 | This article consists almost entirely of a plot summary .(June 2020) |
Debris documentar (English: Debris Documentation) is a 75-minute 2012 German-language experimental independent dramatic art film, made in 2003 by Marian Dora.
| This article consists almost entirely of a plot summary .(June 2020) |
Debris documentar (English: Debris Documentation) is a 75-minute 2012 German-language experimental independent dramatic art film, made in 2003 by Marian Dora.
The film, released on DVD in 2014 as part of a boxset also containitng Melancholie der Engel (2009) and Reise nach Agatis (2010), [1] deals with the everyday life of a man, Carsten (Carsten Frank ), who works on the set of the 2004 Ulli Lommel film Zombie Nation . At the same time, he is planning to realize his own film, a task he finds extremely difficult. First, he tries to place casting ads in a supermarket. During his daily work on the film set, the man seems frustrated. Also, he is isolated in his private life, and spends his time by watching and masturbating to his opulent VHS film collection of homosexual rape pornography and films such as Cesare Canevari’s 1977 Gestapo’s Last Orgy , Dennis Donnelly's 1978 The Toolbox Murders , Werner Herzog’s 1974 The Enigma of Kaspar Hauser , Peter Schamoni’s 1976 Montana Trap , and Rino Di Silvestro’s 1976 Werewolf Woman , and tinkering with props for his own planned film. He also likes to read Astrid Proll’s works about Andreas Baader and Ulrike Meinhof and the writings of Eduard Mörike. In his spare time, he shoots photos of animal cadavers while playing with them, also partly collecting them to take home with him, as he seems to have sexual attraction to them, and rapes women (Martina Adora, Stefanie Müller, and Carina Palmer) in the woods while they urinate. He indulges in several disturbing sexual fetishes including defecating, urinating, necrophilia, bestiality, anal fisting, rape, murder, nose-picking, and other unspeakable acts. He is in regular contact with a prostitute, Patrizia (Patrizia Johann), who puts an enema into her anus and defecates into a bucket while placing the man onto a table, shoving her fist into his anus and pulling feces out of there while he is putting the bucket to his face. By telephone, he also stays in contact with Jesús Franco, Katja Bienert , Peter Martell, and David Hess (who composed most of this film's score). After a while, he actually contacted a woman, Franziska (Alexandra Dumas), who read his advertisement in the supermarket. They arrange a meeting in the man's house. When he tells her what he is supposed to do in his film, the woman gets scared and wants to leave the house. Then, Carsten overwhelms her and kills her by strangling her with a telephone cord and beating her head. Afterwards, he films himself as he is sexually aroused by her corpse. He cuts her nipples off in graphic detail and uses his scalpel to cut the dead woman's clitoris off. He then takes the scalpel and peels the skin off one of her fingers and eats the pieces of dismembered skin. The film ends with a scene showing Carsten burning the same woman's body and going jogging, as in the first shot of this film. [2] [3]
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Marian Dora is the pseudonym most commonly used by an anonymous German art director, cinematographer, actor, screenwriter, editor, producer, composer, assistant director, makeup artist, special effects/sound/camera/electricity technician, and set decorator/designer, anagram of his actual name, occasionally also credited under several other pseudonyms including Marian Dora Bolutino, Marian Dora Botulino, Marian D. Bolutino, M.D. Botulino, Dr. M. Duran, Marian D. Botulino, M. Duran, Art Doran, M.D. Bolutino, A. Doran, Marian Bolutino and Marian Dallamano.
False Face is a 1977 American psychological horror film directed by John Grissmer, and starring Robert Lansing and Judith Chapman. Its plot follows a mentally-unstable plastic surgeon who transforms a young accident victim to resemble his missing daughter, all part of a scheme to inherit a property from his deceased millionaire father-in-law.
Olivia is a 1983 American psychological thriller film directed by Ulli Lommel and starring Suzanna Love and Robert Walker Jr. It follows a young wife in London who is suffering from homicidal schizophrenia, stemming from having witnessed her prostitute mother's murder. She meets an American engineer and has a brief but heated romance with him, and, several years later in Arizona, he encounters a woman who resembles her but claims not to remember him.
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