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Porgy and Bess is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel Porgy.
Ruby Pearl Elzy was an American operatic soprano. She appeared on stage and in films. She recorded on albums before her death in her 30s from surgery to remove a benign tumor.
Adele Addison is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
William Caesar Warfield was an American concert bass-baritone, known for his appearances in stage productions, Hollywood films, and television programs. A prominent African American artist during the Civil Rights era, he worked with many notable artists, represented the United States during foreign tours, taught at academic institutions, and earned numerous accolades, including a Grammy Award in 1984.
Angela M. Brown is an American dramatic soprano particularly admired for her portrayal of Verdi heroines.
Porgy and Bess, the opera by George Gershwin, has been recorded by a variety of artists since it was completed in 1935, including renditions by jazz instrumentalists and vocalists, in addition to operatic treatments.
Karen Williams is an American concert and opera soprano. In 1985 she won the Metropolitan Opera National Council Auditions; making her stage debut at the Metropolitan Opera later that year as Serena in George Gershwin's Porgy and Bess. She sang that role at the Met again in 1989–1990. She has also performed Serena at Symphony Hall, Springfield with the Boston Concert Opera (1986), the Milwaukee Symphony Orchestra (1998), the Buffalo Philharmonic Orchestra (1999), the Utah Symphony Orchestra (1999), and the Philadelphia Orchestra (2000) among others. In 1986 she made her debut with the Opera Company of Philadelphia as Amelia in Verdi's Un ballo in maschera.
Florence Quivar is an American operatic mezzo-soprano who is considered to be "one of the most prominent singers of her generation." She has variously been described as having a "rich, earthy sound and communicative presence" as "always reliable" and as "a distinguished singer, with a warm, rich voice and a dignified performing presence." From 1977 to 1997 she was a regular performer at the Metropolitan Opera where she gave more than 100 performances.
Gloria Davy was a Swiss soprano of American birth who had an active international career in operas and concerts from the 1950s through the 1980s. A spinto soprano, she was widely acclaimed for her portrayal of the title role in Verdi's Aida, a role she performed in many of the world's top opera houses. She was notably the first black artist to perform the role of Aida at the Metropolitan Opera in New York City in 1958. While she performed a broad repertoire, she was particularly admired for her interpretations of 20th-century music, including the works of Richard Strauss, Benjamin Britten and Paul Hindemith.
Clamma Churita Dale is an American operatic soprano. She portrayed "Bess" in the highly successful 1976 Houston Grand Opera production of Porgy and Bess. The show was transferred from Houston to Broadway and Dale was awarded a 1977 Drama Desk Award for Best Actress in a musical and received a Tony Award nomination. She won a Grammy award in 1978 for Best Opera Recording of the Porgy & Bess soundtrack.
Donnie Ray Albert is an American operatic baritone who has had an active international career since 1976.
Angel Joy Blue is an American soprano. She won the Grammy Award for Best Opera Recording for the Metropolitan Opera production of Porgy and Bess in the 63rd Annual Grammy Awards. Her voice has been recognized for its shining and agile upper register, "smoky" middle register, beautiful timbre, and ability to switch from a classical to a contemporary sound. She has performed internationally and won numerous awards including a Grammy Award, Operalia and Miss Hollywood. According to family lore, her father Sylvester predicted her to be "the next Leontyne Price" when she was born.
Jonita Lattimore is an American operatic soprano and a faculty member of Roosevelt University's Chicago College of Performing Arts. She is a lyric soprano from Chicago's South Side who has performed a wide range of operatic roles, as well as oratorio performances with major orchestras both internationally and domestically.
Marquita Lister is an American operatic soprano. She has sung with major companies in the U.S. and abroad, specializing in the lirico-spinto repertoire. Lister is considered one of the leading interpreters of Bess in Porgy and Bess, having performed the role hundreds of times in companies across the globe, and she is also renowned for her portrayals of Aida and Salome, two signature roles.
Alyson Cambridge is an American operatic soprano. In addition to opera, she sings classical song, jazz, and American songbook and popular song. She is also known for her work as a model, actress, and host.
Roberta Alexander is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983 to 1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiligi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the Fifth Maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.
Camellia Johnson was an American concert and opera singer. She began her career performing works from the mezzo-soprano repertoire, but after encouragement from the staff at the Metropolitan Opera retrained her voice as a soprano. She successfully made that transition after winning the Young Concert Artists competition in 1993. She went on to perform as a leading soprano with orchestras and opera companies internationally.
Yvonne Regina Ciannella was an American coloratura soprano in opera and concert. She began her career performing and recording with the Robert Shaw Chorale in the early 1950s. After graduate voice studies at the Mozarteum in Salzburg, she embarked on a career as an opera singer; working mainly in Germany at the Staatstheater Braunschweig, Theater Bonn, and Theater Dortmund during the 1960s. She also appeared as a guest artist with opera companies in Berlin, Cologne, Florida, Frankfurt, Hamburg, and Vienna. For many years she was a member of the voice faculty of the College of Music at Florida State University.
Cynthia Clarey is an American operatic singer and educator. In opera, she has sung both soprano and mezzo-soprano roles and is often associated with the role of Carmen.
Jason Chris Tramm is an American music conductor and Director of Choral Activities at Seton Hall University.
References
- ↑ Kart, Larry (July 24, 1988). "Treemonisha". Chicago Tribune. Retrieved June 7, 2011.
