Dempsey Bob, OC (born 1948) is a Northwest Coast woodcarver and sculptor from British Columbia, Canada, who is of Tahltan and Tlingit First Nations descent. He was born in the Tahltan village of Telegraph Creek on the Stikine River in northwestern B.C., and is of the Wolf clan.
Dempsey began carving in 1969, studying with the Haida carver Freda Diesing in Prince Rupert, B.C. In 1972-1974 he studied at the Gitanmaax School of Northwest Coast Indian Art ('Ksan) at Hazelton, B.C., in Gitksan territory and then taught there for many years. In 2006, he helped found and is an advisor of the Freda Diesing School of Northwest Coast Arts in Terrace, B.C., to carry on Diesing's legacy and guide the next generation of First Nation artists. His apprentices have included the Tahltan carver Dale Campbell and Tlingit carver Keith Wolfe Smarch. He was appointed an Officer of the Order of Canada in 2013 for his work as a carver, teaching the next generation of carvers and his dedication to Talhtan-Tlingit cultural preservation. He also received an honorary degree from the University of British Columbia in 2014. [1]
His work is in many important museum and gallery collections including the Canadian Museum of History; the Royal British Columbia Museum; the University of British Columbia's Museum of Anthropology; the Audain Art Museum; the Columbia Museum of Ethnology; the Aboriginal and Northern Affairs art collection in Ottawa, the Smithsonian Institution; National Museum of Ethnology in Japan; and the Hamburgisches Museum fur Volkerskkunde in Hamburg, Germany. Major commissions include the Vancouver Airport Authority, the Museum of Northern B.C., Prince Rupert; and the Owase Community Cultural Centre, Japan.
Bob's preferred medium is wood although he uses many different materials in his work. He carves bowls, masks, totem poles and other works, mostly in the Tlingit style. The first time his work was shown at the National Gallery of Canada was in 1992. He was included in the landmark exhibition Land Spirit Power, the first survey exhibition of First Nations contemporary art to be held at the NGC. Since then he has had many solo and group exhibitions in Canada and around the world and his works have been widely collected in major public and private collections.
Themes of his artwork include developing ideas from traditional West Coast First Nations stories and frogs being one of his preferred subjects. [2]
Dempsey Bob's solo exhibitions include:
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
The Museum of Anthropology at the University of British Columbia (UBC) campus in Vancouver, British Columbia, Canada displays world arts and cultures, in particular works by First Nations of the Pacific Northwest. As well as being a major tourist destination, MOA is a research and teaching museum, where UBC courses in art, anthropology, archaeology, conservation, and museum studies are given. MOA houses close to 50,000 ethnographic objects, as well as 535,000 archaeological objects in its building alone.
Emily Carr was a Canadian artist who was inspired by the monumental art and villages of the First Nations and the landscapes of British Columbia. She also was a vivid writer and chronicler of life in her surroundings, praised for her "complete candour" and "strong prose". Klee Wyck, her first book, published in 1941, won the Governor General's Literary Award for non-fiction and this book and others written by her or compiled from her writings later are still much in demand today.
Robert Charles Davidson, is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
Freda Diesing was a Haida woman of the Sadsugohilanes Clan, one of very few female carvers of Northwest Coast totem poles and a member of the Council of the Haida Nation of British Columbia, Canada. Her Haida name is Skil Kew Wat, meaning "magical little woman."
Walter Harris, also known as Simogyet Geel, was a Canadian artist and hereditary chief from the Gitxsan (Gitksan) First Nation in northwestern British Columbia.
Chief Mungo Martin or Nakapenkem, Datsa, was an important figure in Northwest Coast style art, specifically that of the Kwakwaka'wakw Aboriginal people who live in the area of British Columbia and Vancouver Island. He was a major contributor to Kwakwaka'wakw art, especially in the realm of wood sculpture and painting. He was also known as a singer and songwriter.
Henry Hunt was a First Nations woodcarver and artist from the Kwakwaka'wakw people of coastal British Columbia. He carved a number of totem poles which are on public display in Canada and internationally.
Norman Tait was a Nisga'a First Nations sculptor and totem pole carver from northwestern British Columbia, Canada.
Dale Campbell is a Canadian First Nations carver from the Tahltan nation of northern British Columbia. Her Tahltan name is Tahlthama which translates to "Tahltan Indian Mother".
Ellen Neel (1916–1966) was a Kwakwakaʼwakw artist woodcarver and is the first woman known to have professionally carved totem poles. She came from Alert Bay, British Columbia, and her work is in public collections throughout the world.
The Freda Diesing School of Northwest Coast Art focuses on traditional First Nations Pacific Northwest Coast Art and is located on the unceded territory of the Ts'msyen Nation in Terrace, BC; Canada.
Primrose Adams was a Canadian First Nations artist and member of the Raven Clan from the Haida nation. She wove hats and baskets in the Haida method and is most notable for her spruce root basketry, which involves working in the traditional manner of collecting and dyeing her own spruce root. Adams died in January 2020.
Doug Cranmer (1927–2006), also known as Pal'nakwala Wakas and Kesu', was a Kwakwaka'wakw carver and artist as well as a 'Namgis chief. Cranmer was a significant figure in the Northwest Coast art movement, both in its traditional form and in a modern contemporary form that he created and developed.
Beau Dick was a Kwakwaka'wakw Northwest Coast artist and Chief who lived and worked in Alert Bay, British Columbia, Canada. He was a contemporary artist, activist and hereditary Chief from the Namgis First Nation. Dick was an artist with an extensive national and international exhibition history.
Sonny Assu is a Canadian contemporary artist. Assu's paintings, sculptures, prints, installations, and interventions are all infused with his wry humour which is a tool to open the conversation around his themes of predilections: consumerism, colonization and imperialism.
James Hart is a Canadian and Haida artist and a chief of the Haida Nation.
Phil Gray is a Canadian artist who specializes in wood carvings from the Tsimshian and Mikisew Cree communities. His work uses traditional technique and features imagery from legends. In 2014, Gray was awarded a British Columbia Creative Achievement Award in Aboriginal Art from the Government of British Columbia.
Lawrence Paul Yuxweluptun is a Cowichan/Syilx First Nations contemporary artist from Canada. His paintings employ elements of Northwest Coast formline design and Surrealism to explore issues as environmentalism, land ownership, and Canada's treatment of First Nations peoples.
Corrine Hunt, also known as Nugwam Gelatleg'lees, is a Kwakwaka'wakw/Tlingit artist, carver, jeweller and designer based in Vancouver, British Columbia, Canada.
{{cite web}}: CS1 maint: multiple names: authors list (link)| International | |
|---|---|
| Artists | |
| Other | |
