Daniel Johannsen

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Daniel Johannsen (born 22 July 1978) is an Austrian operatic tenor.

Contents

Life

Born in Vienna, Johannsen is the son of the protestant pastor Wolfgang and the professor of religion Ilse Johannsen. He grew up in Markt Allhau in Burgenland. At the age of seven, he became a piano student at the Oberwart music school, then he changed to Martin Hopfmüller (full professor for Protestant Church Music at the University of Music and Performing Arts Graz).

Johannsen spent his upper school years at the Protestant Music High School. He began studying church music in Oberschützen, which he continued at the University of Music and Performing Arts Vienna (organ with Alfred Mitterhofer, choir and ensemble conducting with Johannes Prinz and Johannes Hiemetsberger, composition with Wolfgang Sauseng) and passed the 1st diploma examination in 1999. Since 1998, he has been a member and soloist of the Arnold Schoenberg Choir and Concentus Vocalis Wien. His voice teacher was Margit Fleischmann Klaushofer. In 2005, he completed his studies - Lied and oratorio with Robert Holl, opera school with Ivan Parik and Reto Nickler. He attended masterclasses with Dietrich Fischer-Dieskau, Christa Ludwig and Roger Vignoles.

Concerts

Johannsen's Evangelist début with Bach's Christmas Oratorio was in December 1998 and his first recital was Schubert's Die schöne Müllerin . Johannsen has worked with conductors such as Nikolaus Harnoncourt, René Clemencic, Georges Prêtre, Sir Neville Marriner, Peter Schreier, Dennis Russell Davies, Thomas Hengelbrock, Jordi Savall, Roy Goodman, Enoch zu Guttenberg, Jos van Veldhoven and Rudolf Lutz.

Music theatre

Johannsen made his debut as "Die Allegorie der Bewegungen" in Wolfgang Sauseng's church opera Das Staunen des Ezechiel (Vienna 2002). Afterwards he was at the Lehár Festival Bad Ischl  [ de ] in 2003. In 2004, there were productions at the Wiener Kammeroper (a Monteverdi project with Lorenz Duftschmid and Philipp Harnoncourt) as well as at the Schlosstheater Schönbrunn (Janáček's The Cunning Little Vixen as a project of the opera class Parik/Nickler). On a tour of Japan in 2004, he appeared in Così fan tutte .

In the 2005/2006 season, Johannsen was a member of the ensemble of the Luzerner Theater  [ de ]'s ( Il barbiere di Siviglia , A Night in Venice ). Here he worked with the directors Tatjana Gürbaca (Zaide) and David Hermann ( Jewgenij Onjegin ).

In the 2008/2009 season, he debuted at the Volksoper Wien in Eduard Künneke's operetta Der Vetter aus Dingsda and at the Ludwigsburger Schlossfestspiele in Mozart's Die Entführung aus dem Serail (Pedrillo, later also Belmonte).

In 2010, Johannsen was engaged as Tamino in Mozart's the Magic Flute at the Staatstheater am Gärtnerplatz in Munich. During the 2010 Carinthian Summer  [ de ], Johannsen was cast for the world premiere of Die Geburt des Täufers by Jyrki Linjama. [1]

Awards

Recordings

DVD
Online
CD

Related Research Articles

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<i>Freue dich, erlöste Schar</i>, BWV 30

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<i>Wer nur den lieben Gott läßt walten</i>, BWV 93

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Gelobet sei der Herr, mein Gott, BWV 129, is a church cantata by Johann Sebastian Bach. It is a chorale cantata performed on Trinity Sunday 8 June 1727 in Leipzig. Rediscovery of the printed libretto of the cantata in the first decade of the 21st century led to a re-appraisal of prior assumptions regarding the early performance chronology of a few cantatas, including this one.

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Ich hab in Gottes Herz und Sinn, BWV 92, is a cantata by Johann Sebastian Bach for use in the Lutheran service. He composed the chorale cantata in Leipzig for Septuagesimae and first performed it on 28 January 1725. It is based on the hymn "Ich hab in Gottes Herz und Sinn" by Paul Gerhardt (1647), and is the only chorale cantata Bach based on a hymn by Gerhardt.

<i>Christum wir sollen loben schon</i>, BWV 121

Christum wir sollen loben schon, BWV 121, is a church cantata by Johann Sebastian Bach. He composed this Christmas cantata in Leipzig in 1724 for the second day of Christmas and first performed it on 26 December 1724. The chorale cantata is based on the hymn by Martin Luther "Christum wir sollen loben schon".

<i>Was mein Gott will, das gscheh allzeit</i>, BWV 111

Was mein Gott will, das g'scheh allzeit, BWV 111, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in Leipzig in 1725 for the third Sunday after Epiphany and first performed it on 21 January 1725, as part of his chorale cantata cycle. It is based on the hymn by Albert, Duke of Prussia, published in 1554, on the topic of the Christian's acceptance of God's will.

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Herr Gott, dich loben alle wir, BWV 130, is a chorale cantata by Johann Sebastian Bach for the Feast of archangel Michael. The oldest known version of the cantata (BWV 130.1) was performed on that feast day in 1724 during Bach's second year in Leipzig. The cantata is scored for SATB soloists and choir, three trumpets, timpani, traverso, three oboes, strings and continuo.

<i>Mache dich, mein Geist, bereit</i>, BWV 115

Johann Sebastian Bach composed the church cantata Mache dich, mein Geist, bereit, BWV 115, in Leipzig for the 22nd Sunday after Trinity and first performed it on 5 November 1724. The chorale cantata is based on the hymn by Johann Burchard Freystein (1695).

<i>Wohl dem, der sich auf seinen Gott</i>, BWV 139

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References

  1. Daniel Johannsen tenor on Operabase
  2. Produktinformationen Archived 2017-10-29 at the Wayback Machine on the website of the J. S. Bach-Stiftung, retrieved 20 October 2020.
  3. Produktinformationen Archived 2016-01-18 at the Wayback Machine auf der Website der J. S. Bach-Stiftung, retrieved 20 October 2020.
  4. Produktinformation Archived 2018-04-06 at the Wayback Machine on the website of the J. S. Bach-Stiftung, retrieved 20 October 2020.
  5. ein ungefärbt gemüte on Webarchiv (PDF)