Death or departure of the gods

Last updated
Odin's last words to Baldr (1908) by W.G. Collingwood (1854-1932) Odin's last words to Baldr.jpg
Odin's last words to Baldr (1908) by W.G. Collingwood (18541932)

A dying god, or departure of the gods, is a motif in mythology in which one or more gods (of a pantheon) die, are destroyed, or depart permanently from their place on Earth to elsewhere.

Contents

Henri Frankfort speaks of the dying god as " The dying God is one of those imaginative conceptions in which early man made his emotional and intellectual preoccupations explicit." [1] Saying the myth of the dying gods is a concept made by man to bring comfort to the concept of death. If gods can die then man can too. The dying god brings comfort in the unknown and makes it known.

Examples

Frequently cited examples of dying gods are Baldr in Norse mythology. A special subcategory is the death of an entire pantheon, the most notable example being Ragnarök in Norse mythology, or Cronus and the Titans from Greek mythology, with other examples from Ireland, India, Hawaii and Tahiti. [2] Examples of the disappearing god in Hattian and Hittite mythology include Telipinu and Hannahanna. [3] [4]

Osiris

Osiris was killed by his brother Seth or Set (deity), who tore his body into 14 pieces and distributed the parts across Egypt. His wife Isis hunted down his body, mummified it, did spell work on it later impregnating herself with Osiris' phallus bringing to life their son Horus. Osiris was no longer able to live in the natural world but due to his revival from Isis’ acts of magic this made Osiris the king of the Underworld. [5]

Yama

The Hindu god Yama killed himself in his own sacrifice. Alex Wayman says "the fathers dwell in Yamas heaven, and a dead man may or may not arrive at that heaven to be one of the fathers." Yama decided to take his own life in hopes to become the first father of Yamas heaven and making him the Hindu god of death. [6]

Izanami

Izanami and Izanagi were brother and sister who decided to procreate, once commencing the ritual Izanami had told Izanagi how to start the ritual, once it had been done their baby came out a leech in whom they denied and placed in a reed basket and floated it away down the river. The two asked the gods what went wrong and they said the woman is to not speak first during the ritual and to try again, so they did. Later the two had another child, a fire deity who would kill Izanami during child birth. Izanagi goes to Yomi (Japanese world of the dead) to bring his wife back but she had changed too much and he decides not to, hurting Izanami and leading her to hunt Izanagi down in which he escapes her. [7]

"Death or departure of the gods" is motif A192 in Stith Thompson's Motif-Index of Folk-Literature, with the following subcategories: [2]

A192.1. Death of the gods (also F259.1. Mortality of fairies)
A192.1.1. Old god slain by young god. (also A525.2. Culture hero (god) slays his grandfather)
A192.1.2. God killed and eaten (theophagy)
A192.2. Departure of gods (also A560. Culture hero's (demi-god's) departure)
A192.2.1. Deity departs for heaven (skies).
A192.2.1.1. Deity departs for moon.
A192.2.2. Divinity departs in boat over sea.
A192.2.3. Divinity departs to submarine home.
A192.2.4. Divinity departs in column of flame.
A192.3. Expected return of deity.
A192.4. Divinity becomes mortal.

A separate (although related and overlapping) category are gods who die and are also resurrected (Thompson's motif A193), see Dying-and-rising god.

See also

Related Research Articles

In Shinto, Kotoamatsukami is the collective name for the first gods which came into existence at the time of the creation of the universe. They were born in Takamagahara, the world of Heaven at the time of the creation. Unlike the later gods, these deities were born without any procreation.

<span class="mw-page-title-main">Amaterasu</span> Sun goddess in Shinto

Amaterasu Ōmikami, often called Amaterasu for short, also known as Ōhirume no Muchi no Kami (大日孁貴神), is the goddess of the sun in Japanese mythology. Often considered the chief deity (kami) of the Shinto pantheon, she is also portrayed in Japan's earliest literary texts, the Kojiki and the Nihon Shoki, as the ruler of the heavenly realm Takamagahara and as the mythical ancestress of the Imperial House of Japan via her grandson Ninigi. Along with two of her siblings she ranks as one of the "Three Precious Children", the three most important offspring of the creator god Izanagi.

<span class="mw-page-title-main">Dying-and-rising god</span> Religious motif in which a deity dies and is resurrected

A dying-and-rising god, life–death–rebirth deity, or resurrection deity is a religious motif in which a god or goddess dies and is resurrected. Examples of gods who die and later return to life are most often cited from the religions of the ancient Near East. The traditions influenced by them include the Greco-Roman mythology. The concept of a dying-and-rising god was first proposed in comparative mythology by James Frazer's seminal The Golden Bough (1890). Frazer associated the motif with fertility rites surrounding the yearly cycle of vegetation. Frazer cited the examples of Osiris, Tammuz, Adonis and Attis, Zagreus, Dionysus, and Jesus.

<span class="mw-page-title-main">Nut (goddess)</span> Egyptian goddess of the sky

Nut, also known by various other transcriptions, is the goddess of the sky, stars, cosmos, mothers, astronomy, and the universe in the ancient Egyptian religion. She was seen as a star-covered nude woman arching over the Earth, or as a cow. She was depicted wearing the water-pot sign (nw) that identifies her.

