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Denise Gonzales Crisp is a graphic designer, writer, and professor of graphic design at North Carolina State University College of Design (since 2002), where she currently directs the graduate program. She holds a M.F.A. in graphic design from the California Institute of the Arts and a B.F.A. from Art Center College of Design. [1]
She is author of Graphic Design in Context: Typography. She has been invited to speak at numerous conferences, universities, and events—at TYPO Talks, [2] ATypI 2009 (Mexico City), the Walker Art Center (Minneapolis), GraficEurope (Berlin), RMIT (Melbourne), ArtCity (Calgary), among others. [1] She has exhibited her work both nationally and internationally, is published widely in design journals: Emigre , Metropolis, Print , Graphis, Eye , Items, and KAK. [3]
Gonzales Crisp was senior designer for the Art Center College of Design in Pasadena [4] and principal of SuperStoove!, [5] a design studio focussed on designing "books for the cultural sector". [3] She designed Utopian Entrepreneur by Brenda Laurel, part of the Mediawork pamphlet series for MIT Press, edited by Peter Lunenfeld on "the intersections of art, design, technology, and market culture."
Gonzales Crisp has taught graphic design at Art Center College of Design, CalArts, and Otis Art Institute. She sits on the Executive Board of DesignInquiry, [6] a non-profit educational organization devoted to researching design issues in intensive team-based gatherings, [7] with (co-founder) Margo Halverson, (co-founder) Peter Hall, Emily Luce, Anita Cooney, Gabrielle Esperdy, Gail Swanlund, Joshua Singer, and Ben Van Dyke.
Zuzana Licko is a Slovak-born American type designer and visual artist known for co-founding Emigre Fonts, a digital type foundry in Berkeley, CA. She has designed and produced numerous digital typefaces including the popular Mrs Eaves, Modula, Filosofia, and Matrix. As a corresponding interest she also creates ceramic sculptures and jacquard weavings.
Peter Lunenfeld is a critic and theorist of digital media, digital humanities, and urban humanities. He is a professor and the Vice Chair of the Design Media Arts department at UCLA, director of the Institute for Technology and Aesthetics (ITA), and founder of mediawork: The Southern California New Media Group.
Massachusetts College of Art and Design, branded as MassArt, is a public college of visual and applied art in Boston, Massachusetts. Founded in 1873, it is one of the nation's oldest art schools, the only publicly funded independent art school in the United States, and was the first art college in the United States to grant an artistic degree. It is a member of the Colleges of the Fenway, and the ProArts Consortium.
April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." According to design historian Steven Heller, “April Greiman was a bridge between the modern and postmodern, the analog and the digital.” “She is a pivotal proponent of the ‘new typography’ and new wave that defined late twentieth-century graphic design.” Her art combines her Swiss design training with West Coast postmodernism.
Muriel Cooper was a pioneering book designer, digital designer, researcher, and educator. She was the first design director of the MIT Press, instilling a Bauhaus-influenced design style into its many publications. She moved on to become founder of MIT's Visible Language Workshop, and later became a co-founder of the MIT Media Lab. In 2007, a New York Times article called her "the design heroine you've probably never heard of".
Thomas Manss is a German graphic designer based in London. In 2002, the British newspaper Independent on Sunday included him in their list of the ten leading graphic designers in the UK.
Sheila Levrant de Bretteville is an American graphic designer, artist and educator whose work reflects her belief in the importance of feminist principles and user participation in graphic design. In 1990 she became the director of the Yale University Graduate Program in Graphic Design and the first woman to receive tenure at the Yale University School of Art. In 2010 she was named the Caroline M. Street Professor of Graphic Design.
Kali Nikitas received an MFA from CalArts in graphic design a BFA in graphic design from the University of Illinois at Chicago. She has an unconventional practice by wearing many hats. She is an academic administrator and trained graphic designer. She is a curator of events and a connector of talent to opportunity. She has worked with cities to enrich the lives of their citizens through art and design.
Jessica Helfand is a designer, author, and educator. She is a former contributing editor and columnist for Print, Eye and Communications Arts magazine, and founding editor of the website Design Observer. She is Senior Critic at Yale School of Art since 1994, a lecturer in Yale College, and Artist-in-Residence at Yale’s Institute for Network Science. Named the first Henry Wolf Resident in design at the American Academy in Rome in 2010, she is a member of the Alliance Graphique Internationale and the Art Director’s Hall of Fame. In 2013, she won the AIGA medal.
