Della | |
---|---|
Directed by | Robert Gist |
Written by | Richard Alan Simmons |
Produced by | Stanley M. Kallis Joan Crawford (uncredited) |
Starring | Joan Crawford Paul Burke Charles Bickford Diane Baker |
Cinematography | Wilfrid M. Cline |
Edited by | Bernard Burton |
Music by | Fred Steiner |
Production company | |
Distributed by | Four Star Distribution |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | English |
Della is a 1964 American made-for-television drama film starring Joan Crawford, Paul Burke, Charles Bickford and Diane Baker. Directed by Robert Gist, the film was originally produced by Four Star Television as a television pilot for a proposed NBC series named Royal Bay which was to star Burke as a lawyer and Bickford as his cantankerous, righteous father.
Following the successful film-to-television progressions of movie stars such as Lucille Ball and Barbara Stanwyck, Crawford attempted the same maneuver with Royal Bay, a soap opera in a fictional seaside town where she was the wealthy matriarch and daughter of the town's founder. However, the pilot centered on the two characters that would most likely not reprise their role for the series, mother and daughter Della and Jenny Chappell. This may have been one of the reasons the pilot was released as a standalone film instead of the start of a series. [1]
Della Chappell (Joan Crawford) is a reclusive wealthy woman, consumed by power and dedicated to protecting the future of her daughter Jenny (Diane Baker). Her father founded the town of Royal Bay and she still owns most of it. An outside company wants to buy parts of the town for development but Della refuses to consider the option. Barney Stafford (Paul Burke), a lawyer representing the developers' interests, butts heads with Della frequently.
She invites him to her home for a meeting at 2:00 AM. Barney, eager to settle the matter, heads over to Della's estate and instead he meets Jenny. Barney notices strange happenings at the house, such as everyone sleeping during the day and all business is conducted in the middle of the night. He comes to learn that Jenny has a skin condition that prevents her from being in the light and keeps her inside the home at all times. At a particularly tense meeting, Della attempts to employ Barney in a veiled attempt to buy his company for Jenny.
After a discussion with his father, Barney goes to apologize to Della. After all is revealed (why Jenny must never leave) Barney leaves, presumably for good. Angry and upset, Jenny then leaves the house and ultimately crashes her car because she is disoriented and is killed.
Joan Crawford and Diane Baker played mother and daughter for the second time in only a few months, following the horror classic, Strait-Jacket earlier that year. [1]
Following years of obscurity, the film was finally released on videocassette under the title Fatal Confinement by a company called International Film Forum in 1988. [2]
On January 31, 2012, Della was released as an exclusive manufacture-on-demand DVD-R through the TCM Shop. [3]
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
The Farmer's Daughter is a 1947 American comedy film that tells the story of a farmgirl who ends up working as a maid for a Congressman and his politically powerful mother. It stars Loretta Young, Joseph Cotten, Ethel Barrymore, and Charles Bickford, and was adapted by Allen Rivkin and Laura Kerr from the 1937 Finnish play Juurakon Hulda by Hella Wuolijoki, using the pen name Juhani Tervapää. It was directed by H.C. Potter.
The Vanishing is a 1993 American psychological thriller film directed by George Sluizer and starring Jeff Bridges, Kiefer Sutherland, Nancy Travis, and Sandra Bullock. It is a remake of Sluizer's 1988 French-Dutch film of the same name.
Charles Ambrose Bickford was an American actor known for supporting roles. He was nominated three times for the Academy Award for Best Supporting Actor, for The Song of Bernadette (1943), The Farmer's Daughter (1947), and Johnny Belinda (1948). His other roles include Whirlpool (1950), A Star Is Born (1954), and The Big Country (1958).
The Young Philadelphians is a 1959 American legal drama film directed by Vincent Sherman and starring Paul Newman, Barbara Rush, Robert Vaughn and Alexis Smith. The film is based on the 1956 novel The Philadelphian, by Richard P. Powell.
Torch Song is a 1953 American Technicolor musical drama film distributed by Metro-Goldwyn-Mayer and starring Joan Crawford and Michael Wilding in a story about a Broadway star and her blind rehearsal pianist. The screenplay by John Michael Hayes and Jan Lustig was based upon the story "Why Should I Cry?" by I.A.R. Wylie in a 1949 issue of The Saturday Evening Post. The film was directed by Charles Walters and produced by Sidney Franklin, Henry Berman and Charles Schnee. Crawford's singing voice was dubbed by India Adams.
