Dhaanto is a style of traditional Somali music and folk dance. [1] It is a cultural folk dance native to Somali people in the Horn of Africa.
Dhaanto is a style of traditional Somali music and folk dance. [1] It is a cultural folk dance native to Somali people in the Horn of Africa.
According to Somali gabay dhaanto was believed to have been created by the nomadic Ogaden/Abasikuul/gaadsan/ and all somali galbed clans. The origin of dhaanto could be traced back to Gödey Somali region of Ethiopia. The dhaanto dance-song was revived in the early 20th century and it was used to raise the 'spirits' of soldiers and was often sung on horseback. Dhaanto became popular in the Somali Region (Somaali Galbeed) and quickly spread to other Somali territories in the Horn of Africa. In the Somali region, this dance is very popular and annually you will see ethnic Somalis perform versions of the dhaanto at the Nations, Nationalities and Peoples’ Day in Jigjiga. Additionally, the genre was employed in Islamic poetry. [2] Modern exponents of the dhaanto style include the Great Dhaanto Singer, Poet and Concert Writer and performer Abdirahman Ali, and the Somali singer-songwriter Abdullahi Abdulle. [3]
Famous dhaanto artists include Ahmed Budul, Ali Dhaanto, Bashir Carab, Nuur Caraale, Kafeya Sarhay Isaaq, Hodon Ma'allin, Bashir Jaawi, Abdi Dhaanto and Hani UK.
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.
Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk, rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life.
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization.
The rich and varied music of Sudan has traditional, rural, northeastern African roots and also shows Arabic, Western or other African influences, especially on the popular urban music from the early 20th century onwards. Since the establishment of big cities like Khartoum as melting pots for people of diverse backgrounds, their cultural heritage and tastes have shaped numerous forms of modern popular music. In the globalized world of today, the creation and consumption of music through satellite TV or on the Internet is a driving force for cultural change in Sudan, popular with local audiences as well as with Sudanese living abroad.
The Music of the Somali people is music following the musical styles, techniques and sounds of the Somali people.
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The music of Bahrain is part of the Persian Gulf folk traditions. Alongside Kuwait, it is known for sawt music, a bluesy genre influenced by African, Indian and Persian music. Sultan Hamid, Ali Bahar and Khaled El Sheikh are among the most popular musicians from Bahrain.
The Djiboutian Music refers to the musical styles, techniques and sounds of Djibouti. The first major form of modern Djiboutian music began in the mid-1940s, when Djibouti was a part of the French Somaliland. Djiboutian music is characterized by poetry, so that listening to a Djiboutian song is first paying attention to its meaning. The artist rocks the listeners in the cheerfulness of the refrains and the turn of the sentences. Often sung by a couple, a song is played in the form of a sleight of hand between a man and a woman, one recounting his feelings and his love, even his passion for the other, until the other accepts or rejects this offer.
The culture of Somalia is an amalgamation of traditions in that were developed independently since the Proto-Somali era. The hypernym of the term Somali from a geopolitical sense is Horner and from an ethnic sense, it is Cushite.
Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East, North Africa, the Horn of Africa, Balkans, and West Africa, Iran, Central Asia, and South Asia. Due to Islam being a multi-ethnic religion, the musical expression of its adherents is vastly diverse. Indigenous traditions of various part have influenced the musical styles popular among Muslims today. The word "music" in Arabic, the language of Islam, is defined more narrowly than in English or some other languages, and "its concept" was at least originally "reserved for secular art music; separate names and concepts belonged to folk songs and to religious chants".
Berber music refers to the musical traditions of the Berbers, a diverse grouping of distinct ethnic groups indigenous to North Africa who predate the arrival of Arabs in the Arab migration to the Maghreb. Their main connections are identified by their usage of the mostly mutually unintelligible Berber languages. Berber music varies widely across North Africa. It is stylistically diverse, with songs being predominantly African rhythms and a stock of oral literature.
The Somali people are a Cushitic ethnic group native to the Horn of Africa who share a common ancestry, culture and history. The East Cushitic Somali language is the shared mother tongue of ethnic Somalis, which is part of the Cushitic branch of the Afroasiatic language family, and they are predominantly Sunni Muslim. Forming one of the largest ethnic groups on the continent, they cover one of the most expansive landmasses by a single ethnic group in Africa.
The Isaaq is a major Somali clan family. It is one of the largest Somali clan families in the Horn of Africa, with a large and densely populated traditional territory.
The Darod is a Somali clan. The forefather of this clan was Sheikh Abdirahman bin Isma'il al-Jabarti, more commonly known as Darod. The clan primarily settles the apex of the Horn of Africa and its peripheries, the Somali hinterlands adjacent to Oromia (Ogaden), and both sides of the Kenya–Somalia border. The Darod clan is the largest Somali clan family in the Horn of Africa.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.
Abgaal is a sub-clan of the Hawiye and the even larger Samaale clan. It is one of the major Somali clans and has produced many prominent historical Somali figures including 3 presidents, and the father of the Somali military.
Somali literature is the literature used by the ethnic Somalis of Somalia, Somaliland, Djibouti, Yemen, Eritrea, Ogadenia, and Kenya.
Assyrian folk/pop music, also known as Assyrian folk-pop, is the musical style of the Assyrian people derived from traditional music that includes a broad range of stylistic varieties, which would also encompass fusions of Western genres such as pop, electronic, Latin, jazz and/or classical music, with a melodic basis of Assyrian folk.
The Dervish Movement was a popular movement between 1899 and 1920, which was led by the Salihiyya Sufi Muslim poet and militant leader Mohammed Abdullah Hassan, also known as Sayyid Mohamed, who called for independence from the British and Italian colonisers and for the defeat of Ethiopian forces. The Dervish movement aimed to remove the British and Italian influence from the region and restore the "Sufi system of governance with Sufi education as its foundation", according to Mohamed-Rahis Hasan and Salada Robleh.
The 1945 Sheikh Bashir Rebellion was a rebellion waged by tribesmen of the Habr Je'lo clan in the cities of Burao and Erigavo in the former British Somaliland colony and protectorate against British authorities in July 1945 led by Sheikh Bashir, a Somali religious leader, This rebellion occurred at a time two months upon the end of the Second World War in Europe, and post-war conditions, and the impending collapse of the British Empire, may have been the reasons for the rebellion in the first place.
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