Susanoo, often referred to by the honorific title Susanoo-no-Mikoto, is a kami in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics, being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs of the Gion cult that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease.

<span class="mw-page-title-main">Izanagi</span> Deity of Shinto religion

Izanagi (イザナギ/伊邪那岐/伊弉諾) or Izanaki (イザナキ), formally referred to with a divine honorific as Izanagi-no-Mikoto, is the creator deity (kami) of both creation and life in Japanese mythology. He and his sister-wife Izanami are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi, and the storm god Susanoo. He is a god that can be said to be the beginning of the current Japanese imperial family.

<span class="mw-page-title-main">Japanese mythology</span> Mythology

Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Chinese and various Indian myths are also key influences in Japanese religious belief.

<span class="mw-page-title-main">Twins in mythology</span>

Twins in mythology are in many cultures around the world. In some cultures they are seen as ominous, and in others they are seen as auspicious. Twins in mythology are often cast as two halves of the same whole, sharing a bond deeper than that of ordinary siblings, or seen as fierce rivals. They can be seen as representations of a dualistic worldview. They can represent another aspect of the self, a doppelgänger, or a shadow.

<span class="mw-page-title-main">Izanami</span> Goddess of Shinto religion

Izanami (イザナミ), formally referred to with the honorific Izanami-no-Mikoto, is the creator deity of both creation and death in Japanese mythology, as well as the Shinto mother goddess. She and her brother-husband Izanagi are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. In mythology, she is the direct ancestor of the Japanese imperial family. In Shinto and Japanese mythology, Izanami gave humans death, so Izanami is sometimes seen as a shinigami.

Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.

<span class="mw-page-title-main">Bees in mythology</span> Mythological depictions of bees

Bees have been featured in myth and folklore around the world. Honey and beeswax have been important resources for humans since at least the Mesolithic period, and as a result humans' relationship with bees—particularly honey bees—has ranged from encounters with wild bees to keeping them agriculturally. Bees themselves are often characterized as magically imbued creatures and their honey as a divine gift.

<span class="mw-page-title-main">Hittite mythology and religion</span>

Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600–1180 BC.

<span class="mw-page-title-main">Egyptian mythology</span>

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

<span class="mw-page-title-main">Liminal deity</span> Gods of boundaries or transitions

A liminal deity is a god or goddess in mythology who presides over thresholds, gates, or doorways; "a crosser of boundaries". These gods are believed to oversee a state of transition of some kind; such as, the old to the new, the unconscious to the conscious state, the familiar to the unknown.

<span class="mw-page-title-main">Age of the Gods</span>

In Shinto chronology, the Age of the Gods is the period preceding the accession of Jimmu, the first Emperor of Japan. The kamiyo myths are chronicled in the "upper roll" (Kamitsumaki) of the Kojiki and in the first and second chapters of the Nihon Shoki. The reigns of Emperor Jimmu and the subsequent Emperors are considered the Human Age.

In Japanese mythology, Kuniumi is the traditional and legendary history of the emergence of the Japanese archipelago, of islands, as narrated in the Kojiki and Nihon Shoki. According to this legend, after the creation of Heaven and Earth, the gods Izanagi and Izanami were given the task of forming a series of islands that would become what is now Japan. In Japanese mythology, these islands make up the known world. The creation of Japan is followed by the creation of the gods (kamiumi).

In Japanese mythology, the story of the birth of the gods occurs after the creation of Japan (Kuniumi). It concerns the birth of the divine (kami) descendants of Izanagi and Izanami.

In Japanese mythology, the Japanese Creation Myth is the story that describes the legendary birth of the celestial and creative world, the birth of the first gods, and the birth of the Japanese archipelago.

References

  1. Frankfort, Henri (1958). "The Dying God". Journal of the Warburg and Courtauld Institutes. 21 (3/4): 141–151. doi:10.2307/750820. ISSN   0075-4390. JSTOR   750820.
  2. 1 2 S. Thompson, Motif-index of folk-literature : a classification of narrative elements in folktales, ballads, myths, fables, medieval romances, exempla, fabliaux, jest-books, and local legends, Revised and enlarged. edition. Bloomington : Indiana University Press, 1955-1958, p. 106.
  3. Leeming (2005), "Disappearing god", The Oxford Companion to World Mythology, Oxford University Press
  4. Woodard, Roger (2019), "The Disappearance of Telipinu in the Context of Indo-European Myth", Hrozný and Hittite: The First Hundred Years, Brill, ISBN   9789004413122
  5. Smith, Mark (2008-10-27). "Osiris and the Deceased". UCLA Encyclopedia of Egyptology. 1 (1).
  6. Smith, Mark (2008-10-27). "Osiris and the Deceased". UCLA Encyclopedia of Egyptology. 1 (1).
  7. Grapard, Allan G. (1991). "Visions of Excess and Excesses of Vision: Women and Transgression in Japanese Myth". Japanese Journal of Religious Studies. 18 (1): 3–23. doi:10.18874/jjrs.18.1.1991.3-22. ISSN   0304-1042. JSTOR   30233427.