Dhaanto is a style of traditional Somali music and folk dance. It is a cultural folk dance native to Somali people in the Horn of Africa.
According to Somali gabay dhaanto was believed to have been created by the nomadic Ogaden/Jidwaaq and Marreexaan clans. The origin of dhaanto could be traced back to Gödey Somali region of Ethiopia. The dhaanto dance-song was revived in the early 20th century and it was used to raise the 'spirits' of soldiers and was often sung on horseback. Dhaanto became popular in the Somali Region (Somaali Galbeed) and quickly spread to other Somali territories in the Horn of Africa. In the Somali region, this dance is very popular and annually you will see ethnic Somalis perform versions of the dhaanto at the Nations, Nationalities and Peoples’ Day in Jigjiga. Additionally, the genre was employed in Islamic poetry. [1]
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.
The Horn of Africa (HoA), also known as the Somali Peninsula, is a large peninsula and geopolitical region in East Africa. Located on the easternmost part of the African mainland, it is the fourth largest peninsula in the world. It is composed of Somalia, Djibouti, Ethiopia, and Eritrea. Although not common, broader definitions include parts or all of Kenya and Sudan. It has been described as a region of geopolitical and strategic importance, since it is situated along the southern boundary of the Red Sea; extending hundreds of kilometres into the Gulf of Aden, Guardafui Channel, and Indian Ocean, it also shares a maritime border with the Arabian Peninsula.
The Music of the Somali people is music following the musical styles, techniques and sounds of the Somali people.
The culture of the Republic of Djibouti is diverse due to the nation's Red Sea location at a crossroads of trade and commerce.
Botswana is an African country made up of different ethnic groups, although Batswana are the majority of the population. Music is a large part of Botswana culture, and includes popular and folk forms. Botswana church choirs are common nationwide.
Chad is an ethnically diverse Central African country. Each of its regions has its own unique varieties of music and dance. The Fulani people, for example, use single-reeded flutes, while the ancient griot tradition uses five-string kinde and various kinds of horns, and the Tibesti region uses lutes and fiddles. Musical ensembles playing horns and trumpets such as the long royal trumpets known as "waza" or "kakaki" are used in coronations and other upper-class ceremonies throughout both Chad and Sudan.
The Djiboutian Music refers to the musical styles, techniques and sounds of Djibouti. The first major form of modern Djiboutian music began in the mid-1940s, when Djibouti was a part of the French Somaliland. Djiboutian music is characterized by poetry, so that listening to a Djiboutian song is first paying attention to its meaning. The artist rocks the listeners in the cheerfulness of the refrains and the turn of the sentences. Often sung by a couple, a song is played in the form of a sleight of hand between a man and a woman, one recounting his feelings and his love, even his passion for the other, until the other accepts or rejects this offer.
The culture of Somalia is an amalgamation of traditions that were developed independently since the Proto-Somali era. The hypernym of the term Somali from a geopolitical sense is Horner and from an ethnic sense, it is Cushite.
Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East, North Africa, the Horn of Africa, Balkans, and West Africa, Iran, Central Asia, and South Asia. Due to Islam being a multi-ethnic religion, the musical expression of its adherents is vastly diverse. Indigenous traditions of various part have influenced the musical styles popular among Muslims today. The word "music" in Arabic, the language of Islam, is defined more narrowly than in English or some other languages, and "its concept" was at least originally "reserved for secular art music; separate names and concepts belonged to folk songs and to religious chants".
Berber music refers to the musical traditions of the Berbers, a diverse grouping of distinct ethnic groups indigenous to North Africa who predate the arrival of Arabs in the Arab migration to the Maghreb. Their main connections are identified by their usage of the mostly mutually unintelligible Berber languages. Berber music varies widely across North Africa. It is stylistically diverse, with songs being predominantly African rhythms and a stock of oral literature.
The Somali people are a Cushitic ethnic group native to the Horn of Africa who share a common ancestry, culture and history. The East Cushitic Somali language is the shared mother tongue of ethnic Somalis, which is part of the Cushitic branch of the Afroasiatic language family. They are predominantly Sunni Muslim. Forming one of the largest ethnic groups on the continent, they cover one of the most expansive landmasses by a single ethnic group in Africa.
The culture of Ethiopia is diverse and generally structured along ethnolinguistic lines. The country's Afro-Asiatic-speaking majority adhere to an amalgamation of traditions that were developed independently and through interaction with neighboring and far away civilizations, including other parts of Northeast Africa, the Arabian Peninsula, India, and Italy. By contrast, the nation's Nilotic communities and other ethnolinguistic minorities tend to practice customs more closely linked with South Sudan or the African Great Lakes region.
Indian folk music is diverse because of India's enormous cultural and traditional diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration.
The Gadabuursi, also known as Samaroon, is a northern Somali clan, a sub-division of the Dir clan family.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.
Somali literature is the literature used by the ethnic Somalis of Somalia, Somaliland, Djibouti, Yemen, Eritrea, Ogadenia, and Kenya.
The Djiboutians are the native inhabitants of Djibouti, as well as the global diaspora of Djibouti. The country is mainly composed of two ethnic groups, the Somali and the Afar. It has many languages - though Somali and Afar are the most widely spoken ones, Arabic and French serve as the official languages. There is a small Djiboutian diaspora in North America, Europe, and Australia.
The Somali languages form a group that are part of the Afro-Asiatic language family. They are spoken as a mother tongue by ethnic Somalis in Horn of Africa and the Somali diaspora. Even with linguistic differences, Somalis collectively view themselves as speaking dialects of a common language.
Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali society that were passed down to new generations in a timeline spanning several millennia in Somalia and Djibouti dating back 6000 years ago. Many of the things that constitute monotheistic Somali mythology today are traditions whose accuracy have faded away with time or have been gentrified considerably with the coming of Islam to the Horn of Africa.
The predominant religion in Somalia is Islam, with tiny minorities of Christians, traditional African religions and others.