Denis Cohn Gallery | |
---|---|
General information | |
Location | 3 Darby Street, Auckland CBD |
Coordinates | 36°50′58″S174°45′52″E / 36.84938°S 174.76433°E |
The Denis Cohn Gallery was an art gallery founded by Denis Cohn, an influential dealer gallery in Auckland, New Zealand in the 1980s. [1]
Born in Hale, England, Cohn's conversion to art came at the age of 14, at an exhibition of works by Henri Matisse and Pablo Picasso at the Manchester Art Gallery. [2] Cohn became a precocious collector, looking for finds in junk shops. [3] In his later teens Cohn moved to London, where he met painter Michael Ayrton, from whom he bought his first art work. [2]
Cohn met his life partner Bil (William) Vernon in 1968. Six years later they moved to New Zealand, where Cohn worked as an industrial journalist and began buying New Zealand art, beginning with a work on paper by Colin McCahon. [2] [3] According to art critic Hamish Keith, Cohn "had a fine eye for art, but also a keen appreciation for a bargain. He saw New Zealand art as undervalued at a time when Auckland had a mere handful of struggling galleries mainly dealing in established names". [2] This observation led Cohn to open his eponymous gallery.
Despite its relatively short period of operation (1978-1986), Cohn and his gallery were known for showing leading artists and supporting the careers of younger and newer artists, including Malcolm Harrison, Christine Hellyar, Tony Fomison, Philip Clairmont and Allen Maddox. [1] [2] He also sought out a younger market of collectors, who had not yet began buying established artists' works. [3] After the gallery closed in 1986 Cohn continued to deal art from his home, and worked with partner Bil Vernon on museum and gallery software, which became Vernon Systems. [2] [4]
Denis Cohn died in Fiji on 14 December 2006, aged 73. [2]
An archive of the gallery's operations in held by the Museum of New Zealand Te Papa Tongarewa. [5]
Graham Percy was a New Zealand-born artist, designer and illustrator. His work was the subject of The Imaginative Life and Times of Graham Percy, a major posthumous exhibition of his work which was shown at galleries throughout New Zealand including City Gallery Wellington, Gus Fisher Gallery Auckland, Sarjeant Gallery Whanganui, the Rotorua Museum and the Southland Museum and Art Gallery, Invercargill.
Sir Mountford Tosswill "Toss" Woollaston was a New Zealand artist. He is regarded as one of the most important New Zealand painters of the 20th century.
Richard John Frizzell is a New Zealand artist known for his pop art paintings and prints. His work often features Kiwiana iconography combined with motifs from Māori art traditions, such as the tiki and tā moko. He is based in Auckland.
Shane William Cotton is a New Zealand painter whose work explores biculturalism, colonialism, cultural identity, Māori spirituality, and life and death.
Petrus van der Velden, who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand.
Hamish Henry Cordy Keith is a New Zealand writer, art curator, arts consultant and social commentator.
New Zealand art consists of the visual and plastic arts originating from New Zealand and comes from different traditions: indigenous Māori art and that brought here including from early European mostly British settlers.
William Alexander Sutton was a New Zealand portrait and landscape artist.
Artex began in 1986 in Auckland, New Zealand in 1986 and ran until 1994. It was the first art fair to be held in New Zealand which showcased historical and contemporary New Zealand art. Artex was the genesis for what is now known as the Auckland Art Fair.
Philip Anthony Clairmont (1949–1984) was a New Zealand painter.
Leo Vernon Bensemann OBE was a New Zealand artist, printer, typographer, publisher and editor.
Milan Mrkusich was a New Zealand artist and designer. He was considered a pioneer of abstract painting in New Zealand. Retrospective exhibitions of his work were organised by the Auckland Art Gallery in 1972 and 1985, and at the Gus Fisher Gallery in 2009. A substantial monograph was published by Auckland University Press in 2009.
Ian Christopher Scott was a New Zealand painter. His work was significant for pursuing an international scope and vision within a local context previously dominated by regionalist and national concerns. Over the course of his career he consistently sought to push his work towards new possibilities for painting, in the process moving between abstraction and representation, and using controversial themes and approaches, while maintaining a highly personal and recognisable style. His work spans a wide range of concerns including the New Zealand landscape, popular imagery, appropriation and art historical references. Scott's paintings are distinctive for their intensity of colour and light. His approach to painting is aligned with the modernist tradition, responding to the formal standards set by the American painters Morris Louis, Kenneth Noland and Jules Olitski.
Malcolm Armstrong Harrison was a New Zealand clothing designer and textile artist.
Gavin John Hipkins is a New Zealand photographer and filmmaker, and Associate Professor at Elam School of Fine Arts, at the University of Auckland.
Dr Francis Pound was a New Zealand art historian, curator and writer.
Marie Shannon is a New Zealand artist and educator who makes photography, video and drawing. Her artwork is in the collections of Te Papa, New Zealand's national museum, and Dunedin, Christchurch and Auckland city galleries.
Selwyn Peter Webb was a New Zealand art dealer and gallery director. He was a supporter and promoter of art, and particularly contemporary New Zealand art, for over sixty years. Webb's work spanned public art museums, publishing and the founding of the Peter Webb Galleries and Webb's auction house.
Gordon Harold Brown is a New Zealand art historian, curator, and artist.
Michael Harland Illingworth was a New Zealand painter and farmer.