Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques. Darkroom manipulations are those processes used, for example, to remove unwanted areas and change image background, among others. Varying techniques can be used to accomplish the same tasks.
Photo manipulation started in the darkroom in the 1860s when searching for a heroic image of U.S. President Abraham Lincoln. [2] An unidentified artist appended the statesman's head to the body of John C. Calhoun. One of the modern American masters of darkroom manipulation is Jerry Uelsmann. [3] To get his final product, he uses up to twelve enlargers at a time. Jerry Uelsmann seeks to reach a level of surrealist imagery of the unfathomable. He still uses this process today, as do other photographers.
Jerry Uelsmann is best known for manipulating images in the darkroom long before Photoshop was available. He started off with photography in high school as a hobby and then decided to go to an institution to learn photography. Uelsmann's photographs are different from those of most photographers because he uses multiple negatives to produce one picture. [4] He started with one enlarger but after waiting for some prints to dry one day, he decided to use more enlargers to get more images quickly, then began using seven enlargers at one time. His darkroom style allowed him to create images that had realism and the motion of what would be seen in dreams.
Before Photoshop, dodging and burning were used to lighten or darken a part of the photograph to get better details in highlights and shadows. [5] Toning changes the color of the photograph. Black and white photographs can be changed to sepia, red, orange and even blue. [6] Toning can be used to help make the photograph last long. Cropping is used to decide what is left out in the final print.
Dodging is a very important part of the manipulation process. Dodging holds back exposure in order to make it light. Dodging can be used by hand or specific tools such as black cardboard or opaque materials so that shadows can lighten the image. [7] Dodging is best when used in a circular motion on the image to get the desired result.
Burning is when the image receives more exposure so the image can darken. [8] Just like dodging, burning can be done by hand or by using objects that controls the size and shape of the area. To avoid a very obvious change between the burned-in area and the rest of the image, the device must stay in motion. Burning is a longer process because it needs a longer exposure and time to change the image. [9]
Image Masking is a very faint positive image that comes from the original negative image. [10] Masking in darkroom photography can be used with more than one mask for the image by putting the original image and the mask together to come out with the single print. The advantages of masking is that this process sharpens the image and if done correctly, the contrast of the image could change when the image prints out. The mask is a copy of the original, so the edges should line up correctly and density can be shown in the original negative. Masking can give slight texture so that true blacks and shadows look properly dark. [11]
Photo manipulation is used today in place of darkroom manipulation. Today, photo manipulation can be started on a photographer's camera by formatting the image into either a JPEG or RAW format. [12] An example of manipulation with the camera itself is automatic red-eye removal in the image. After the image is on the computer many other photo editing programs such as Photoshop are used for photo manipulation.
Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image may appear as a seamless physical print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as "compositing", and in casual usage is often called "photoshopping". A composite of related photographs to extend a view of a single scene or subject would not be labeled as a montage, but instead a stitched image or a digital image mosaic.
In photography and videography, multi-exposure HDR capture is a technique that creates high dynamic range (HDR) images by taking and combining multiple exposures of the same subject matter at different exposures. Combining multiple images in this way results in an image with a greater dynamic range than what would be possible by taking one single image. The technique can also be used to capture video by taking and combining multiple exposures for each frame of the video. The term "HDR" is used frequently to refer to the process of creating HDR images from multiple exposures. Many smartphones have an automated HDR feature that relies on computational imaging techniques to capture and combine multiple exposures.
A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water.
In art, craft, and engineering, masking is the use of materials to protect areas from change, or to focus change on other areas. This can describe either the techniques and materials used to control the development of a work of art by protecting a desired area from change; or a phenomenon that causes a sensation to be concealed from conscious attention.
Unsharp masking (USM) is an image sharpening technique, first implemented in darkroom photography, but now commonly used in digital image processing software. Its name derives from the fact that the technique uses a blurred, or "unsharp", negative image to create a mask of the original image. The unsharp mask is then combined with the original positive image, creating an image that is less blurry than the original. The resulting image, although clearer, may be a less accurate representation of the image's subject.
Photograph manipulation involves the transformation or alteration of a photograph. Some photograph manipulations are considered to be skillful artwork, while others are considered to be unethical practices, especially when used to deceive. Motives for manipulating photographs include political propaganda, altering the appearance of a subject, entertainment and humor.
Jerry Norman Uelsmann was an American photographer.
An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies.
A contact print is a photographic image produced from film; sometimes from a film negative, and sometimes from a film positive or paper negative. In a darkroom an exposed and developed piece of film or photographic paper is placed emulsion side down, in contact with a piece of photographic paper, light is briefly shone through the negative or paper and then the paper is developed to reveal the final print.
Dodging and burning are terms used in photography for a technique used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning increases the exposure to areas of the print that should be darker.
Combination printing is a photographic technique of using the negatives of two or more images in conjunction with one another to create a single image.
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other.
Digital "darkroom" is the hardware, software and techniques used in digital photography that replace the darkroom equivalents, such as enlarging, cropping, dodging and burning, as well as processes that do not have a film equivalent.
Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would:
The following outline is provided as an overview of and topical guide to photography:
Maggie Taylor is an artist who works with digital images. She won the Santa Fe Center for Photography's Project Competition in 2004. Her work has been widely exhibited in the United States and Europe and is represented within the permanent collections of several galleries and museums.
Monochrome photography, or is photography where each position on an image can record and show a different amount of light (value), but not a different color (hue). The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
Harold Davis is an American photographer and author.
Ralph M. Hattersley, Jr. (1921-2000) was an American photographic educator, commentator, journalist and photographer.
Retouch4me is a family of artificial intelligence-powered plug-ins for photography and video retouching, compatible with Adobe Photoshop; Adobe Lightroom, and Capture One.
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