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Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
Geoffrey Arnold Beck was an English guitarist. He rose to prominence as a member of the rock band the Yardbirds, and afterwards founded and fronted the Jeff Beck Group and Beck, Bogert & Appice. In 1975, he switched to an instrumental style with focus on an innovative sound, and his releases spanned genres and styles ranging from blues rock, hard rock, jazz fusion and a blend of guitar-rock and electronica.
John Mayall is an English blues and rock singer and musician whose career spans over sixty years. In the 1960s, he formed John Mayall & the Bluesbreakers, a band that has counted among its members some of the most famous blues and blues rock musicians.
Electric blues is blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
Jazz fusion is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll.
John McLaughlin, also known as Mahavishnu, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Indian classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made Extrapolation, his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams's group Lifetime and then with Miles Davis on his electric jazz fusion albums In a Silent Way, Bitches Brew, Jack Johnson, Live-Evil, and On the Corner. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.
The Jeff Beck Group was a British rock band formed in London in January 1967 by former Yardbirds guitarist Jeff Beck. Their innovative approach to heavy-sounding blues, rhythm and blues and rock was a major influence on popular music.
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
James "Blood" Ulmer is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as "jagged" and "stinging". His singing has been called "raggedly soulful".
Norman Jeffrey Healey was a Canadian blues, rock and jazz singer, guitarist, and songwriter who attained popularity in the 1980s and 1990s. He reached No. 5 on the U.S. Billboard Hot 100 chart with "Angel Eyes" and reached the Top 10 in Canada with the songs "I Think I Love You Too Much" and "How Long Can a Man Be Strong".
Richard Malden "Dick" Heckstall-Smith was an English jazz and blues saxophonist. He played with some of the most influential English blues rock and jazz fusion bands of the 1960s and 1970s. He is known for primarily playing tenor, soprano, and baritone saxophones, as well as piano, clarinet and alto saxophone.
John Warren Geils Jr., known professionally as J. Geils or Jay Geils, was an American guitarist. He was known as the leader of The J. Geils Band.
John Laird Abercrombie was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.
Canadian blues is the blues and blues-related music performed by blues bands and performers in Canada. Canadian blues artists include singers, players of the main blues instruments: guitar, harmonica, keyboards, bass and drums, songwriters and music producers. In many cases, blues artists take on multiple roles. For example, the Canadian blues artist Steve Marriner is a singer, harmonica player, guitarist, songwriter and record producer.
Jazz guitarists are guitarists who play jazz using an approach to chords, melodies, and improvised solo lines which is called jazz guitar playing. The guitar has fulfilled the roles of accompanist and soloist in small and large ensembles and also as an unaccompanied solo instrument.
Robert Tench is a British vocalist, guitarist, sideman, songwriter and arranger.
Hummingbird were a British rock band, formed in 1974 by Bobby Tench of The Jeff Beck Group. The band recorded three albums which were released by A&M Records in the United States, Canada, Australia, Japan and Europe and employed Ian Samwell as their producer. The original line-up included members of the second Jeff Beck Group, vocalist and guitarist Bobby Tench, keyboardist Max Middleton, bassist Clive Chaman, drummer Conrad Isidore and second guitarist Bernie Holland. At the start of sessions for their first album they were joined by Jeff Beck for a brief period but he did not contribute to the album and left to work on his own project. After the first album Bernie Holland was replaced by guitarist Robert Ahwai and drummer Bernard "Pretty" Purdie replaced Isidore on the next two albums, vocalists Madeline Bell and Liza Strike were brought in to complement the band. The contemporaneous music magazine entitled Gramophone commented that "the members of Hummingbird are the cream of British session musicians, more acclimatised than most to playing rock at all intellectual levels".
The Gass was a rock band formed in May 1965 by Robert Tench, Godfrey McLean, and Errol McLean. They were managed by Rik Gunnell and Active Management. The band fused melodies with soul, Latin influences, blues and progressive rock often employing complex rhythms with an eclectic mix of other influences.
Catch My Soul is a rock musical produced by Jack Good, loosely adapted from Shakespeare's Othello. The character of Iago had originally been played by Jerry Lee Lewis in the US production which had closed in 1968. The UK production of the show was a showcase for the talents of Lance LeGault, P. P. Arnold, P.J. Proby and an introduction to the rock musician Robert Tench and the band Gass.
Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
References
- 1 2 Yanow, Scott (2013). The Great Jazz Guitarists. San Francisco: Backbeat. p. 11. ISBN 978-1-61713-023-6.
4. Cook, Richard & Morton, Brian (2008). The Penguin Guide To Jazz Recordings 9th Edition. London: pp 48–49. ISBN 978-0-141-03401-0.
