Violette Verdy was a French ballerina, choreographer, teacher, and writer who worked as a dance company director with the Paris Opera Ballet in France and the Boston Ballet in the United States. From 1958 to 1977 she was a principal dancer with the New York City Ballet where she performed in the world premieres of several works created specifically for her by choreographers George Balanchine and Jerome Robbins. She was Distinguished Professor of Music (Ballet) at the Jacobs School of Music, Indiana University, in Bloomington, and the recipient of two medals from the French government.
Lauren Anderson is an American ballet dancer and a former principal dancer with the Houston Ballet. In 1990, she was one of the first African-American ballerinas to become a principal for a major dance company, an important milestone in American ballet. She appeared in many ballets such as Don Quixote, Cleopatra, and The Nutcracker. She retired from the Houston Ballet in 2006 and retired from dance altogether in 2009. In 2016, Anderson had her pointe shoes from her final performance placed in the Smithsonian National Museum of African American History and Culture.
Patricia McBride is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company's youngest principal. She danced with the company for 30 years, including roles created for her by choreographers George Balanchine and Jerome Robbins.
Jenifer Ellen Ringer is an American ballet dancer and educator. She joined the New York City Ballet in 1990, became a principal dancer in 2000, and retired from performing in 2014. She then became the director of the Colburn School's professional dance program, Colburn Dance Academy. She was named Dean of the Colburn's Trudl Zipper Dance Institute in 2017, before stepping down in 2021.
Kyra Nichols is an American retired ballet dancer and teacher. She joined the New York City Ballet in 1974 and was promoted to principal dancer in 1979. She is one of the last dancers to have worked with George Balanchine, although he did not create any new work on her. However, she originated roles in several ballets by Jerome Robbins. Nichols retired from performing in 2007, after a 33-year career.
Linda Michelle Merrill, known professionally as Merrill Ashley, is an American former ballet dancer and répétiteur. She joined the New York City Ballet in 1967, was promoted to principal dancer in 1977, and retired in 1997. She is one of the last dancers to have worked with George Balanchine, and coaches his works since she stopped performing.
Tschaikovsky Piano Concerto No. 2, also titled Ballet Imperial, is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 2. Ballet Imperial was choreographed for American Ballet Caravan's 1941 South American tour, and was aimed at showing that the Americans were capable of the classical ballet traditions. The ballet pays tribute to Tchaikovsky, the classical ballet choreographer Marius Petipa, and Imperial Saint Petersburg, where Balanchine received his ballet training. The ballet featured academic steps and alludes to Imperial Russia through the costumes and scenery. Ballet Imperial premiered on June 25, 1941, at Teatro Municipal, Rio de Janeiro.
Mozartiana is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, Mozartiana. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work.
Kay Mazzo is an American former ballet dancer and educator. In 1961, she joined Jerome Robbins' company, Ballets USA. The following year, she joined the New York City Ballet and was promoted to principal dancer in 1969. She created roles for George Balanchine and Robbins, before retiring from performing in 1981. She then joined the permanent faculty of the School of American Ballet in 1983, named co-chairman of faculty in 1997 and chair of faculty in 2018. She stepped down from the position in June 2022, but continues to teach.
Misty Danielle Copeland is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to a principal dancer in ABT's 75-year history.
Tina LeBlanc is an American ballet dancer, teacher and ballet master. She joined the Joffrey Ballet in 1988. In 1992, she joined the San Francisco Ballet as a principal dancer. She retired in 2009, then joined the faculty of the San Francisco Ballet School, before returning to the San Francisco Ballet as a ballet master in 2019.
Ballo della Regina is a ballet choreographed by George Balanchine. Set to the ballet divertissement from Giuseppe Verdi's opera Don Carlos, the Balanchine ballet is plotless but alludes to the grotto setting of the divertissement. The ballet is danced by a lead couple and an all-female ensemble, with choreography that showcases the speed and precision of the lead ballerina. Ballo della Regina was made for the New York City Ballet, and premiered on January 12, 1978, at the New York State Theater, with Merrill Ashley and Robert Weiss in the two lead roles.
Valentina Kozlova is a Soviet-born Russian American ballerina and founder of Valentina Kozlova International Ballet Competition. In 1979, while on tour as a young principal dancer with the Bolshoi Ballet, Kozlova defected to the United States, where she became a principal dancer with New York City Ballet and later, opened her own ballet school. Perhaps best known as a lyrical and expressive ballerina, Kozlova is also renowned as a private coach, producing students who have gone on to garner prestigious prizes and positions in companies such as Boston Ballet, American Ballet Theatre, Washington Ballet, Stuttgart Ballet, Les Ballets Trockadero de Monte Carlo, Universal Ballet, and the Cuban National Ballet.
Marie-Jeanne Godwin was an American ballet dancer. She was one of the first students of George Balanchine's School of American Ballet. Her dance career started at the Ballet Caravan in 1937, followed by stints at Ballet Russe de Monte Carlo, American Ballet Caravan, Ballet International and Ballet Society, before becoming a founding member of the New York City Ballet, where she danced for one season. She then joined Grand Ballet du Marquis de Cuevas, before briefly returning to the New York City Ballet in 1953, and retired in 1954. She was associated with Balanchine throughout her career.
Georgina Pazcoguin is an American ballerina. She was a soloist with the New York City Ballet, and is known for challenging racism in ballet, and for performing on Broadway.
Stephanie Saland is an American former ballet dancer and teacher. She was spotted by George Balanchine whilst a student at the School of American Ballet, then joined the New York City Ballet in 1972, and was promoted to principal dancer in 1984. She had created roles for both Balanchine and Jerome Robbins, before retiring in 1993. She then started teaching ballet in both the U.S. and internationally.
Maria Calegari is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.
Indiana Woodward is a French ballet dancer. She joined the New York City Ballet in 2012, and was promoted to principal dancer in 2021.