Paul Scott Makela was a graphic designer, multimedia designer and type designer. Among other work, he was especially noted for the design of Dead History, a postmodern typeface that combined features of a rounded sans serif typeface and a crisp neo-classical serif typeface. With the emergence of the personal computer in the mid-1980s, Makela was among the first to explore digital programs such as Photoshop and Adobe Illustrator. As a result, he created an idiosyncratic, original and highly controversial design aesthetic. In particular, his disregard for clean, modernist, problem-solving design agendas—synonymous with contemporary corporate graphic design—caused much debate among powerful, old-guard designers such as Massimo Vignelli, Paul Rand, and Henry Wolf.
Malcolm Leslie Garrett is a British graphic designer, and Creative Director of Images&Co, a communications design consultancy based in London, UK. He is Ambassador for Manchester School of Art and co-founder of the annual Design Manchester festival, which has run since 2013.
Ken Garland was a British graphic designer, photographer, writer and educator. Garland is known for his writing on design and the prolific work of his studio Ken Garland & Associates.
Louise Fili, born on April 12, 1951, is an American graphic designer renowned for her adept use of typography and commitment to quality design. Her artistic inspiration derives from her passion for Italy, Modernism, and European Art Deco styles. Acknowledged as a trailblazer in the postmodern revival of historical styles in book jacket design, Fili seamlessly blends historic typography with contemporary colors and compositions. Commencing her career in the publishing industry, Fili gained prominence for her robust typographic approach, crafting nearly 2,000 book jackets during her tenure with Random House. Upon establishing her own design studio, she has directed her focus towards restaurant identity, food-related logos, and packaging.
Inge Druckrey is a designer and educator, who brought the Swiss school of design to the United States. She taught at Yale University, Rhode Island School of Design, University of Hartford, Philadelphia College of Art, Kunstgewerbeschule in Krefeld, The University of the Arts, Kansas City Art Institute. She is Professor Emerita of Graphic Design, University of the Arts.
Lella Vignelli was an Italian architect, designer, and businesswomen. She collaborated closely throughout much of her life with her husband Massimo Vignelli, with whom she founded Vignelli Associates in 1971.
Elaine Lustig Cohen was an American graphic designer, artist and archivist. She is best known for her work as a graphic designer during the 1950s and 60s, having created over 150 designs for book covers and museum catalogs. Her work has played a significant role in the evolution of American modernist graphic design, integrating European avant-garde with experimentation to create a distinct visual vocabulary. Cohen later continued her career as a fine artist working in a variety of media. In 2011, she was named an AIGA Medalist for her achievements in graphic design.
Jacqueline S. Casey was a graphic designer best known for the posters and other graphic art she created for the Massachusetts Institute of Technology (MIT). While practicing a functional Modernism, Jacqueline S. Casey was a graphic designer in the Office of Publications from 1955 to 1989, and was appointed director in 1972. In discussing her design, Casey stated, "My work combines two cultures: The American interest in visual metaphor on the one hand, and the Swiss fascination with planning, fastidiousness, and control over technical execution on the other."
Gail Swanlund is a contemporary graphic designer and writer who describes her work as living "at the intersection of real world practice of graphic design and design as art form, with a deep respect for natural and supernatural systems." Swanlund was born in Saint Paul, Minnesota in 1963. She lives and works in Los Angeles, moving within a community of graphic designers making "literate, intelligent work" such as Anne Burdick, Denise Gonzales Crisp, Jens Gehlhaar, Geoff Kaplan, Geoff McFetridge, Louise Sandhaus, Alexei Tylevich and Michael Worthington.
Gail Anderson is an American graphic designer, writer, and educator known for her typographic skill, hand-lettering and poster design.
Nontsikelelo Mutiti is a graphic designer, artist and educator. Her work focuses on web design, video, print, and book art. She often includes hair braiding in her design work, and is "interested in the nuanced differences between black cultures". Her work includes printed materials for Black Lives Matter. Since 2022, Mutiti has served as the Director of Graduate Studies in Graphic Design at the Yale School of Art.