society and culture. Some of the most contemporary theories of technological change reject two of the previous views: the linear model of technological innovation and other, the technological determinism. To challenge the linear model, some of today's theories of technological change and innovation point to the history of technology, where they find evidence that technological innovation often gives rise to new scientific fields, and emphasizes the important role that social networks and cultural values play in creating and shaping technological artifacts. To challenge the so-called "technological determinism", today's theories of technological change emphasize the scope of the need of technical choice, which they find to be greater than most laypeople can realize; as scientists in philosophy of science, and further science and technology often like to say about this "It could have been different." For this reason, theorists who take these positions often argue that a greater public involvement in technological decision-making is desired.

    In semiotics, a code is a set of cultural conventions, contemporary sub-codes, and themes used to communicate meaning. The most common is one's spoken language, but the term can also be used to refer to any narrative form: consider the color scheme of an image, or the rules of a board game.

    Decoding, in semiotics, is the process of interpreting a message sent by an addresser (sender) to an addressee (receiver). The complementary process – creating a message for transmission to an addressee – is called encoding.

    Encoding, in semiotics, is the process of creating a message for transmission by an addresser to an addressee. The complementary process – interpreting a message received from an addresser – is called decoding.

    <span class="mw-page-title-main">Representation (arts)</span> Signs that stand in for and take the place of something else

    Representation is the use of signs that stand in for and take the place of something else. It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantic constructions and express relations.

    <span class="mw-page-title-main">Social shaping of technology</span>

    According to Robin A. Williams and David Edge (1996), "Central to social shaping of technology (SST) is the concept that there are choices inherent in both the design of individual artifacts and systems, and in the direction or trajectory of innovation programs."

    <span class="mw-page-title-main">Jannis Kallinikos</span>

    Jannis Kallinikos is an organization and communication scholar and intellectual. He was born in the town of Preveza, western Greece. He is also a citizen of Sweden. Kallinikos is currently a professor in the Information Systems and Innovation Group, Department of Management at the London School of Economics and Political Science (LSE). His scholarly projects have over the years covered several themes ranging from the significance writing and notation has assumed in the making of modern organizations through the understanding of markets as semiotic systems to the study of bureaucracy and institutions. His concerns have recently shifted to the investigation of the conditions associated with the penetration of the social and economic fabric by technological information. Kallinikos calls this emerging socio-economic environment, marked by the ubiquitous presence of the Internet, information-based services and software-mediated culture, the habitat of information. The term indicates that the growing involvement of information in society, economy and culture is associated with important changes in the ways institutions operate as well as shifts in behavioural, cognitive and communicative habits.

    Medium theory is a mode of analysis that examines the ways in which particular communication media and modalities impact the specific content (messages) they are meant to convey. It Medium theory refers to a set of approaches that can be used to convey the difference in meanings of messages depending on the channel through which they are transmitted. Medium theorists argue that media are not simply channels for transmitting information between environments, but are themselves distinct social-psychological settings or environments that encourage certain types of interaction and discourage others.

    John Hartley, , FAHA,, FLSW, ICA Fellow, is an Australian academic and a John Curtin Distinguished Emeritus Professor. He was formerly Professor of Cultural Science and the Director of the Centre for Culture and Technology (CCAT) at Curtin University in Western Australia, and Professor of Journalism, Media and Cultural Studies at Cardiff University. He has published over twenty books about communication, journalism, media and cultural studies, many of which have been translated into other languages. Hartley is an adjunct professor with CCAT.

    Paul M. Leonardi was the Duca Family Professor of Technology Management at the University of California, Santa Barbara. He was also the Investment Group of Santa Barbara Founding Director of the Master of Technology Management Program. Leonardi moved to UCSB to found the Technology Management Program and start its Master of Technology Management and Ph.D. programs. Before joining UCSB, Leonardi was a faculty member in the School of Communication, the McCormick School of Engineering, and the Kellogg School of Management at Northwestern University.

    The semiotics of social networking discusses the images, symbols and signs used in systems that allow users to communicate and share experiences with each other. Examples of social networking systems include Facebook, Twitter and Instagram.

    Semiotics of music videos is the observation of symbolism used within music videos.

    <span class="mw-page-title-main">Multimodality</span> Phenomenon of human communication having different forms that combine

    Multimodality is the application of multiple literacies within one medium. Multiple literacies or "modes" contribute to an audience's understanding of a composition. Everything from the placement of images to the organization of the content to the method of delivery creates meaning. This is the result of a shift from isolated text being relied on as the primary source of communication, to the image being utilized more frequently in the digital age. Multimodality describes communication practices in terms of the textual, aural, linguistic, spatial, and visual resources used to compose messages.

