David Starkman (1885-c.1947) was an American film producer who helped found Colored Players Film Corporation, an independent silent film studio. He wrote and produced the film company's most famous film The Scar of Shame .
In 1926, Starkman helped to found the Colored Players Film Corporation with Sherman H. "Uncle Dud" Dudley, a veteran of vaudevillian and race movies. Dudley and Starkman shared a common vision in which there was a black Hollywood free of the traditional black stereotypes.
With Starkman's theatre in Philadelphia as a base of operations, Colored Players Film Corporation developed with Dudley as the president of the company and Starkman in charge of the management, finances and operation of the production company. [1] The Colored Players Film Corporation took the morals and ethics of Starkman and Dudley seriously and their films attempt to show the African Americans as successful, able to achieve middle class status, and apart from the typical stereotypes and minstrel films of the time. While only Dudley and the cast comprised the African Americans of the Colored Players Film Corporation, the collaboration between both the white and black staff was an integral part of the company. The interracial co-operation found in the company allowed for the success of the film The Scar of Shame. [2]
The peak of the company's success came when it produced the film The Scar of Shame in 1929, a year before the company closed. Starkman produced the film and wrote it with the co-operation of the black staff in order to understand the social caste among African Americans living within the same neighborhood. [2] The film primarily focuses on two protagonists, each from different levels of society. The main protagonist must choose whether or not to be with a woman from a lower caste of society or to leave her in order to keep with the plan his social status has pre-planned for him.
Sometimes called the "Oscar Micheaux" of the white independent film producers, Starkman helped to produce and write The Scar of Shame a famous film that the Colored Players Film Corporation produced and released before it was eventually absorbed and merged with another film production company. Starkman eventually went bankrupt due to the competition with other independent film companies and a lack of revenue brought in by the company's productions. [3]
Although Starkman worked for his audience in order to enhance their experience in the theatre, he did not always have the money to fund his films. He eventually sold his theatre and then turned his wife's inheritance into cash. He intimidated local Philadelphia lawyers and merchants for capital. [1] He ultimately wrote scripts and carried the "release prints to out of town play dates and [count] the house in person" (Smith 54). During production of his last film, The Scar of Shame, Starkman began to offer his own car for the film, put forward his sister's house as a shooting location and decorated the set with his own furniture. [1] In the end, the financial pressure got the best of Starkman and after releasing The Scar of Shame he could no longer compete because of the arrival of sound film, ruining him and similar independent film companies. In a last effort to save the Colored Players Film Corporation, Starkman merged the company with one of his partner's, Sherman Dudley, but the company never took off. [3]
Oscar Devereaux Micheaux (; was an American author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and controlled by black filmmakers, Micheaux is regarded as the first major African-American feature filmmaker, a prominent producer of race films, and has been described as "the most successful African-American filmmaker of the first half of the 20th century". He produced both silent films and sound films.
The Scar of Shame is a silent film shot in the winter of 1927 and released in April 1929. It is a silent film melodrama featuring black actors and was written for a predominantly black audience. It premiered from April 13–17, 1929 in the M&S Douglas Theatre in New York City. Its second screening ran from April 15–20, 1929 at Gibson's Theatre, Philadelphia.
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African-Americans.
The Lincoln Motion Picture Company was an American film production company founded in 1916 by Noble Johnson and George Perry Johnson. Noble Johnson was president of the company, and the secretary was actor Clarence A. Brooks. Dr. James T. Smith was treasurer, and Dudley A. Brooks was the assistant secretary. The company is known as the first producer of race movies. Established in Omaha, Nebraska, the company relocated to Los Angeles the following year. It remained in operation until 1923, closing shortly after announcing a final project, The Heart of a Negro. The point of the creation of Lincoln's was to eliminate the stereotypical roles of "slapstick comedy" in Hollywood at the time for Black actors and actresses. "best advertised and most widely known Race Corporation in the world" is the famous slogan for the company.
Lawrence Chenault was an American vaudeville performer and silent film actor. He appeared in approximately 24 films between years 1920 and 1934; most of his performances were in films directed by pioneering African-American filmmaker Oscar Micheaux. His brother, Jack Chenault, was also a film actor.
The Notorious Elinor Lee is a 1940 race film directed, written, and co-produced by the African-American filmmaker Oscar Micheaux.
Deceit is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film.
Norman Studios, also known as Norman Film Manufacturing Company is a former American film studio in Jacksonville, Florida. Founded by Richard Edward Norman, the studio produced silent films featuring African-American casts from 1919 to 1928. The only surviving studio from the period of early filmmaking in Jacksonville, its facilities are now the Norman Studios Silent Film Museum.
