| Day Dreaming at Midnight | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1994 | |||
| Label | Elektra [1] | |||
| Producer | Doug Sahm, Doug Clifford | |||
| Sir Douglas Quintet chronology | ||||
| ||||
Day Dreaming at Midnight is an album by the American band the Sir Douglas Quintet, released in 1994. [2] [3] Doug Sahm was motivated to reform the band due to his son Shawn's musicianship and the encouragement from Metallica's manager Cliff Burnstein. [4] [5]
The album was produced by Sahm and Doug Clifford; Clifford also played drums. [6] [7] Doug's sons, Shandon and Shawn, played drums and guitar, respectively. [8] [9] Augie Meyers contributed on Vox organ. [10] John Jorgenson played guitar; Speedy Sparks played bass. [11] [12]
Sahm wrote "Dylan Come Lately" in Copenhagen; he told an amused Dylan about it during Bill Clinton's inaugural festivities. [13] "You Don't Know How Young You Are" is a cover of the 13th Floor Elevators song. [14] Several songs reflect on the band's early days and life in the 1960s. [15]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [16] |
| The Atlanta Journal-Constitution | [15] |
| Calgary Herald | B+ [17] |
| Robert Christgau |  [18] |
| The Encyclopedia of Popular Music | [19] |
| Entertainment Weekly | C+ [20] |
| The Indianapolis Star |  [21] |
| MusicHound Rock: The Essential Album Guide | [6] |
| The Province | [14] |
| (The New) Rolling Stone Album Guide | [22] |
Entertainment Weekly dismissed the album, writing that "mostly it’s just rote bar-band junk: clumsy and powerless." [20] Robert Christgau praised "She Would If She Could, She Can't So She Won't". [18] The Indianapolis Star noted the "mixture of twanging, Tex-Mex and bluesy rock, simple Vox organ chords that got kids dancing at the high school hop 30 years ago, and some power 'wall of guitars' sound to remind you that it's 1994." [21]
The Baltimore Sun admired that "one of the best things about this new Sir Douglas Quintet is that it has no qualms about updating its sound, be it through the guitar crunch in 'Intoxication' or the wah-wah guitar and synths that flesh out the title tune." [23] The Calgary Herald determined that "the ol' cosmic cowboy-rocker leads his new Sir Douglas Quintet through vintage and yet still vital territory, somewhere between John Hiatt and Roky Erickson, between the '60s and the '90s, and somewhere all its own." [17]
AllMusic called the album "the first one that featured Sahm in a totally hard rocking context, the tracks jumping from one heavy groove to the next like some kind of old Saturday night FM underground radio show hosted by rowdies." [16]
| No. | Title | Length |
|---|---|---|
| 1. | "Too Little Too Late" | |
| 2. | "Twisted World" | |
| 3. | "Darling Dolores" | |
| 4. | "Day Dreaming at Midnight" | |
| 5. | "Into the Night" | |
| 6. | "Dylan Come Lately" | |
| 7. | "She Would If She Could, She Can't So She Won't" | |
| 8. | "You Don't Know How Young You Are" | |
| 9. | "County Line" | |
| 10. | "Romance Is All Screwed Up" | |
| 11. | "Freedom Is Mine" | |
| 12. | "Intoxication" |
Douglas Wayne Sahm was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with "She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s.
The Sir Douglas Quintet was an American rock band formed in San Antonio, Texas in 1964. With their first hits, they were acclaimed in their home state. When their career was established, the band relocated to the West Coast. Their move coincided with the burgeoning San Francisco psychedelic rock scene of the mid 1960s to early 1970s. Overall, the quintet were exponents of good-times music with strong roots in blues and Texas-regional traditions. The band's songs were most noted for the instantly distinguishable organ sound of Augie Meyers' Vox Continental.
Texas Tornados is an American Tejano supergroup, composed of some of country music's biggest artists who modernized the Tex-Mex style including Flaco Jiménez, Augie Meyers, Doug Sahm, and Freddy Fender. Its music is a fusion of conjunto with rock, country, and various Mexican styles.
August "Augie" Meyers is an American musician, songwriter, studio musician, record producer, and record label owner. He is perhaps best known as a founding member of the Sir Douglas Quintet and the Texas Tornados.
Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in 1969 by Island Records in the UK, and in 1970 by Atlantic Records in the US. It was re-issued by Angel Air in 2003 (SJPCD157).
Mendocino is the second album by country rock group The Sir Douglas Quintet, released in April 1969 on Smash Records. The release of the album was expedited as the result of the success of the title song, which peaked at No. 27 on the Billboard Hot 100 chart during a fifteen-week stay in early 1969. The album peaked at No. 81 on the Billboard 200 charts. Neon Records re-released the album in 2001 and 2008.
Shandon Sahm is an American drummer, who is a native of San Antonio, Texas and is best known for his two stints as the drummer of the Meat Puppets, from 1999–2002 and 2009–2018.
Louie and the Lovers was an American rock band based in Prunedale, California.
Texas Rock for Country Rollers is the third album by American country-music singer Doug Sahm. Sahm composed for the album seven original songs, while covers constituted the rest of the album. It was released by ABC-Dot in 1976.
The discography of Doug Sahm started in 1955 with the release of "A Real American Joe" on Sarg Records. Sahm fronted three bands early in his career: The Pharaohs, The Dell-Kings and The Markays. He released the song "Crazy Daisy" (1959), and he had a local hit in San Antonio, Texas with "Why Why Why" (1960) on Renner Records. Sahm had another local hit with "Crazy, Crazy Feeling" (1961). After he disbanded the Sir Douglas Quintet in 1972, he was signed by Atlantic Records in October 1972, and he released his solo debut album Doug Sahm and Band.
Doug Sahm and Band is the debut solo album of American singer-songwriter Doug Sahm. In 1972, after leaving the Sir Douglas Quintet, Sahm moved to Austin, Texas. He was signed by Jerry Wexler to the newly opened country music division of Atlantic Records, and started the album sessions by October 1972. It featured appearances by Bob Dylan, Dr. John, David "Fathead" Newman, Flaco Jimenez, David Bromberg and Kenny Kosek.
Groover's Paradise is an album by Doug Sahm, produced by musician Doug Clifford and released on Warner Records in 1974. Following his return to Texas after his success with the Sir Douglas Quintet in California, Sahm settled in Austin, Texas. As the local music scene thrived, he was featured as the main attraction in local clubs and he recorded his debut album for Atlantic Records.
Texas Tornado is the second solo album by Doug Sahm, released by Atlantic Records in December 1973. Sahm co-produced the album with Jerry Wexler and Arif Mardin. Wexler signed Sahm to Atlantic records after the opening of the label's country music division.
Hell of a Spell is an album by singer-songwriter Doug Sahm released by Takoma Records in January 1980. Sahm was signed to the label in 1979 after it was acquired by Chrysalis Records the same year. Upon request of the president of Takoma, Sahm recorded blues numbers and he dedicated the record to Guitar Slim. While the album was well received by the critics, it was a commercial failure.
Juke Box Music is an album by singer Doug Sahm released by Antone's Record Label in January 1989. Sahm returned to Austin, Texas in 1988 after living and experiencing success with his music in Sweden and Canada. Upon his return, Sahm started to perform at the Austin night club Antone's. The owner of the club, Clifford Antone signed him to his independent record label.
The Last Real Texas Blues Band Featuring Doug Sahm is an album by Doug Sahm released by Antone's Record Label in February 1995.
Get a Life is a 1998 album by Doug Sahm released by the Dutch label Munich Records. The tracks were recorded in Austin and San Marcos, Texas, Seattle, Washington and Los Angeles, California. The producers of the tracks included Sahm, Mike Stewart, Billy Stull and Bob Flick. Sahm wrote the liner notes for the album. The recordings featured The Gourds, as well as Augie Meyers. Sahm met The Gourds as he performed at a music festival in Belgium in 1997. Sahm approached the band after he heard them sing a cover of his original "At the Crossroads".
The Return of Wayne Douglas is the last studio album recorded by Doug Sahm. It was released by his own label, Tornado Records.
Border Wave is an album by the American band the Sir Douglas Quintet, released in 1981. Doug Sahm was inspired to record the album after the success of Joe Carrasco and Elvis Costello. It was Sahm's second album for Takoma Records. Border Wave peaked at No. 184 on the Billboard 200. The band supported the album with a North American tour.
