Author | Charles Williams |
---|---|
Publisher | Faber and Faber |
Publication date | 1937 |
Pages | 222 |
Descent Into Hell is a 1937 novel written by Charles Williams.
Williams is less well known than his fellow Inklings, such as C. S. Lewis and J. R. R. Tolkien. Like some of them, however, he wrote a series of novels which combine elements of fantasy fiction and Christian symbolism. Forgoing the detective fiction style of most of his earlier supernatural novels, most of the story's action is spiritual or psychological in nature. It fits the "theological thriller" description sometimes given to his works. For this reason Descent was initially rejected by publishers, though T. S. Eliot's publishing house Faber and Faber would eventually pick up the novel, as Eliot admired Williams's work, and, though he did not like Descent Into Hell as well as the earlier novels, desired to see it printed.
There are several prominent literary allusions running throughout Descent Into Hell. Battle Hill's resident poet, Peter Stanhope, frequently quotes and references William Shakespeare's play The Tempest .
Percy Bysshe Shelley's work Prometheus Unbound is also referenced repeatedly, regarding the appearance of a doppelgänger.
Less obvious Biblical allusions are present, as well as several references to mythology and legend, including Lilith, Samael, and succubi.
The action takes place in Battle Hill, outside London, [1] amidst the townspeople's staging of a new play by Peter Stanhope. The hill seems to reside at the crux of time, as characters from the past appear, and perhaps at a doorway to the beyond, as characters are alternately summoned Heavenwards or descend into Hell.
Pauline Anstruther, the heroine of the novel, lives in fear of meeting her own doppelgänger, which has appeared to her throughout her life. But Stanhope, in an action central to the author's own theology, takes the burden of her fears upon himself—Williams called this the Doctrine of Substituted Love—and enables Pauline, at long last, to face her true self. Williams drew this idea from the biblical verse, "Ye shall bear one another's burdens" [2]
And so, Stanhope does take the weight, with no surreptitious motive, in the most affecting scene in the novel, and Pauline, liberated, is able to accept truth.
On the other hand, Lawrence Wentworth, a local historian, finding his desire for Adela Hunt to be unrequited, falls in love instead with a spirit form of Adela, which seems to represent a kind of extreme self-love on his part. As he isolates himself more and more with this insubstantial figure, and dreams of descending a silver rope into a dark pit, Wentworth begins the descent into Hell.
Clive Staples Lewis was a British writer, literary scholar, and Anglican lay theologian. He held academic positions in English literature at both Magdalen College, Oxford (1925–1954), and Magdalene College, Cambridge (1954–1963). He is best known as the author of The Chronicles of Narnia, but he is also noted for his other works of fiction, such as The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, including Mere Christianity, Miracles, and The Problem of Pain.
Charles Walter Stansby Williams was an English poet, novelist, playwright, theologian and literary critic. Most of his life was spent in London, where he was born, but in 1939 he moved to Oxford with the university press for which he worked and was buried there following his early death.
John Ronald Reuel Tolkien was an English writer and philologist. He was the author of the high fantasy works The Hobbit and The Lord of the Rings.
"Leaf by Niggle" is a short story written by J. R. R. Tolkien in 1938–39 and first published in the Dublin Review in January 1945. It was reprinted in Tolkien's book Tree and Leaf, and in several later collections. Contrary to Tolkien's claim that he despised allegory in any form, the story is an allegory of Tolkien's own creative process, and, to an extent, of his own life, following the structure of Dante's Purgatorio. It also expresses his philosophy of divine creation and human sub-creation. The story came to him in a dream.
A doppelgänger, sometimes spelled doppelgaenger or doppelganger, is a biologically unrelated look-alike or double, of a living person.
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The Mythopoeic Awards for literature and literary studies are given annually for outstanding works in the fields of myth, fantasy, and the scholarly study of these areas. Established by the Mythopoeic Society in 1971, the Mythopoeic Fantasy Award is given for "fiction in the spirit of the Inklings", and the Scholarship Award for non-fiction work. The award is a statuette of a seated lion, with a plaque on the base. It has drawn resemblance to, and is often called, the "Aslan".
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The T. S. Eliot Prize for Poetry is a prize for poetry awarded by the T. S. Eliot Foundation. For many years it was awarded by the Eliots' Poetry Book Society (UK) to "the best collection of new verse in English first published in the UK or the Republic of Ireland" in any particular year. The Prize was inaugurated in 1993 in celebration of the Poetry Book Society's 40th birthday and in honour of its founding poet, T. S. Eliot. Since its inception, the prize money was donated by Eliot's widow, Valerie Eliot and more recently it has been given by the T. S. Eliot Estate.
The Pilgrim's Regress is a book of allegorical fiction by C. S. Lewis. This 1933 novel was Lewis's first published work of prose fiction, and his third piece of work to be published and first after he converted to Christianity. It charts the progress of a fictional character named John through a philosophical landscape in search of the Island of his desire. Lewis described the novel to his publisher as "a kind of Bunyan up to date," in reference to John Bunyan's 1678 novel The Pilgrim's Progress, recast with the politics, ideologies, philosophy, and aesthetic principles of the early 20th century. As such, the character struggles with the modern phoniness, hypocrisy, and intellectual vacancy of the Christian church, Communism, Fascism, and various philosophical and artistic movements.
"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. It was published two years before Eliot converted to Anglicanism.
Theopoetics in its modern context is an interdisciplinary field of study that combines elements of poetic analysis, process theology, narrative theology, and postmodern philosophy. Originally developed by Stanley Hopper and David Leroy Miller in the 1960s and furthered significantly by Amos Wilder with his 1976 text, Theopoetic: Theology and the Religious Imagination.
Alice Mary Hadfield, born Alice Mary Smyth, was a British book editor and writer, the co-ordinating editor of the first edition of The Oxford Dictionary of Quotations (1941), and the librarian at Oxford University Press's Amen House. She was also the founder, with her husband Charles Hadfield, of the South Cerney Trust in 1963.
A Companion to J. R. R. Tolkien is a 2014 book edited by Stuart D. Lee and published by Wiley-Blackwell. It is a part of the Blackwell Companions to Literature series, which have been described as prestigious reference works, and features authors well-known in the field of Tolkien studies.
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Jared Charles Lobdell was an American author and one of the first Tolkien scholars. He is best known for some thirty academic books on American history and the Inklings including J. R. R. Tolkien, C. S. Lewis, and Charles Williams.
J. R. R. Tolkien, the author of the bestselling fantasy The Lord of the Rings, was largely rejected by the literary establishment during his lifetime, but has since been accepted into the literary canon, if not as a modernist then certainly as a modern writer responding to his times. He fought in the First World War, and saw the rural England that he loved built over and industrialised. His Middle-earth fantasy writings, consisting largely of a legendarium which was not published until after his death, embodied his realism about the century's traumatic events, and his Christian hope.