The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum and nonprofit organization located in San Francisco, California. SFMOMA was the first museum on the West Coast devoted solely to 20th-century art, and has built an internationally recognized collection with over 33,000 works of painting, sculpture, photography, architecture, design, and media arts. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.
Harrell Fletcher is an American social practice and relational aesthetics artist and professor, living in Portland, Oregon.
The Fine Arts Museums of San Francisco (FAMSF), comprising the de Young Museum in Golden Gate Park and the Legion of Honor in Lincoln Park, is the largest public arts institution in the city of San Francisco. FAMSF's combined attendance was 1,158,264 visitors in 2022, making it the fifth most attended art institution in the United States.
The Los Angeles Art Association (LAAA), non-profit arts organization that's been around for 96 years, helps up-and-coming artists. It was created in 1925 to let folks in Los Angeles see high-quality art and build a collection of European and American art for the people of the city.
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
The Wattis Institute for Contemporary Arts is a nonprofit contemporary art center and research institute in San Francisco. It is part of the California College of the Arts. The institute holds exhibitions, lectures, and symposia, releases publications, and runs the Capp Street Project residency program.
White Fungus is an arts magazine and project based in Taichung City, Taiwan. Founded by brothers Ron Hanson and Mark Hanson in Wellington, New Zealand in 2004, it began as an intended one-off, photocopied political zine. Over time, the publication evolved into a widely distributed print magazine with an international readership.
Capp Street Project is an artist residency program that was originally located at 65 Capp Street in San Francisco, California. CSP was established as a program to nurture experimental art making in 1983 with the first visual arts residency in the United States dedicated solely to the creation and presentation of new art installations and conceptual art. The Capp Street Project name and concept has existed since 1983, although the physical space which the residency and exhibition program occupied has changed several times.
Thomas Patrick Campbell is the director and CEO of the Fine Arts Museums of San Francisco, overseeing the de Young and Legion of Honor museums. He served as the director and CEO of the Metropolitan Museum of Art between 2009 and 2017. On 30 June 2017, Campbell stepped down as director and CEO of the Metropolitan Museum of Art under pressure and accepted the Getty Foundation's Rothschild Fellowship for research and study at both the J. Paul Getty Museum in Los Angeles and at Waddesdon Manor, in the UK.
Hou Hanru is a Chinese-born art curator and art critic. He is based in San Francisco, Paris and Rome. He was artistic director of the National Museum MAXXI in Rome, Italy, from 2013 to 2023.
Stéphane Delaprée is a well-known international artist resident in Cambodia and is known for his "Happy Painting", naive paintings combining humour, poetic, and realism.
Vandy Rattana is a photographer and artist, now resident in Taiwan, whose work is concerned with Cambodian society.
Sopheap Pich is a Cambodian American contemporary artist. His sculptures utilize traditional Cambodian materials, which reflect the history of the nation and the artist's relation to his identity.
Para Site is an independent, non-profit art space based in Hong Kong. It was founded in 1996 by artists Patrick Lee, Leung Chi-wo, Phoebe Man Ching-ying, Sara Wong Chi-hang, Leung Mee-ping, Tsang Tak-ping and Lisa Cheung. It produces exhibitions, public programmes, residencies, conferences and educational initiatives that aim to develop a critical understanding of local and international contemporary art.
The Feminist Art Coalition (FAC) is a collaboration of over 100 art museums and nonprofit institutions from across the United States. The organizations are collectively creating a series of programming and exhibitions centered around feminist thought to be held beginning in the fall of 2020, during the run-up of the presidential election. The project was initially planned to occur from September through November 2020, but has been extended through the end of 2021 due to changes in exhibition schedules resulting from the COVID-19 pandemic.
Polina Vladimirovna Kanis is a Russian artist, winner of the Kandinsky Prize (2011) and the Sergey Kuryokhin Prize (2016). She graduated from the Rodchenko Art School (Moscow) in 2011. Her work has been presented in numerous solo and group exhibitions, film festivals and film screenings, including a solo exhibition at the Haus der Kunst Munich (2017)., the VISIO program at Palazzo Strozzi in Florence (2019), the parallel program of the Manifesta 10, in 2015 at the Ural Industrial Biennale of Contemporary Art, Garage Museum of Contemporary Art, the VI Moscow International Biennale of Young Art (2015), the Moscow International Experimental Film Festival, the Hamburg Short Film Festival (2019) and many others. Her films are in the collections of numerous museums and foundations, including the Fonds régional d'art contemporain Bretagne, Fondazione In Between Art Film, Rome, Foundation Kadist, Paris, etc. Kanis was an artist-in-residence at the Rijksakademie van beeldende kunsten programs in Amsterdam (2017-2018) and ISCP New York (2020).
Xiaoyu Weng (翁笑雨) is a Chinese curator, writer, editor and educator in the area of contemporary art.
Hikaru Fujii is a contemporary Japanese artist who explores the relationship between art, history, and social activism. Primarily working in documentary film and multi-channel video installation, Fujii employs archival research, fieldwork, interviews, and workshops to create artworks to examine the relationships between historical narrative and education, structural violence, crisis, race, and power. Of particular interest for him are the role and responsibility of museums and institutions as sites that preserve and perpetuate specific historical narratives. After the 2011 Great East Japan Earthquake and nuclear disaster, Fujii has actively documented the disaster and raised awareness around the world about the situation in Japan.
Miri Segal is a new media artist currently living in Tel Aviv. Segal was born 1965, in Haifa, Israel. Since the late 90s she has created video and media installations, light objects and theatrical pieces. Prior to her career as an artist she studied Mathematics. In 1997, She received a PhD in mathematics from the Hebrew University in Jerusalem under the instruction of Prof. Menachem Magidor. In 1998, she studied Art at the San Francisco Art Institute. Segal owes her taste for the mechanisms of perception and the construction of sense-stimulating illusions to her mathematical background, according to art historian Hanna Almeka.
Albert Samreth is a contemporary American artist living and working in México City and Phnom Penh. Samreth uses painting, sculpture, and film to explore collective memory, often privileging the perspective of non-human subjects such as plants, animals, objects, and phenomena.
