Death in the Making is a photographic book by Gerda Taro and Robert Capa that documents the Spanish Civil War. It was published by Covici-Friede while the conflict was still underway in 1938. It is dedicated to Taro, who died in the battlefield the year prior. [1] The book also includes photographs by David Seymour and André Kertész. Though the photographs are credited to Robert Capa, Capa has written that the work was a collective project by both photographers and that the photographs "are interspersed and unattributed." Taro is also thought to have been excluded from authorship for fear that publishers would take a female photographer less seriously. [1] This book helped to cement Capa's and Taro's reputations as leading war photographers and pioneers in photojournalism.
The book's photograph the daily events of the war from the anti-fascist, Republican side of the conflict that battled the Nationalists led by Francisco Franco. [2] The sections of the book include such titles as "The War of the Man on the Street", "Front in Andalusia", and "Women in the War." [3] Journal-like entries accompany the photographs, describing the content of the photographs in a stream of consciousness style. [4]
At age 26, Gerda Taro is purported to be the first female photographer killed in a war front. The book's dedication reads: "For Gerda Taro, who spent one year at the Spanish front – and who stayed on." [3]
A second facsimiled edition of the book took place in 2020, organized and with an introductory essay by Cynthia Young. This new edition included a modern and fulsome inventory of the photographs, and shed light on those taken by Gerda Taro and David Seymour. [2] [5]
Robert Capa was a Hungarian-American war photographer and photojournalist. He is considered by some to be the greatest combat and adventure photographer in history.
Magnum Photos is an international photographic cooperative owned by its photographer-members, with offices in Paris, New York City, London and Tokyo. It was founded in 1947 in Paris by photographers Robert Capa, David "Chim" Seymour, Maria Eisner, Henri Cartier-Bresson, George Rodger, William Vandivert, and Rita Vandivert. Its photographers retain all copyrights to their own work.
James Nachtwey is an American photojournalist and war photographer.
Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography by having a rigid ethical framework which demands an honest and impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.
Ernst Haas was an Austrian-American photojournalist and color photographer. During his 40-year career Haas trod the line between photojournalism and art photography. In addition to his coverage of events around the globe after World War II Haas was an early innovator in color photography. His images were carried by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York's Museum of Modern Art. He served as president of the cooperative Magnum Photos. His book of volcano photographs, The Creation (1971), remains one of the most successful photography books ever published, selling more than 350,000 copies.
David Seymour, or Chim, was a Polish photographer and photojournalist.
The International Center of Photography (ICP) is a photography museum and school at 84 Ludlow Street on the Lower East Side of Manhattan in New York City. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974. It is located at 84 Ludlow Street, within the Lower East Side.
War photography involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena.
Events from the year 1936 in art.
Gerta Pohorylle, known professionally as Gerda Taro, was a German war photographer active during the Spanish Civil War. She is regarded as the first female photojournalist to have died while covering the frontline in a war.
David Douglas Duncan was an American photojournalist, known for his dramatic combat photographs, as well as for his extensive domestic photography of Pablo Picasso and his wife Jacqueline.
Cornell Capa was a Hungarian-American photographer, member of Magnum Photos, photo curator, and the younger brother of photo-journalist and war photographer Robert Capa. Graduating from Imre Madách Gymnasium in Budapest, he initially intended to study medicine, but instead joined his brother in Paris to pursue photography. Cornell was an ambitious photo enthusiast who founded the International Center of Photography in New York in 1974 with help from Micha Bar-Am after a stint of working for both Life magazine and Magnum Photos.
Maria Eisner was an Italian-American photographer, photo editor and photo agent. She was one of the founders of Magnum Photos, and the first head of its Paris office.
The Falling Soldier is a black and white photograph by Robert Capa, claimed to have been taken on Saturday, September 5, 1936. It was said to depict the death of a Republican soldier from the Libertarian Youth (FIJL) during the Battle of Cerro Muriano of the Spanish Civil War. The soldier in the photograph was later claimed to be the anarchist militiaman Federico Borrell García.
Regards is a monthly French Communist news magazine published in Paris, France.
John Godfrey Morris was an American picture editor, author and journalist, and an important figure in the history of photojournalism.
The Mexican Suitcase is a 2011 documentary film directed by Trisha Ziff. It tells the story of over 4000 film negatives created during the Spanish Civil War by photographers David Seymour, Gerda Taro, and Robert Capa. The film follows the journey of the photographs from their disappearance at the beginning of World War II to their rediscovery in 2007. Interviews also cover political and personal stories from the era. According to Documentary magazine:
The Mexican Suitcase brings together three narratives: the suitcase, the exile story and how people in Spain today address their own past, 30 years after transition. The Mexican Suitcase addresses the power of memory, and asks, “Who owns our histories?”
The history of Spanish photojournalism, developed since the beginning of twentieth century, was closely tied to the cultural, historical and political discourse of the time. The Spanish colonisation of Morocco (1912–1956) shaped the photojournalist practices such that, a plethora of photographs were focusing on reaffirming Spain's Islamic past and portraying the ethnic, social and cultural ties of Spain to North Africa. Technical advancements in photography led to a rising interest in photography as publishers began complementing their texts with photographs. During the Civil War (1936–1939) photojournalism served as an objective transcription of the realities of the conflict between the Republican and Nationalist forces and influenced public opinion abroad.
Imre or EmericoWeisz Schwarz, known as Chiki Weisz, was a Hungarian photographer, assistant to Robert Capa, and married to the surrealist painter Leonora Carrington. He was a Holocaust survivor and escaped from a concentration camp.