    Technological determinism is a reductionist theory that assumes that a society's technology progresses by following its own internal logic of efficiency, while determining the development of the social structure and cultural values. The term is believed to have originated from Thorstein Veblen (1857–1929), an American sociologist and economist. The most radical technological determinist in the United States in the 20th century was most likely Clarence Ayres who was a follower of Thorstein Veblen and John Dewey. William Ogburn was also known for his radical technological determinism and his theory on cultural lag.

    Mutual shaping suggests that society and technology are not mutually exclusive to one another and, instead, influence and shape each other. This process is a combination of social determinism and technological determinism. The term mutual shaping was developed through science and technology studies (STS) in an attempt to explain the detailed process of technological design. Mutual shaping is argued to have a more comprehensive understanding of the development of new media because it considers technological and social change as directly affecting the other.

    <span class="mw-page-title-main">Signified and signifier</span> Concepts in linguistics

    In semiotics, signified and signifier are the two main components of a sign, where signified is what the sign represents or refers to, known as the "plane of content", and signifier which is the "plane of expression" or the observable aspects of the sign itself. The idea was first proposed in the work of Swiss linguist Ferdinand de Saussure, one of the two founders of semiotics.

    Feminist science and technology studies is a theoretical subfield of science and technology studies (STS), which explores how gender interacts with science and technology. The field emerged in the early 1980s alongside other relativist theories of STS which rejected the dominance of technological determinism, proposing that reality is multiple rather than fixed and prioritizing situated knowledges over scientific objectivity. Feminist STS's material-semiotic theory evolved to display a complex understanding of gender and technology relationships by the 2000s, notable scholars producing feminist critiques of scientific knowledge and the design and use of technologies. The co-constructive relationship between gender and technology contributed to feminist STS's rejection of binary gender roles by the twenty-first century, the field's framework expanding to incorporate principles of feminist technoscience and queer theory amidst widespread adoption of the internet.

    References

    1. 1 2 3 Chandler, Daniel (2002). Semiotics: the Basics. ISBN   9780415265935.
    2. "Master's Programme in Language and Culture in Europe". Linköping University. Archived from the original on 26 December 2007. Retrieved 6 February 2008.
      - "EDCI 508A - Semiotic Inquiry in Education". University of British Columbia. Archived from the original on 28 April 2004. Retrieved 6 February 2008.
      - "Semiotics and Cultural Research Methods". University of Vaasa. Archived from the original on 13 February 2008.
    3. Chandler, Daniel. "Semiotics for Beginners". Aberystwyth University.
    4. Cuban (2001). Oversold and Underused: Computers in the Classroom. University of California Press. ISBN   9780674030107 . Retrieved 7 February 2010.
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      - Roszak (1980), The Cult of Information: A Neo-Luddite Treatise on High-tech, Artificial Intelligence, and the True Art of Thinking, University of California Press
    5. Chandler (1984), Young Learners and the Microcomputer, Milton Keynes: Open University Press
    6. See Bibliography: Chandler (1982, 1983, 1984a, 1984b, 1985, 1986, 1987a, 1987b, 1990a, 1992a)
    7. "Educational Software".
    8. "Acornsoft games".
    9. "The Act of Writing".
    10. Harnad, S. (1997). "How to Fast-Forward Serials to the Inevitable and the Optimal for Scholars and Scientists". Serials Librarian 30. pp. 73–81.
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    13. Oxford Dictionary of Media and Communication. Oxford Quick Reference. Oxford University Press. April 2011. ISBN   9780199568758.
    14. "Semiotics for Beginners".
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    16. Kull, Salupere, and Torop (2005). "Semiotics Has No Beginning".{{cite web}}: CS1 maint: multiple names: authors list (link)
    17. "978-0-415-36376-1 2nd edition".
    18. Gupta, Anthea Fraser (2005). "Semiotics: The Basics". Language Awareness. 14 (4): 283–285. doi:10.1080/09658410508668845. S2CID   220405788.
    19. "Semiotics: The Basics". The Linguist. 12 September 2003.
    20. Chandler, Daniel (3 July 2014). "Technological or Media Determinism". Archived from the original on 5 September 2014. Retrieved 2 March 2020.
    Daniel Chandler
    Academic background
    Alma mater Magdalene College, Cambridge
    Thesis The Experience of Writing: A Media Theory Approach (1993)