Delina White | |
---|---|
Education | Bemidji State University |
Children | 2 |
Website | www.iamanishinaabe.com |
Delina White is a contemporary Native American artist specializing in indigenous, gender-fluid clothing for the LGBTQ and Two-Spirit Native communities. She is also an activist for issues such as environmental crisis, violence against women, and sex trafficking. [1]
White is a member of the Minnesota Chippewa Tribe, Leech Lake Band of Ojibwe. [2] [3] [4]
White was born into the Leech Lake Band of Ojibwe, in 1964.[ citation needed ] She was given the name "Wades in the water", as water is healing and is a symbol for life. She grew up in a two bedroom home without running water or electricity and has stated that many of her favorite memories consist of walking the trails and paths of the “old ones” along with her cousins, as well as partaking in powwows and would dance in them as a young girl. Her mother would create all of her dancing outfits, which included beadwork done by hand. White was taught to create beadwork at the age of six by her grandmother, Maggie King. [5] [3] [6]
White attended Bemidji State University, where she earned a Bachelors of Science in Business Administration with an emphasis in Management, and a minor in Management Information Systems. It took White twenty years to complete the degree and she was the first of her family to attend college. [2]
She has two daughters, Lavender Hunt and Sage Davis, who help run her company and her granddaughter Nookwakwii or Snowy White. [7]
White launched her clothing collection I Am Anishinaabe, which she runs alongside her daughter Lavender Hunt and granddaughter Snowy, the latter of whom serves as the brand signature and international model. [7] She has designed for fashion shows such as the Haute Couture Fashion Show in Santa Fe and has collaborated with and mentored other clothing designers. [8] In 2017 she and Joy Campaigne presented their work together at a community workshop at the American Indian Community and Housing Organization in Duluth, Minnesota. [9]
She produced her first fashion show at the Great Lakes Woodland Skirts Fashion Show in 2015. [3] [6] For the show White used her clothing and image projections along with her own narration to give insight about the history of traditional Native women's ribbon skirts. She elaborated that ribbon skirts can be worn anytime and that wearing it makes it a symbol of cultural celebration of the legacy of Native peoples. The mediums used by White to create her work were fabric, thread, beading, and other materials. [10]
White has won numerous awards and grants for her work, which has been exhibited in locations such as the Art Institute of Minneapolis. She typically works with modern/contemporary fabrics from around the world materials such as hand-tanned leather, bones, and shells, which she uses to create and design traditional Native works. [9]
In 2021, White had her first show at FWMN in September 2021 called Native Visions. [3]
In 2023, Northern Lights Anishinaabe Fashion Show was back in Minnesota. [4]
In 2015 White launched the "I Am Anishinaabe" collection. Her inspiration for the collection came from the Great Lakes, the Lakota term "winyanktehca", which means balance, individualism, and fluidity of genders or sexuality, and the term two-spirits, which is used by some Indigenous North Americans to describe Native people in their communities who fulfill a traditional third-gender (or other gender-variant) ceremonial role in their cultures. White intended the line to show support for underrepresented LGBTQ+ communities, particularly those in Native American cultures.
She showcased her collection at the Walker Art Center on June 13, 2019, and chose to use people who identified as two-spirit and queer as her models. The collection is made of fifteen contemporary Great Lakes woodland-style skirts, along with items such as pipe bags, handbags, and moccasins. The collection also features a piece created by White's daughter Lavender, a skirt that features an Ojibwe floral design and a high slit intended to allow the individual wearing it to show their leg if they so wish. Of the collection as a whole, White has stated that the clothing is "meant to make the individual wearing them, happy, to feel good, to feel good about who they are, be confident and take pride in being a Two-Spirit." [6]
Delina White has acquired many awards, fellowships, and grants that includes: [10]
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced. Most often, beadwork is a form of personal adornment, but it also commonly makes up other artworks.
Winona LaDuke is an American environmentalist, writer, and industrial hemp grower, known for her work on tribal land claims and preservation, as well as sustainable development.
