Dashnor Kononozi (born 21 June 1951) is an Albanian journalist and writer who founded the National Centre of Cultural Property Inventory (NCCPI) and was also its first director.
Kokonozi founded the NCCPI in the early 1990s after the breakdown of law and order in Albania following the ousting of the Communist regime led to looting of cultural heritage objects. Requests to Interpol for help tracing looted objects revealed a lack of records in Albania and Kokonozi persuaded the World Bank to fund the creation of the first national inventory. [1]
The Native American Graves Protection and Repatriation Act (NAGPRA), Pub. L. 101-601, 25 U.S.C. 3001 et seq., 104 Stat. 3048, is a United States federal law enacted on November 16, 1990.
The Iraq Museum is the national museum of Iraq, located in Baghdad. It is sometimes informally called the National Museum of Iraq. The Iraq Museum contains precious relics from the Mesopotamian, Abbasid, and Persian civilizations. It was looted during and after the 2003 Invasion of Iraq. Despite international efforts, only some of the stolen artifacts have been returned. After being closed for many years while being refurbished, and rarely open for public viewing, the museum was officially reopened in February 2015.
Nazi plunder was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners.
Looted art has been a consequence of looting during war, natural disaster and riot for centuries. Looting of art, archaeology and other cultural property may be an opportunistic criminal act or may be a more organized case of unlawful or unethical pillage by the victor of a conflict. The term "looted art" reflects bias, and whether particular art has been taken legally or illegally is often the subject of conflicting laws and subjective interpretations of governments and people; use of the term "looted art" in reference to a particular art object implies that the art was taken illegally.
The Convention on the Protection of the Underwater Cultural Heritage is a treaty that was adopted on 2 November 2001 by the General Conference of the United Nations Educational, Scientific and Cultural Organization (UNESCO). The convention is intended to protect "all traces of human existence having a cultural, historical or archaeological character" which have been under water for over 100 years. This extends to the protection of shipwrecks, sunken cities, prehistoric art work, treasures that may be looted, sacrificial and burial sites, and old ports that cover the oceans' floors. The preservation of underwater cultural heritage is significant as it allows for the retelling of numerous historical events. As part of its duty to conduct scientific research and provide continuous education on the importance of underwater cultural heritage, UNESCO strives to maintain these sites for the enjoyment of current and future generations. The convention may provide a customary framework to help raise awareness and seek to combat the illegal looting and pirating occurring in waters worldwide. As an international body, member states of the convention agree to work towards the preservation of sunken cultural property within their jurisdiction and the high seas.
The Swiss Inventory of Cultural Property of National and Regional Significance is a register of cultural property in Switzerland. It was established according to article 5 of the second protocol to the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, which provides for the establishment of national registers of cultural property.
The Monastery of the Holy Archangels is a Serbian Orthodox monastery located in Prizren, Kosovo. The monastery was founded by the Serbian Emperor Stefan Dušan between 1343 and 1352 on the site of an earlier church, part of the Višegrad fortress complex. It was the burial church for Emperor Dušan, and represented the culmination of the Serbian ecclesiastical architectural style, that led to the birth of the Morava school style.
The Church of Saint Elijah, also known as Saint Andrew's Church, is а Serbian Orthodox church located on a small hill near the city of Podujevë, in Kosovo. The complex includes an Orthodox cemetery. It was built in 1929, and has been demolished several times, as of 2010, the church has been rebuilt and renovated five times.
Kunstschutz is the German term for the principle of preserving cultural heritage and artworks during armed conflict, especially during the First and Second World Wars, with the stated aim of protecting the enemy's art and returning after the end of hostilities. It is associated with the image of the "art officer" (Kunstoffizier) or "art expert" (Kunstsachverständiger).
The Archaeological Museum of Durrës in Durrës, Albania, established in 1951, is the largest archaeological museum in the country. The museum is located near the beach and north of the museum are the 6th-century Byzantine walls, constructed after the Visigoth invasion of 481. The 1997 rebellion in Albania saw the museum seriously damaged and looted.
The Archaeological Museum of Apolonia is an archaeological museum approximately 8 km (5.0 mi) west of Fier, Albania. It was established in 1958. The museum contains artifacts unearthed nearby from the archaeological site of Apollonia and is close to the Ardenica Monastery.
The Kamenica Tumulus is an archaeological site in Kamenicë, Korçë County, Albania. The site includes a museum dedicated to the prehistory of Albania and of the surrounding region.
The Munich Central Collecting Point was a depot used by the Monuments, Fine Arts, and Archives program after the end of the Second World War to process, photograph and redistribute artwork and cultural artifacts that had been confiscated by the Nazis and hidden throughout Germany and Austria. Other Central Collecting Points were located at Marburg, Wiesbaden and Offenbach, with the overall aim of giving restitution for the artifacts to their countries of origin.
The Koordinierungsstelle für Kulturgutverluste, also known as the Koordinierungsstelle Magdeburg, is an institution of the German federal and state governments at the Saxony-Anhalt Ministry of Culture and is the central German institution for the documentation of lost and found cultural assets looted by the Nazis. Established in 2001, the Koordinierungsstelle's Lost Art Database documents and publishes lost and found reports by institutions and private individuals. It operates on a cooperative basis with the international Art Loss Register.
Serbian cultural and religious sites in Kosovo were systematically vandalized and destroyed over several historical periods, during the Ottoman rule, World War I, World War II, Yugoslav communist rule, Kosovo War and 2004 unrest.
The National Centre of Cultural Property Inventory (NCCPI) is the national registry of cultural property in Albania.
Izet Duraku is director of the National Centre of Cultural Property Inventory (NCCPI) in Albania which exists to register the cultural heritage of Albania. The organisation was set up by Dashnor Kokonozi in the early 1990s after the breakdown of law and order in Albania following the ousting of the Communist regime led to looting of cultural heritage objects.
Albanian heraldry is the use of heraldic symbols in Albania. The earliest form of Albanian heraldry is from the late 12th century, with the creation of the first Albanian medieval state, the Principality of Arbanon in 1190. During the 13th to the 15th century, a great number of medieval Albanian noble families had at their coat of arms the symbol of eagle like the Kastrioti, Muzaka, Arianiti, Dukagjini, but the most prominent being the Kastrioti's coat of arms, having a black double headed eagle, which became a national symbol of the Albanians during Skanderbeg's reign in the 15th century, as well as the official national flag of Albania from 1912.
Russia began an invasion of Ukraine on 24 February 2022, in a major escalation of the Russo-Ukrainian War that began in 2014. It is the largest military attack in Europe since World War II. During the fighting, many pieces of Ukrainian cultural heritage were either destroyed, damaged, or put at risk due to the widespread destruction across the country. This deliberate destruction and looting of over 500 Ukrainian cultural heritage sites is considered a war crime and has been described by Ukraine's Minister of Culture as cultural genocide.