Danza Voluminosa | |
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Born | |
Movement | Cuban culture Performing arts Modern dance |
Danza Voluminosa is a professional dance troupe composed exclusively of obese dancers, founded by choreographer and dancer Juan Miguel Mas in 1996. [1] [2] Although originally faced with ridicule, the troupe has become more popular over decades of activity, and have even performed in the National Theatre of Cuba. [3] [4]
Most dancers with Danza Voluminosa have been women, but historically the troupe has included male dancers from time to time. [5] The troupe was the subject of a Canadian documentary Defying Gravity, in 2004. They are particularly well known for their humorous rendition of Swan Lake. [3]
Elián González Brotons is a Cuban engineer and politician. As a young child, he was at the center of a high-profile international custody dispute between family members and involving Cuba and the United States.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
Danzón is the official musical genre and dance of Cuba. It is also an active musical form in Mexico and Puerto Rico. Written in 2
4 time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble.
The guaracha is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word has been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in working-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands.
Contradanza is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador.
Danza is a musical genre that originated in Ponce, a city in southern Puerto Rico. It is a popular turn-of-the-twentieth-century ballroom dance genre slightly similar to the waltz. Both the danza and its cousin the contradanza are sequence dances, performed to a pattern, usually of squares, to music that was instrumental. Neither the contradanza nor the danza were sung genres; this is a contrast to, for example, the habanera, which was a sung genre. There is some dispute as to whether the danza was in any sense a different dance from the contradanza, or whether it was just a simplification of the name. Through the first part of the 19th century the dance and its music became steadily more creolized. The music and the dance is creolized because composers were consciously trying to integrate African and European ideas because many of the people themselves were creoles, that is, born in the Caribbean; accepting their islands as their true and only homeland.
The Cuban National Ballet is a classical ballet company based at Great Theatre of Havana in Havana, Cuba, founded by the Cuban prima ballerina assoluta, Alicia Alonso in 1948. The official school of the company is the Cuban National Ballet School.
Ignacio Cervantes Kawanag was a Cuban pianist and composer. He was influential in the creolization of Cuban music.
"Defying Gravity" is the signature song from the musical Wicked, composed by Stephen Schwartz, originally recorded by Idina Menzel and Kristin Chenoweth on November 10, 2003, and released on December 16, 2003. It is mostly a solo sung by the main character of the show, Elphaba, with two small duets at the beginning and in the middle of the song between Elphaba and her friend Glinda, and a chorus part at the end in which the citizens of Oz sing.
Viengsay Valdés is a Cuban ballerina. Since 2003, Valdés is the Prima ballerina and since 2019 she is the Artistic Director of the National Ballet of Cuba.
Danza Contemporanea de Cuba is a contemporary dance company based in Havana, Cuba, combining modern American theatre, Afro-Caribbean dance styles and classical European Ballet.
Miguel Faílde Pérez was a Cuban musician and bandleader. He was the official originator of the danzón, composer of the first danzón, Las alturas de Simpson, and the founder of the Orquesta Faílde.
La Cebra Danza Gay is a dance troupe founded in 1996 by José Rivera Moya in Mexico City. It is the first in Mexico to focus nearly exclusively on gay community and the issues it faces. The groups as a repertoire of over ten major works including Danza del mal amor o mejor me voy, which has been performed over 100 times. La Cebra has appeared in various locations in Mexico and has had appearances in the United States and France.
Folk dance of Mexico, commonly known as baile folklorico or Mexican ballet folk dance, is a term used to collectively describe traditional Mexican folk dances. Ballet folklórico is not just one type of dance; it encompasses each region's traditional dance that has been influenced by their local folklore and has been entwined with ballet characteristics to be made into a theatrical production. Each dance represents a different region in Mexico illustrated through their different zapateado, footwork, having differing stomps or heel toe points, and choreography that imitates animals from their region such as horses, iguanas, and vultures.
Juan Piñera is a Cuban musician who during his long career has covered a wide professional spectrum as performer, composer, professor and musical adviser.
tumàka't Contemporary Dance is a Mexican contemporary dance troupe founded in 2007, under Vania Duran, which works to promote contemporary dance in southern Mexico.
Francisco Emilio Flynn Rodríguez, better known as Frank Emilio Flynn, was a renowned Cuban pianist. Despite being blind, he was a skilled and versatile pianist who mastered many forms of Cuban music, from danzas and danzones to filin, descarga and Afro-Cuban jazz. He was the founder and director of several ensembles, including Loquibambia (1946) and Los Modernistas (1951), both co-founded with José Antonio Méndez, as well as the Quinteto Instrumental de Música Moderna (1958), which later became Los Amigos.
Rosa Rolanda was an American multidisciplinary artist, dancer, and choreographer.