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Capp Street Project is an artist residency program that was originally located at 65 Capp Street in San Francisco, California. CSP was established as a program to nurture experimental art making in 1983 [1] with the first visual arts residency in the United States dedicated solely to the creation and presentation of new art installations and conceptual art. [2] The Capp Street Project name and concept has existed since 1983, although the physical space which the residency and exhibition program occupied has changed several times.
In 1998, Capp Street Project united with California College of the Arts’ Wattis Institute for Contemporary Arts. [3] In 2014, Wattis celebrated 30 years of Capp Street Project Art. [4]
In 1983, Capp Street Project was created by Ann Hatch [5] who acquired a David Ireland designed house at 65 Capp Street in San Francisco. [6] Although Hatch's original intention was to preserve the house as a work of art, the project ultimately took another direction.[ citation needed ] The artist-in-residency program was created and became central to Capp Street Project.
The Capp Street Project programming was initially located at 65 Capp Street in San Francisco. The house at 65 Capp Street had previously belonged to David Ireland who had purchased it in 1979 and then transformed it into an acclaimed work of minimalist architecture. In 1981 Ann Hatch acquired the house which would serve as the first home base for the non-profit artist residency which she founded in 1983. [7]
The 500 Capp Street house was purchased in 2008 by Carlie Wilmans, in order to preserve both the house and Ireland's work. [8] Wilmans is on the board of the Capp Street Foundation. [8]
In 1989 the Capp Street Project program, still under Ann Hatch, moved to a new location that was formerly a body-shop, the AVT auto garage at 270 14th Street, San Francisco. [9] From 1989 to 1993 the program used the combined name Capp Street Project/AVT. [10] [11]
In 1998, Capp Street Project became part of the Wattis Institute for Contemporary Arts, which is in turn part of the California College of the Arts and the house at 65 Capp Street returned to the public sector. [6] [12] The house at 500 Capp opened to the public in 2016. [13] Since its inception, Capp Street Project has given more than 100 local, national, and international artists the opportunity to create new work through its residency and public exhibition programs.
In 2016, the duplex next door to 65 Capp Street was purchased by Carlie Wilmans and she had made plans to also donate it to the Capp Street Project in order to create artist housing. [13] [14] In 2019, Wilmans attempted to evict six families, but due to public backlash the plans were stopped. [13] [14] As a result, the Capp Street Project foundation started to distanced itself from the founder that same year. [15]
In 2019, the head curator of 500 Capp Street, Bob Linder was laid off in an effort to restructure the programming and lessen exhibitions by visiting artists. [16]
This is a list in alphabetical order by last name of artists who have participated in the Capp Street artist residency.
Terence Van Elslander, James Cathcart, Frank fantauzzi, 1995, Paper: 5 tons of scrap paper were bought stored and then sold back to the scrap paper market.
The California College of the Arts (CCA) is a private art school in San Francisco, California. It was founded in Berkeley, California in 1907 and moved to a historic estate in Oakland, California in 1922. In 1996, it opened a second campus in San Francisco; in 2022, the Oakland campus was closed and merged into the San Francisco campus. CCA enrolls approximately 1,239 undergraduates and 380 graduate students.
Harrell Fletcher is an American social practice and relational aesthetics artist and professor, living in Portland, Oregon.
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
The Wattis Institute for Contemporary Arts is a nonprofit contemporary art center and research institute in San Francisco. It is part of the California College of the Arts. The institute holds exhibitions, lectures, and symposia, releases publications, and runs the Capp Street Project residency program.
David Kenneth Ireland was an American sculptor, conceptual artist and Minimalist architect.
Kathan Brown is an American master printmaker, writer, lecturer, and entrepreneur. In 1962, Brown founded Crown Point Press, a fine art print shop specializing in etching, and has owned and directed the shop since then. Crown Point Press is widely credited with sparking the revival of etching as a viable art medium. Some of the most important artists of our time, including John Cage, Chuck Close, Anish Kapoor, Ed Ruscha, Kiki Smith and Pat Steir, have worked there.
Jennifer Morla is an American graphic designer and professor based in San Francisco. She received the Cooper Hewitt Smithsonian National Design Award in Communication Design in 2017.
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Weston Teruya is an Oakland-based visual artist and arts administrator. Teruya's paper sculptures, installations, and drawings reconfigure symbols forming unexpected meanings that tamper with social/political realities, speculating on issues of power, control, visibility, protection and, by contrast, privilege. With Michele Carlson and Nathan Watson, he is a member of the Related Tactics artists' collective and often exhibits under that name.
Zarouhie Abdalian is an American artist of Armenian descent, known for site-specific sculptures and installations.
Lindsey White (1980) is a visual artist working across many disciplines including photography, video, sculpture, and book making. Her work has been described as "reveling in lighthearted gags and simple gestures to create an experience that is all the more satisfying for the puzzles it contains."
Annette Kelm is a German contemporary artist and photographer who is particularly known as a conceptual artist. Kelm uses medium or large format cameras in her work, creating still life and portraits. She favours using analog photography methods in her work.
Leigh Markopoulos was an American art critic, curator, and teacher. Markopoulos was the chair of the graduate program in curatorial practice at California College of the Arts. She had curated over 50 exhibitions, including ones at the Serpentine Gallery and the Hayward Gallery. Her focus was the art and artworld of the 1960s and 1970s.
Janeil Engelstad is an American artist and curator. Her work focuses on the role of the arts and design in addressing social and environmental concerns. In addition to working independently, Engelstad produces projects through her organization Make Art with Purpose (MAP).
Léonie Guyer is a contemporary artist based in San Francisco. She makes paintings, drawings, site-based work, prints, and artist books. Her post-minimalist abstract work is characterized by idiosyncratic shapes that are deployed in a variety of spaces.
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Mario Ybarra, Jr. is a Southern California artist working with site-specific installations, murals, and community-based initiatives. He cofounded the arts collective Slanguage with performance artist Karla Dias in the early 2000s.