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Dayanidhi Das | |
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Born | Sajanapada, Nayagarh, Odisha |
Died | 14 March 1979 |
Genres | Odissi |
Occupation(s) | Odissi dance teacher |
Spouse(s) | Nishamani Das (m. 1955) |
Website | Official website |
Dayanidhi Das was an Odissi dance teacher from Odisha, India. [1] He was the first dance teacher in Kala Vikash Kendra, Cuttack established by Babulal Doshi, where he was teaching Odissi and Kthak. [2] [3] In 1952-53 he documented the dance forms and mudras of Odissi in text format, which was taught at Kala Vikas Kendra as a syllabus. [4] [5] He was following Gotipua tradition of Odissi dance. [6] He named the first part of Odissi dance as Mangalacharan. [7] He was the 1st secretary and founding member of Jayantika, a community formed in 1955 to promote Odissi dance globally. [8] [9] [10]
Das was born to Sanatan Das in Sajanapada village of Nayagarh district of Odisha. He enjoyed the street plays and theaters in the night throughout his childhood, learned to play the tabla and other instruments, and practised folk dancing at the expense of his academics, which irritated his father. Once the furious father beat him ruthlessly. When he was in class eleven, he fled his house out of pain and dread. [11]
He pursued further study while taking private tuition to support himself. From Nayagarh, he graduated from high school. After that, he relocated to Cuttack, where he thrived in the arts of dance, music, and tabla while pursuing his academic goals at Ravensha College. [11]
The National Music Association (NMA) and Utkal Sangeet Samaja were two well-known institutes in the realm of dance and music at the time. In NMA, he studied Kathak and Hindustani vocal music. Unfortunately, he was unable to complete his vocal music study, but he did receive the Nritya Pravakar in Kathak and Odissi from the Prayag Sangeet Samiti in Allahabad. He studied tabla under Radha Gobinda Ghose. [11]
He married Nishamani Das in 1955. His daughter Vijayalaxmi Das who works in preserving the legacy of her father. [12] On 14 March 1979 at the age 50, he died. [11]
Kelucharan Mohapatra was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. He is the first person to receive the Padma Vibhushan from Odisha.
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Kumkum Mohanty is an Odissi dancer.
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Deba Prasad Das was an Indian classical dancer, considered by critics and connoisseurs as one of the four first generation gurus of the Indian classical dance form of Odissi. His Odissi style is robust and unique. He was a recipient of the 1977 Sangeet Natak Akademi Award. and 1974 Odisha Sangeet Natak Akademi Award.
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Gujjari is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Karnāta, the raga uses komala gandhara, komala dhaibata and komala nisada swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. Among its angaragas, Mangala Gujjari is most prominent and has been used by Jayadeva in his Gita Govinda, alongside Gujjari itself.
Ramakeri is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Barādi, the raga uses komala rusabha, komala dhaibata and tibra madhyama swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. This raga has been used by the 12th-century Odia composer Jayadeva in his Gita Govinda.
Baradi is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Barādi, the raga uses komala rusabha, komala dhaibata and tibra madhyama swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. This raga has been used by the 12th-century Odia composer Jayadeva in his Gita Govinda along with its angaraga Desa Barādi.
Sri is a rāga belonging to the tradition of Odissi music. Falling under the meḷa of the same name, the raga uses komala nisada swara and is traditionally associated with the melancholic karuna rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. Among its angaragas, Dhanasri, Bangalasri, Karunasri, Malasri, Madhusri, Dakhinasri are well-known.