Daniel Tobin (born January 13, 1958) is an American poet, scholar, editor, and essayist. [1]
Daniel Tobin (born January 13, 1958) is an American poet, scholar, editor, and essayist. [1]
Daniel Tobin was born in Bay Ridge, Brooklyn, New York to Gerard Tobin and Helen Ruane Tobin. Both parents were of Irish ancestry, and his upbringing in Brooklyn and his ancestral links to Ireland inform his poetry, scholarship, and teaching. [2] [3]
He graduated from Xaverian High School before attending Iona College where he graduated with a B.A. in Religious Studies, as well as in Psychology. He also graduated from Harvard University with a Master of Theological Studies, from Warren Wilson College with an M.F.A. in Poetry, and from the University of Virginia with a Ph.D. in Religion and Literature. He has taught at James Madison University in Virginia, Carthage College in Wisconsin, the School of the Art Institute of Chicago, and the Program for Writers at Warren Wilson College, with which he maintains an affiliation.
He is presently Professor of Writing, Literature and Publishing at Emerson College in Boston, where he previously was Department Chair and Interim Dean of the School of the Arts. [4] He is a citizen of both America and Ireland. He is married to poet and scholar Christine Casson.
Daniel Tobin's poems have appeared in a myriad of journals, from The Times Literary Supplement to The Paris Review to Poetry , and hundreds of others on both sides in America and Europe, as well as in more than fifty anthologies, including The Norton Introduction to Poetry .
Tobin's first book of poems, Where the World is Made, won the Katherine Bakeless Nason Prize. The poems reveal a quest for transcendence with a strong theological impulse, though without appeal to dogma. The judge of the award, Ellen Bryant Voigt, called the book “a musical Bildungroman… a first book of remarkable authority.” Edward Hirsch praised the book as a “work profoundly alert to spiritual matters” composed of ‘finely wrought poems… in search of the sacred,” and Eleanor Wilner viewed the poems as “darkly devotional… unsparing, unsparing at times harrowing in their awareness.” [5]
Double Life gained particular praise for its polyphonic sequence on the life of the Spanish plantation master turned friar, Bartolome de las Casas, and its “Homage to Bosh,” a long ekphrastic poem based on the paintings of Hieronymous Bosh. [6]
Eamonn Wall described The Narrows, Tobin's third book, as a “mural in verse” as “a prodigious feat of raw physical, moral, psychic and literary energy.” Of the book B.H Fairchild wrote: “All stories of arrival and survival in America are the American story, but rarely are they told as compellingly as this one… a poem of narrative power and astonishing lyric depth and grace.” [7]
A review of Second Things, his fourth book, marked Tobin as fast becoming “one of the best poets of his generation.” [8] Belated Heavens, in turn, won the Massachusetts Book Award. [9] Of The Net, Tobin's sixth book of poems, David Ferry remarked: These are very beautiful poems, and The Net is a very beautiful book” that displays “an extraordinary capacity for using his resources as a poet through his command of diction and idiom, and through his versification.” “The whole book is a master class in craft,” remarked Jill Alexander Essbaum. [10] [11]
The book-length poem From Nothing, on the life of Jesuit priest and physicist, Georges Lemaître, won the Julia Ward Howe Award and is part of a proposed three book trilogy. On From Nothing, Emily Grosholz reflects, “the poet draws the weft of scientific vocabulary through the warp of everyday speech.” “In From Nothing,” Alan Shapiro declared, “Tobin brings his learning and astounding imaginative powers to bear on such central questions as the origin and end of the universe… a memorable, powerful and moving book that should be read by everyone who wonders how we got here and what our being here can mean.” [12] [13]
Steven Schneider called The Stone in the Air, Tobin's suite of translations from the German of Paul Celan, “compelling and haunting, a testimony to the power of language and poetry to confront the unspeakable.” [14]
The New York Times named Blood Labors one of the Best Poetry Books of the Year. “Blood Labors is an ebullient and ecclesiastical wonder, capturing more of creation, the uncreated, and the recreated than any dozen books on a poetry bookshelf,” Barbara Ras commented, “[it] dazzles with its brilliance.” [15] [16]
Ryan Wilson declared that The Mansions ". . . is nothing less than a wonder. In its compendious learning, its consummate artistry, and its spiritual wisdom, this poem inspires genuine awe, and it challenges the reader to think more broadly and more acutely, to feel more profoundly, and to live life more attentively." [17]
Tobin has published essays on poetry, and is the author of Passage to the Center: Imagination and the Sacred in the Poetry of Seamus Heaney, a study of religious motifs in the work of poet Seamus Heaney . [18]
Tobin is the editor of The Book of Irish American Poetry from the Eighteenth Century to the Present and of two anthologies of the work of transnational feminist, leftist poet Lola Ridge: Light in Hand: The Selected Early Poems of Lola Ridge and To the Many: The Collected Early Works of Lola Ridge. [19] [20] [21]
Poet’s Work, Poet’s Play: Essays on the Practice and the Art (with poet Pimone Triplett) brings together essays from the faculty of the Program for Writers at Warren Wilson College. [22]
Critical Studies and Essays
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