In some Native American and First Nations cultures, a dreamcatcher is a handmade willow hoop, on which is woven a net or web. It may also be decorated with sacred items such as certain feathers or beads. Traditionally, dreamcatchers are hung over a cradle or bed as protection. It originates in Anishinaabe culture as "the spider web charm" – asubakacin 'net-like' ; bwaajige ngwaagan 'dream snare' – a hoop with woven string or sinew meant to replicate a spider's web, used as a protective charm for infants.
The Anishinaabe are a group of culturally related Indigenous peoples in the Great Lakes region of Canada and the United States. They include the Ojibwe, Odawa, Potawatomi, Mississaugas, Nipissing, and Algonquin peoples. The Anishinaabe speak Anishinaabemowin, or Anishinaabe languages that belong to the Algonquian language family.
The Leech Lake Band of Ojibwe, also known as the Leech Lake Band of Chippewa Indians or the Leech Lake Band of Minnesota Chippewa Tribe is a federally recognized Ojibwe band located in Minnesota and one of six making up the Minnesota Chippewa Tribe. The band had 9,426 enrolled tribal members as of March 2014. The band's land base is the Leech Lake Indian Reservation, which includes eleven communities aggregated into three districts, as defined in the tribal constitution.
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
Maude Kegg (1904–1996) was an Ojibwa writer, folk artist, and cultural interpreter from Minnesota. She was a citizen of the Mille Lacs Band of the Minnesota Chippewa Tribe.
Jim Northrup was an Anishinaabe newspaper columnist, poet, performer, and political commentator from the Fond du Lac Indian Reservation in Minnesota. His Anishinaabe name was "Chibenashi".
Outside Western cultures, men's clothing commonly includes skirts and skirt-like garments; however, in the Americas and much of Europe, skirts are usually seen as feminine clothing and socially stigmatized for men and boys to wear, despite having done so for centuries. While there are exceptions, most notably the cassock and the kilt, these are not generally considered skirts in the typical sense of fashion wear; rather they are worn as cultural and vocational garments. People have variously attempted to promote the fashionable wearing of skirts by men in Western culture and to do away with this gender distinction.
Traditional gender roles among Native American and First Nations peoples tend to vary greatly by region and community. As with all Pre-Columbian era societies, historical traditions may or may not reflect contemporary attitudes. Gender roles exhibited by Indigenous communities have been transformed in some aspects by Eurocentric, patriarchal norms and the perpetration of systematic oppression. In many communities, these things are not discussed with outsiders.
Ribbon work is an appliqué technique for clothing and dance regalia among Prairie and Great Lakes indigenous peoples.
Two-spirit is a contemporary pan-Indian umbrella term used by some Indigenous North Americans to describe Native people who fulfill a traditional third-gender social role in their communities.
Heid E. Erdrich is a poet, editor, and writer. Erdrich is Ojibwe enrolled at Turtle Mountain.
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Jamie Okuma is a Native American visual artist and fashion designer from California. She is known for beadwork, mixed-media soft sculpture, and fashion design. She is Luiseño, Wailaki, Okinawan, and Shoshone-Bannock. She is also an enrolled member of the La Jolla band of Indians in Southern California where she is currently living and working.
Barry Ace is a First Nations sculptor, installation artist, photographer, multimedia artist, and curator from Sudbury, Ontario, who lives in Ottawa. He is Odawa, an Anishinaabe people, and belongs to the M'Chigeeng First Nation.
TahneeAhtoneharjo-Growingthunder, is a Kiowa beadwork artist, regalia maker, curator, and museum professional of Muscogee and Seminole descent, from Mountain View, Oklahoma.
Maggie Thompson is a Native American textile artist and designer from the Fond du Lac Ojibwe with a focus on "knitwear and tapestry". Her work focuses on her heritage and identity and also addresses cultural appropriation and Native authenticity. She is the director of the Two Rivers Gallery in Minneapolis,
Sharon Day is an Ojibwe leader and Native American activist, artist and writer from Minnesota. She is an enrolled member of the Bois Forte Band of Ojibwe. Day is most known for her water walks, a spiritual practice in which Day and others carry water for a long distances to raise awareness and pray for the health and future of the waterways.
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