David Robson (born September 11, 1966) is an American playwright and educator from Philadelphia, Pennsylvania. [1] He has written more than thirty plays, including Playing the Assassin, After Birth of a Nation, Blues in My Soul, Without Consent, Killing Neil LaBute, and Man Measures Man, and more than a dozen books on subjects ranging from social justice to history to mythology. Robson is a professor of English at Delaware County Community College. [2] He is married to actress and photographer Sonja Robson [3] and is currently based in Wilmington, Delaware.
Robson attended the William Penn Charter School before earning a B.A. in Communications from Temple University, an M.S. in English Education from Saint Joseph's University, and an M.F.A. in Creative Writing from Goddard College in Plainfield, Vermont.
Some of Robson's earliest works were produced by InterAct Theatre Company. [4] Since then, his plays have been produced and presented by TheaterWorks (Hartford), Penguin Rep, Delaware Theatre Company, the Last Frontier Theatre Conference, Act II Playhouse, The Lark, Theatre Exile, Passage Theatre, City Theater Company, Idiopathic Ridiculopathy Consortium, Bated Breath Theatre, Great Plains Theatre Conference, and New Theatre, among others. Robson credits his mother for his initial interest in theater, along with the work of Albert Camus, Edward Albee, Samuel Beckett, Sam Shepard, and Ted Tally. [5]
Robson began his teaching career at Delaware County Community College in the fall of 2002. [6] There he teaches courses in composition, creative writing, and film. He received the Gould Award for Teaching Excellence in 2010. [7] At the 2014 Association of Writers & Writing Programs in Seattle, Washington, Robson and co-presenters Lloyd Noonan, Nancy McCurry, and Paul Pat presented "New Approach to Teaching Creative Writing to Senior Citizens". [8]
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“Football executives, fans, coaches and players at all levels would be well-advised to see — and ponder — David Robson’s Playing the Assassin...compelling dialogue and forceful characters provide so much theatrical energy...takes a good, solid shot at professional football while telling a gripping story. Touchdown.”—The New York Times on Playing the Assassin. [14]
“A brutal gridiron drama...a thrilling production...will appeal to theatergoers who never watch football as much as die-hard fans who can now glimpse their game treated with understanding and depth.”—The Philadelphia Inquirer on Playing the Assassin. [15]
"A quasi-historical farce loaded with sight gags, cross-dressing, snappy dialog and larger-than-life characters. The plot amusingly weaves from policy talk to social issues to religion to the arts...The wacky first act sets up a screwball second...After Birth of a Nation is a funny look at what might have happened in 1915, but many of the jokes and comical references are topical. Robson has crafted his historical farce for today’s audiences."—Delaware Arts Info on After Birth of a Nation. [16]
"There is a scene in which Lonnie and Chris both play guitar. Before launching into a song, they try to get their instruments in tune with each other. It is a beautiful segment because it encapsulates the spirit of Blues in My Soul. Before they can collaborate to make music happen, they must — literally and metaphorically — find a way to get in tune with each other. The result is a riveting piece of theater."—Town Topics on Blues in My Soul. [17]
“Tightly written, sometimes tense, and generally commanding work... It sure is good theater.”—The Philadelphia Inquirer on Playing Leni. [18]
“A Few Small Repairs creates, in tiny increments, both admiration and pathos for Little Alice, this peculiar, hairless, middle-aged daughter who, with her `low threshold for guilt' finds her life has vanished in devotion to her demented mother. A charming and moving play. It lingers vividly in the mind because it created characters of subtlety and humanness, each of whom was a real individual. "—The Philadelphia Inquirer on A Few Small Repairs. [19]
August Wilson was an American playwright. He has been referred to as the "theater's poet of Black America". He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle, which chronicle the experiences and heritage of the African-American community in the 20th century. Plays in the series include Fences (1987) and The Piano Lesson (1990), both of which won Wilson the Pulitzer Prize for Drama, as well as Ma Rainey's Black Bottom (1984) and Joe Turner's Come and Gone (1988). In 2006, Wilson was inducted into the American Theater Hall of Fame.
The Circle Repertory Company, originally named the Circle Theater Company, was a theatre company in New York City that ran from 1969 to 1996. It was founded on July 14, 1969, in Manhattan, in a second floor loft at Broadway and 83rd Street by director Marshall W. Mason, playwright Lanford Wilson, director Rob Thirkield, and actress Tanya Berezin, all of whom were veterans of the Caffe Cino. The plan was to establish a pool of artists — actors, directors, playwrights and designers — who would work together in the creation of plays. In 1974, The New York Times critic Mel Gussow acclaimed Circle Rep as the "chief provider of new American plays."
The Barrymore Awards for Excellence in Theatre is an annual, nationally-recognized award program that is sponsored by Theatre Philadelphia for professional theater productions in the Greater Philadelphia area. Each season culminates with an awards ceremony.