The Colored Players Film Corporation, also known as The Colored Players Film Corporation of Philadelphia, was an independent silent film production company based in Philadelphia, Pennsylvania. Primarily founded by David Starkman and Sherman H. Dudley in 1926, the film company for the most part made silent melodramatic films that featured all African American casts. During its brief time operating, the production company released four films, including A Prince of His Race (1926), a remake of Timothy Shay Arthur’s Ten Nights in a Bar Room (1926) with an all black cast, Children of Fate (1927), and finally The Scar of Shame (1929). Of the four films the company produced only Ten Nights in a Bar Room and The Scar of Shame remain extant. Shingzie Howard was one of its stars.
Underworld is a 1937 gangster film directed by Oscar Micheaux, about a recent graduate from an all-black college who moves from the American South to Chicago and gets swept into the criminal underworld. The film was adapted from the short story "Chicago After Midnight" by Edna Mae Baker. Among its stars are Ethel Moses, a Micheaux regular, and Oscar Polk, best known for his appearance in Gone with the Wind two years later.
Ten Nights in a Barroom is an American film released in 1926. The film had a temperance theme and an African American cast. It followed on Timothy Shay Arthur's 1854 novel Ten Nights in a Bar-Room and What I Saw There and William W. Pratt's play, as well as earlier film adaptations albeit with white casts. A man's drinking causes him to lose money, his business, and his daughter. The film has been restored and is archived at the Library of Congress. Charles Gilpin stars. The film was released during the Prohibition era. Roy Calnek directed.
Harry Henderson was an actor in theater and films in the United States. He made four films with the Colored Players Film Corporation. He was also cast in several Oscar Micheaux films and had a starring role in the film melodrama The Scar of Shame. He portrays a wealthy concert pianist in the film. He also had a lead role in the 1926 film The Prince of His Race.
Brown Gravy is a 1929 American comedy film with an African American cast. William Watson directed the Al Christie production. It was among the early "talkie" films released with African American casts. Octavus Roy Cohen wrote the story, part of a series he wrote for the Saturday Evening Post adapted to film in collaboration with Christie. The film's thin plot includes themes addressing religion, fraternal organizations, con men, and family life.
Oft in the Silly Night is an American short comedy film released in 1929. It was produced by Al Christie from a story by Octavus Roy Cohen, part of a series published in the Saturday Evening Post and adapted to film in Christie productions. Among the early "talkie" films featuring an African American cast, the film survives and is available online.
When True Love Wins is a 1915 American film. It was produced by Birmingham, Alabama based Southern Motion Picture Company and adapted from Isaac Fisher's screenplay about prejudice based on pigmentation.
The Frederick Douglass Film Company was an early American film production company in Jersey City, New Jersey. It was established in 1916, soon after the pioneering Lincoln Motion Picture Company, by prominent African-American business and professional men from New Jersey. The intent of the founders was to counter anti-African-American films such as The Birth of a Nation (1915) and to improve race relations. It was named after the African-American abolitionist Frederick Douglass.
Historical Feature Films was a film production company in the United States. It was established in 1915 and produced at least 4 films. The company's films featured African American casts and included bigoted tropes and stereotypes that demeaned the characters. The studio's films were re-released by Ebony Film Corporation.
Money Talks Downtown is a 1916 American short comedy film with an African American cast. It stars Jimmy Marshall and Florence McCain. It includes derogatory racial stereotypes and a storyline about a woman seeking money and a man lightening his skin color to try and make himself more appealing. It was produced by Historical Feature Films and distributed by Ebony Film Company.
The Colored American Winning His Suit is a lost 1916 race film, the first production of the Frederick Douglass Film Company. It was written and produced by the Reverend W. S. Smith, pastor of the Monumental Baptist Church of Jersey City, New Jersey, and also a member of the production company. The New York Age hailed it as "the first five-reel Film Drama written, directed, acted and produced by Negroes." Its purpose was to counter anti-African-American films and improve race relations.
The Midnight Ace is a 1928 American crime film. Abe DeComathiere, Mabel Kelly and Oscar Roy Dugas starred. The film was directed by John H. Wade for Swan Micheaux's Dunbar Film Company. Swan Micheaux was Oscar Micheaux's brother. Swan had worked for Oscar before a failling out over his management of finances. Swan left and formed the Dunbar film company but it only made this film.