Description
The idea behind the poem can be traced to 1804, when the Napoleonic edict of Saint-Cloud was issued. On September 5, 1806, the edict was applied to Italy. In short, it stated that all burials must take place outside the city walls; that, for democratic reasons, the burial monuments must all be of the same size; and that their inscriptions would be controlled by a special commission. The edict's implementation caused Foscolo to meditate upon the nature and philosophy of death.
Irreligious, Foscolo did not share the view of his fellow poet Pindemonte, who defended the Christian view, as opposed to the new Enlightenment ideas introduced by the French regime. Even so, Foscolo was critical of the decree, mostly for civic reasons; he acknowledges that human beings aspire to transcend death. Tombs, monuments for fallen heroes and virtuous men from the past, may inspire those living today, including artists and poets. He affirmed the value of tombs as memorials to noble souls or bright intellects. Long after the marble monuments are destroyed by time, those memorialized can survive in artworks they have inspired, and can in turn inspire virtue in new generations.
This page is based on this
Wikipedia article Text is available under the
CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.
