| Dazzle-ships in Drydock at Liverpool | |
|---|---|
 | |
| Artist | Edward Wadsworth |
| Year | 1919 |
| Medium | Oil on canvas |
| Dimensions | 304.8 cm× 243.8 cm(120.0 in× 96.0 in) |
| Location | National Gallery of Canada, Ottawa |
Dazzle-ships in Drydock at Liverpool is a 1919 oil painting by the English artist Edward Wadsworth. It is one of Wadsworth's most famous paintings [1] and depicts a freshly painted vessel with dazzle camouflage in dry dock. [2]
Wadsworth had been involved with Vorticism, an abstract art movement led by Wyndham Lewis, before he was employed to design dazzle camouflage for ships during World War I. This experience forms the background for Dazzle-ships in Drydock at Liverpool. [1]
The graphic designer Peter Saville was struck by the painting and suggested the title for the album Dazzle Ships by Orchestral Manoeuvres in the Dark. Saville designed the album's cover and used Wadsworth's painting as inspiration. [3]
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops.
Sir Peter Thomas Blake is an English pop artist. He co-created the sleeve design for the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.
The Wadsworth Atheneum is an art museum in Hartford, Connecticut. The Wadsworth is noted for its collections of European Baroque art, ancient Egyptian and Classical bronzes, French and American Impressionist paintings, Hudson River School landscapes, modernist masterpieces and contemporary works, as well as collections of early American furniture and decorative arts.
Peter Andrew Saville is an English art director and graphic designer. He designed many record sleeves for Factory Records, which he co-founded in 1978 alongside Tony Wilson and Alan Erasmus.
Dazzle camouflage, also known as razzle dazzle or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it consisted of complex patterns of geometric shapes in contrasting colours interrupting and intersecting each other.
Jennifer Anne Saville is a contemporary British painter and an original member of the Young British Artists. Saville works and lives in Oxford, England and she is known for her large-scale painted depictions of nude women. Saville has been credited with originating a new and challenging method of painting the female nude and reinventing figure painting for contemporary art. Some paintings are of small dimensions, while other are of much larger scale. Monumental subjects come from pathology textbooks that she has studied that informed her on injury to bruise, burns, and deformity. John Gray commented: "As I see it, Jenny Saville's work expresses a parallel project of reclaiming the body from personality. Saville worked with many models who under went cosmetic surgery to reshape a portion of their body. In doing that, she captures "marks of personality for the flesh" and together embraces how we can be the writers of our own lives."
Edward Alexander Wadsworth was an English artist, closely associated with modernist Vorticism movement. He painted coastal views, abstracts, portraits and still-life in tempera medium and works printed using wood engraving and copper. In the First World War he designed dazzle camouflage for the Royal Navy, and continued to paint nautical themes after the war.
Events from the year 1919 in art.
Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
The Williamson Art Gallery and Museum is an art gallery and museum situated in Birkenhead, Merseyside, England and houses Wirral's art collection.
Everett Longley Warner was an American Impressionist painter and printmaker, as well as a leading contributor to US Navy camouflage during both World Wars.
The Dazzle ships of the 14–18 NOW project are artworks created to commemorate the work of the artists and artisans who developed and designed the dazzle camouflage used in the First World War by ships as a defence against U-boat attack.
Norman Wilkinson was a British artist who usually worked in oils, watercolours and drypoint. He was primarily a marine painter, but also an illustrator, poster artist, and wartime camoufleur. Wilkinson invented dazzle painting to protect merchant shipping during the First World War.
Solomon Joseph Solomon was a British painter, a founding member of the New English Art Club and member of the Royal Academy.
"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart—although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest-selling single of 1982. "Maid of Orleans" has sold four million copies worldwide.
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
"Telegraph" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), and the second single from their studio album Dazzle Ships (1983). "Telegraph" was originally slated to be the first single released, but being unhappy with the mix and with pressure from Virgin, the group instead opted for "Genetic Engineering".
Dazzle camouflage of warships was adopted by the U.S. Navy during World War II, following research at the Naval Research Laboratory. Dazzle consists in painting obtrusive patterns on vertical surfaces. Unlike some other forms of camouflage, dazzle works not by offering concealment but by making it difficult to estimate a target's range, speed and heading. Each ship's dazzle pattern was unique to make it more difficult for the enemy to recognize different classes of ships. The result was that a profusion of dazzle schemes were tried, and the evidence for their success was at best mixed.
MV Edmund Gardner is a retired pilot cutter built for the Liverpool Pilot Service after the Second World War. She was decommissioned after nearly 30 years service converted to a museum ship as part of the Merseyside Maritime Museum.