Diane Carol Baker is an American actress, producer and educator whose career has spanned over 50 years.
Strait-Jacket is a 1964 American psychological thriller film directed and produced by William Castle, written by Robert Bloch and starring Joan Crawford. Its plot follows a woman who, having murdered her husband and his lover decades prior, is suspected of a series of axe murders following her release from a psychiatric hospital.
The Joan Crawford filmography lists the film appearances of American actress Joan Crawford, who starred in numerous feature films throughout a lengthy career that spanned nearly five decades.
Berserk! is a 1967 British horror-thriller film starring Joan Crawford, Ty Hardin, Diana Dors and Judy Geeson in a macabre mother-daughter tale about a circus plagued with murders. The screenplay was written by Herman Cohen and Aben Kandel, and the film directed by Jim O'Connolly. Berserk! marks Crawford's penultimate big-screen appearance.
Love on the Run is a 1936 American romantic comedy film, directed by W.S. Van Dyke, produced by Joseph L. Mankiewicz, and starring Joan Crawford, Clark Gable, Franchot Tone and Reginald Owen in a story about rival newspaper correspondents assigned to cover the marriage of a socialite. The screenplay by John Lee Mahin, Manuel Seff and Gladys Hurlbut was based on a story by Alan Green and Julian Brodie. Love on the Run is the seventh of eight cinematic collaborations between Crawford and Gable. At the time of its release, Love on the Run was called "a lot of happy nonsense" by critics, but a huge financial success, nonetheless.
Belinda Montgomery is a Canadian-American actress. She initially attracted notice for playing Cinderella in the 1969 television film Hey, Cinderella!. She appeared in films including The Todd Killings (1971), The Other Side of the Mountain (1975) and its sequel The Other Side of the Mountain Part 2 (1978), Stone Cold Dead (1979), and Silent Madness (1984). She starred as Dr. Elizabeth Merrill in the science-fiction series Man from Atlantis (1977–78), and as Katherine Howser, Doogie's mother, in the medical comedy-drama series, Doogie Howser, M.D. (1989-1993).
Susan and God is a 1940 American comedy-drama film released by Metro-Goldwyn-Mayer directed by George Cukor and starring Joan Crawford and Fredric March. The screenplay was written by Anita Loos and was based upon a 1937 play by Rachel Crothers. The supporting cast features Rita Hayworth and Nigel Bruce.
God's Gift to Women is a 1931 American pre-Code romantic musical comedy film directed by Michael Curtiz, starring Frank Fay, Laura LaPlante, and Joan Blondell. The film, based on the play The Devil Was Sick by Jane Hinton, was originally completed as a musical film; however, because of audience dislike for musicals at that time, all the songs were cut in American prints. The full film was released intact in other countries, where there was no such decline in popularity.
Old Clothes is a 1925 American silent drama film directed by Edward F. Cline and starring Jackie Coogan and Joan Crawford.
Our Blushing Brides is a 1930 American pre-Code society comedy/romantic melodrama directed and produced by Harry Beaumont and starring Joan Crawford, Robert Montgomery, Anita Page and Dorothy Sebastian.
This Modern Age is a 1931 American pre-Code Metro-Goldwyn-Mayer feature film directed by Nick Grinde and starring Joan Crawford, Neil Hamilton, Pauline Frederick and Albert Conti.
Chained is a 1934 American drama film directed by Clarence Brown and starring Joan Crawford and Clark Gable with supporting performances by Otto Kruger, Stuart Erwin, Una O'Connor and Akim Tamiroff. The screenplay was written by John Lee Mahin, Albert Hackett and Frances Goodrich based upon a story by Edgar Selwyn. Ward Bond and Mickey Rooney appear briefly in uncredited roles.
Forsaking All Others is a 1934 American romantic comedy-drama film directed by W.S. Van Dyke, and starring Robert Montgomery, Joan Crawford and Clark Gable. The screenplay was written by Joseph L. Mankiewicz, which was based upon a 1933 play by Edward Barry Roberts and Frank Morgan Cavett starring Tallulah Bankhead.
The October Man is a 1947 mystery film/film noir starring John Mills and Joan Greenwood, written by novelist Eric Ambler, who also produced. A man is suspected of murder, and the lingering effects of a brain injury he sustained in an earlier accident, as well as an intensive police investigation, make him begin to doubt whether he is innocent.