Danielle Dean Last updated January 31, 2026 Visual artist
Danielle Dean (born 1982) is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles . [ 1] [ 2]
Work Dean's work explores "the colonization of the mind and body through media and cultural production, engaging their relationship to capital accumulation ." [ 4] Dean participated in the 2022 Whitney Biennial titled "Quiet as It's Kept" curated by Adrienne Edwards and David Breslin. [ 5] She has also presented her work Amazon (Proxy) (2021) curated by Charles Aubin at the Performa 21 biennial.
Solo exhibitions 2012 - Confession on a Dance Floor , The Bindery Projects, Minnesota, MN, U.S 2012 - PTL (Part Time Lover) at Commonwealth and Council, Los Angeles, CA , U.S [ 12] 2015 - Hexafluorosilicic at Commonwealth and Council, Los Angeles, CA , U.S [ 13] 2015 - Focus: Danielle Dean , The Studio Museum in Harlem , New York, NY [ 14] [ 15] 2017 - a shoe, a phone, a castle , Commonwealth and Council, Los Angeles , CA, U.S [ 16] 2018 - True red Ruin , Museum of Contemporary Art Detroit , Detroit, MI [ 17] [ 18] 2018 - Landed (two-person show) , Cubitt Gallery, London, UK 2018 - A Portrait of True Red , Cranbrook Art Museum , Bloomfield Hills, MI [ 19] 2018 - Bazar , 47 Canal , New York, NY 2019 – Ludwig Forum für Internationale Kunst , Aachen [ 20] 2022 - Art Now, Amazon, Tate Britain, London, England 2023 - Long Low Line , Midnight moment, Times Square Arts, New York, NY References ↑ Finkel, Jori (February 19, 2014). "Artists Named For Hammer Biennial". New York Times – via LexisNexis. ↑ Butler, Connie (2014). Made in L.A. 2014 . Munich and Los Angeles: Delmonico, an imprint of Prestel and Hammer Museum. 1 2 "Focus | The Studio Museum in Harlem" . www.studiomuseum.org . Retrieved March 12, 2017 . ↑ "About – Danielle Dean" . Retrieved May 4, 2020 . ↑ Mitter, Siddhartha (January 25, 2022). "Whitney Biennial Picks 63 Artists to Take Stock of Now" . The New York Times . ISSN 0362-4331 . Retrieved January 25, 2022 . ↑ "Danielle Dean | Hammer Museum" . hammer.ucla.edu . Retrieved May 4, 2020 . ↑ "True Red – Kadist" . Retrieved May 4, 2020 . ↑ "Danielle Dean" . visarts.ucsd.edu . Retrieved May 4, 2020 . ↑ Howe, David Everitt (November 1, 2018). "Danielle Dean" . ARTnews.com . Retrieved May 4, 2020 . ↑ "Danielle Dean" . visarts.ucsd.edu . Retrieved May 4, 2020 . ↑ "2016-2017 Visiting Faculty" . CalArts School of Art . Retrieved May 4, 2020 . ↑ "Commonwealth and Council" . www.commonwealthandcouncil.com . Retrieved March 11, 2017 . [ permanent dead link ] ↑ "Danielle Dean: Hexafluorosilicic" . L.A. Weekly . Retrieved March 11, 2017 . ↑ Villarreal, Ignacio. "The Studio Museum delves into the many tones and gradations of "black" in its fall/winter exhibition season" . artdaily.com . Retrieved March 11, 2017 . ↑ "Focus" . The Studio Museum in Harlem . September 11, 2017. Retrieved May 4, 2020 . ↑ Campbell, Andy (February 4, 2017). "Commonwealth and Council" . www.artforum.com . Retrieved May 4, 2020 . ↑ "Danielle Dean True Red Ruin" . MOCAD . Retrieved May 4, 2020 . [ permanent dead link ] ↑ "Matthew Biro on Danielle Dean" . www.artforum.com . Retrieved May 4, 2020 . ↑ "Danielle Dean: A Portrait of True Red | Cranbrook Art Museum" . cranbrookartmuseum.org . Retrieved May 4, 2020 . ↑ "Ludwig Forum" . Ludwig Forum . Retrieved May 4, 2020 . ↑ "Rema Hort Mann Foundation Announces 2014 Los Angeles Emerging Artist Grantees" . artforum.com . Retrieved March 11, 2017 . [ permanent dead link ] ↑ "Announcing the 2015 Creative Capital Artists: $4,370,000 Awarded to 46 Moving Image and Visual Arts Projects - Creative Capital Blog" . blog.creative-capital.org . Retrieved March 11, 2017 . [ permanent dead link ] ↑ "Danielle Dean" . www.remahortmannfoundation.org . Rema Hort Mann Foundation. Archived from the original on June 21, 2017. Retrieved March 11, 2017 . This page is based on this
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