King Leir is an anonymous Elizabethan play about the life of the ancient Brythonic king Leir of Britain. It was published in 1605 but was entered into the Stationers' Register on 15 May 1594. The play has attracted critical attention principally for its relationship with King Lear, Shakespeare's version of the same story.
Bathsheba was the wife of Uriah the Hittite and later of David, according to the Hebrew Bible. She was the mother of Solomon, who succeeded David as king, making her the Gebirah. She is best known for the Biblical narrative in which she was summoned by King David, who had seen her bathing and lusted after her.
George Peele was an English translator, poet, and dramatist, who is most noted for his supposed but not universally accepted collaboration with William Shakespeare on the play Titus Andronicus. Many anonymous Elizabethan plays have been attributed to him, but his reputation rests mainly on Edward I, The Old Wives' Tale, The Battle of Alcazar, The Arraignment of Paris, and David and Bethsabe. The Troublesome Reign of John, King of England, the immediate source for Shakespeare's King John, has been published under his name.
Every Man out of His Humour is a satirical comedy play written by English playwright Ben Jonson, acted in 1599 by the Lord Chamberlain's Men.
A Most pleasant Comedie of Mucedorus the Kings Sonne of Valentia, and Amadine the Kinges daughter of Aragon, commonly called Mucedorus, is an Elizabethan romantic comedy, first performed around 1590 and regularly revived until the Restoration. It was one of the most performed plays of its age, and 16 quarto editions were published between 1598 and 1668 making it the most widely printed play from the time. It was performed for both Queen Elizabeth and King James I. A revised and expanded version was published in 1610 with additional scenes.
Catiline His Conspiracy is a Jacobean tragedy written by Ben Jonson. It is one of the two Roman tragedies that Jonson hoped would cement his dramatic achievement and reputation, the other being Sejanus His Fall (1603).
The Revenge of Bussy D'Ambois is a Jacobean revenge tragedy written by George Chapman. The Revenge is a sequel to his earlier Bussy D'Ambois, and was first published in 1613.
Blurt, Master Constable, or the Spaniards' Night Walk is a late Elizabethan comedy, printed anonymously in 1602 and usually attributed to either Thomas Middleton or Thomas Dekker.
Poetaster is a late Elizabethan satirical comedy written by Ben Jonson that was first performed in 1601. The play formed one element in the back-and-forth exchange between Jonson and his rivals John Marston and Thomas Dekker in the so-called Poetomachia or War of the Theatres of 1599–1601.
Caesar and Pompey is a Jacobean era stage play, a classical tragedy written by George Chapman. Arguably Chapman's most obscure play, it is also one of the more problematic works of English Renaissance Drama.
Thomas Creede was a printer of the Elizabethan and Jacobean eras, rated as "one of the best of his time." Based in London, he conducted his business under the sign of the Catherine Wheel in Thames Street from 1593 to 1600, and under the sign of the Eagle and Child in the Old Exchange from 1600 to 1617. Creede is best known for printing editions of works in English Renaissance drama, especially for ten editions of six Shakespearean plays and three works in the Shakespeare Apocrypha.
A Looking Glass for London and England is an Elizabethan era stage play, a collaboration between Thomas Lodge and Robert Greene. Recounting the Biblical story of Jonah and the fall of Nineveh, the play is a noteworthy example of the survival of the Medieval morality play style of drama in the period of English Renaissance theatre.
Richard Hawkins was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn.
Andrew Wise, or Wyse or Wythes, was a London publisher of the Elizabethan era who issued first editions of five Shakespearean plays. "No other London stationer invested in Shakespeare as assiduously as Wise did, at least while Shakespeare was still alive."
Thomas Millington was a London publisher of the Elizabethan era, who published first editions of three Shakespearean plays. He has been called a "stationer of dubious reputation" who was connected with some of the "bad quartos" and questionable texts of Shakespearean bibliography.
Edward Allde was an English printer in London during the Elizabethan and Jacobean eras. He was responsible for a number of significant texts in English Renaissance drama, including some of the early editions of plays by William Shakespeare.
The Wisdom of Doctor Dodypoll is a later Elizabethan stage play, an anonymous comedy first published in 1600. It is illustrative of the type of drama staged by the companies of child actors when they returned to public performance in that era.
The True Tragedy of Richard III is an anonymous Elizabethan history play on the subject of Richard III of England. It has attracted the attention of scholars of English Renaissance drama principally for the question of its relationship with William Shakespeare's Richard III.
The Downfall of Robert Earl of Huntingdon and The Death of Robert Earl of Huntingdon are two closely related Elizabethan-era stage plays on the Robin Hood legend, that were written by Anthony Munday in 1598 and published in 1601. They are among the relatively few surviving examples of the popular drama acted by the Admiral's Men during the Shakespearean era.
The authorship of Titus Andronicus has been debated since the late 17th century. Titus Andronicus, probably written between 1588 and 1593, appeared in three quarto editions from 1594 to 1601 with no named author. It was first published under William Shakespeare's name in the 1623 First Folio of his plays. However, as with some of his early and late plays, scholars have long surmised that Shakespeare might have collaborated with another playwright. Other plays have also been examined for evidence of co-authorship, but none has been as closely scrutinised or as consistently questioned than Titus. The principal contender for the co-authorship is George Peele.
