The Deutsche Film- und Medienbewertung (FBW; formerly the Filmbewertungsstelle Wiesbaden) is a German federal authority for evaluating and rating film and media, located at Biebrich Palace in Wiesbaden. It was founded by resolution on August 20, 1951 by a regular assembly of all German state ministers of education ( Kultusministerkonferenz ). [1] The FBW, overseen by the Hessian Ministry for Science and the Arts, renders an expert opinion on films. Its two certification marks for outstanding quality are "worthwhile" (Wertvoll) and "especially worthwhile" (Besonders wertvoll).
In case of winning a mark, screenwriters, directors and other film artists receive so-called reference points; these make it easier for filmmakers to receive subsidies for future projects. Likewise, films rated as "worthwhile" or "especially worthwhile" are subject to lower entertainment taxes, depending on the specific state laws. Films are rated separately by genre. For example, the same jury rated two films – Hellboy II: The Golden Army and Das weiße Band – in the same meeting, and awarded them both an especially worthwhile.
The first film to be reviewed and decorated by this institution was Peter Lorre's directorial debut, Der Verlorene . In 1988, the FBW was heavily criticized for awarding a worthwhile rating to Rambo III .
The FBW and the Freiwillige Selbstkontrolle der Filmwirtschaft (Voluntary Self Regulation of the Movie Industry, also known as FSK), also based in Wiesbaden, work independently from each other. The FSK (similar to the British Board of Film Classification) manages a motion picture rating system with regard to the eligibility of films for children, and concentrates on how old viewers must be before they might be allowed to consume the examined media without the company of an adult. While the FSK has a remit to examine all media before they can be sold in Germany, the FBW audits all films that can be legally distributed in Germany. Films are audited on request, for a fee of about 20 Euros per minute. The 85 judges who adjudicate films in teams of five are paid on a nominal basis at 20 Euros per day, plus expenses.
Because the FBW's ratings are valuable in marketing films and DVDs, most commercial productions are audited by the FBW – even though any student filmmaker can have his or her short film rated by the FBW, too.
FBW may refer to:
The Freiwillige Selbstkontrolle der Filmwirtschaft is a German motion picture rating system organization run by the Spitzenorganisation der Filmwirtschaft based in Wiesbaden.
German underground horror is a subgenre of the horror film, which has achieved cult popularity since first appearing in the mid-1980s. Horror films produced by the German underground scene are usually trademarked by their intensity, taking on topics that are culturally taboo such as rape, necrophilia, and extreme violence.
Sinan Akkuş is a Turkish-German director, writer and actor.
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Tom meets Zizou – Not a Midsummer Night's Dream is a documentary film by Aljoscha Pause made in 2011. The film deals with the life and career of professional football player Thomas Broich.
Hugo Niebeling was a German film director and producer. He had been particularly noted for his work on industrial and music films, and is considered one of the most important renewers of these genres in Germany. His style is credited to have influenced and helped create the modern music video. His feature-film documentary Alvorada was nominated for an Academy Award in 1963.
Chaja & Mimi is a 2009 documentary short film by producer/director Eric Esser from Berlin, Germany. The work consists primarily of an interview with two Israeli Jews, Chaja Florentin and Mimi Frons, about their ambivalent relationship to the city of their birth, Berlin. The first version of the film was completed and released in 2009 in Germany only; a second version of the film, fully revised for the international film market, was completed and released in 2013.
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The Hamburg Syndrome is a 1979 West German-French science fiction film directed by Peter Fleischmann and starring Helmut Griem, Fernando Arrabal and Carline Seiser. The film is about an outbreak of an epidemic and quarantine. The film received attention again in 2020 during the COVID-19 pandemic.
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Anna Hepp is a German filmmaker, artist and photographer.
Dear Future Children is a documentary film directed by Franz Böhm about young activism worldwide. The German-British-Austrian co-production provides insights into the lives of three young activists from Hong Kong, Uganda and Chile and examines the impact on their daily lives. The film premiered on 18 January 2021 at the 42nd Max Ophüls Prize Film Festival, which was held online due to the COVID-19 pandemic.
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Émile V. Schlesser is a Luxembourgish film director, screenwriter, composer and multimedia artist.
Mara and the Firebringer is a 2015 German fantasy film. It is an adaptation of the first book in the trilogy of the same name by Tommy Krappweis, who also wrote the screenplay and directed it. The focus of the story is on Mara Lorbeer, a 15-year-old girl in Munich who learns that she is a spákona, a seeress from Norse and Germanic mythology, and is supposed to prevent the impending Ragnarök. She jumps back and forth between the world of the present and the world of Norse and Germanic mythology and meets such figures as Loki, Thor, Sigurd and the dangerous Firebringer. As with the novels, the film's technical adviser was Rudolf Simek.