The Dallas Theater Center is a major regional theater in Dallas, Texas, United States. It produces classic, contemporary, and new plays and was the 2017 Tony Award recipient for Best Regional Theater.
Sheila Callaghan is a playwright and screenwriter who emerged from the RAT movement of the 1990s. She has been profiled by American Theater Magazine, "The Brooklyn Rail", Theatermania, and The Village Voice. Her work has been published in American Theatre magazine.
Philip Kan Gotanda is an American playwright and filmmaker and a third generation Japanese American. Much of his work deals with Asian American issues and experiences.
Bruce Walsh is a contemporary American playwright and a prominent Philadelphia fringe artist. His works have received attention due to their unique brand of site-specific theater. In addition to theater, he is regular contributor to Metro a free city paper in Philadelphia.
Ken Urban is an American playwright, screenwriter, and musician based in New York. Urban is a resident playwright at New Dramatists and an affiliated writer at the Playwrights' Center.
Tina Landau is an American playwright and theatre director. Known for her large-scale, musical, and ensemble-driven work, Landau's productions have appeared on Broadway, Off-Broadway, and regionally, most extensively at the Steppenwolf Theatre Company in Chicago where she is an ensemble member.
David Adjmi is an American playwright. He is the recipient of a Tony Award, a Drama Desk Award, a New York Drama Critics' Circle Award, an Outer Critics Circle Award, a Guggenheim Fellowship, a Whiting Award, the inaugural Steinberg Playwright Award, a Bush Artists Fellowship, and the Kesselring Prize for Drama. In 2020, he released a memoir about the struggle to become an artist, titled Lot Six. His plays include Stunning (2008) and Stereophonic (2023), the latter winning the Tony Award for Best Play.
Penguin Rep is a nonprofit theater company in Stony Point, New York, now in its 42nd season. Penguin Rep, dubbed "the gutsiest little theatre" by the New York Times, was founded by Joe Brancato, artistic director, with the aim of adding a new kind of theatre to the local cultural landscape: a professional enterprise dedicated to promoting new voices and works which enrich the body of American drama; nurturing and developing new talent for the stage; and reaching new audiences for theatre.
Charles Gilbert Jr. is a writer, composer, director and educator who specializes in musical theater. Currently a Professor of Theater Arts in the Ira Brind School of Theater Arts at the University of the Arts in Philadelphia, Gilbert served as Director of the Brind School from 2008 to 2013 after heading its Musical Theater Program for nearly twenty years. He developed the SAVI System of Singing-Acting and has taught students using this pedagogy in workshops and residencies in the United Kingdom, Sweden, Denmark and Germany. Among his works for the musical stage is the 1990 musical Assassins, source of the idea for Stephen Sondheim's Tony Award-winning musical of the same name.
Ain Gordon is an American playwright, theatrical director and actor based in New York City. His work frequently deals with the interstices of history, focusing on people and events which are often overlooked or marginalized in official history. His style combines elements of traditional playwrighting with aspects of performance art.
Branden Jacobs-Jenkins is an American playwright. His plays Gloria and Everybody were finalists for the 2016 and 2018 Pulitzer Prize for Drama. His play Appropriate made his Broadway debut as a playwright in 2023 and earned him his first Tony Award. His additional plays include An Octoroon and The Comeuppance. He was named a MacArthur Fellow in 2016.
Migdalia Cruz is a writer of plays, musical theatre and opera in the U.S. and has been translated into Spanish, French, Arabic, Greek, and Turkish.
Audrey Cefaly is an American playwright.
Eisa Davis is an American playwright, actress and singer-songwriter. She is known for her work as the co-creator of the Warriors concept album with Lin-Manuel Miranda. Her previous works include the plays Bulrusher and Angela's Mixtape. For her stage acting in New York, she won an Obie Award for Sustained Excellence in Performance. She resides in Brooklyn.
James Ijames is an American playwright, actor, and professor originally from Bessemer City, North Carolina. He received his B.A. in Drama from Morehouse College in Atlanta, Georgia, and earned his MFA in Acting from Temple University in Philadelphia, where he is now based. Currently, he is an Associate Professor of Theatre at Villanova University and former co-artistic director of the Wilma Theater in Philadelphia. Ijames is a founding member of Orbiter 3, Philadelphia's first playwright producing collective. His adaptation of Hamlet, titled Fat Ham, won the Pulitzer Prize for Drama in 2022 after premiering as a "digital production" at the Wilma in 2021. A second production ran at The Public Theater during the summer of 2022, before opening on Broadway in April 2023. He is the recipient of the 2018 Whiting Award for drama and the F. Otto Haas Award for an Emerging Philadelphia Theatre Artist.
Michael Warren Powell was an American artistic director, director, actor and designer involved in the Off-Off-Broadway movement, Off-Broadway and in the development of new American plays.
Jacqueline Goldfinger is an American playwright and librettist best known for her award winning plays Babel and Bottle Fly. She also wrote the popular textbook, Playwriting with Purpose: A Guide and Workbook for Emerging Writers.
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